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Release
MY REALITY is the album Dami Im's waited her whole career to make, seizing creative control and for the first time, writing or co-writing every track.“A few years ago I wasn’t mature enough to steer my albums the way I wanted them to go. This is the dream album, it took a while but I’m so proud of it.”MY REALITY’s collaborators range from One Above (Hilltop Hoods, Illy) to Andy Mak (Vera Blue, Tina Arena) to Konstantin Kersting (Tones And I, Spacey Jane). Most of the songs were written during the pandemic, meeting collaborators over Zoom rather than face to face.Considered one of the country’s most gifted vocalists, MY REALITY also sees Dami push her voice in new directions.“On this album I really enjoyed working with people whose work is different to what I normally do, and it makes you think about things differently.”With highly personal lyrics that touch on everything from depression to moving out of your childhood home, MY REALITY also sees Dami mature as a songwriter.“It was a really cathartic album to make, I felt like I was reading my own memoir back when I looked at the lyrics. It was very therapeutic.“As humans we all have this need to express ourselves and share our experiences. With all of the songs I’m hoping they speak to people on some level and that they’re relatable. Ultimately, I want people to feel heard and understood.“This album is about owning who I am. You shouldn’t shy away from the things people like about you. But you are who you are. Some parts on this record people might expect, some others show how much I’ve changed. With this album I’m just trying to be authentic in the way I know it, that’s my reality.”After winning The X Factor in 2013, Dami has released four ARIA Top 10 albums and scored hits with Alive, Gladiator, Smile, Super Love and her Eurovision gamechanger Sound of Silence – scoring the highest placing of any Australian artist at the global music competition.Signing with ABC Music in 2020, Dami has expanded her musical horizons with thrilling results.
Release
Acclaimed multi-instrumentalist, producer, singer and songwriter Nicky Bomba has brought his debut solo album Food & Shelter into the world.Food & Shelter is just his second solo album but the 24th of his career. Nicky has been a blazing creative spark in Australian music for decades: drummer in the John Butler Trio on classic albums Sunrise Over Sea, April Uprising and Flesh & Blood; the driving force behind Melbourne Ska Orchestra, the giant brass collective that grew from a one-off gig in Melbourne to play stages from Bluesfest to Glastonbury and win ARIAs for best world music album in 2016 and 2019. He is a multi-instrumentalist, producer and songwriter who has played in bands from Bomba to Bustamento and worked with greats like Joe Camilleri (their 2005 album Limestone) and Ross Hannaford (the Bomba-produced 1996 album Ross Hannaford Trio is reissued on Bomba’s label Transmitter Records).Food & Shelter finds those seeds in fertile ground, drawing on all Bomba’s experience exploring styles from reggae to jazz, funk and ethnic folk to create music with a bold, contemporary voice. As the title suggests, the album is about going back to basics on the path to discovery.Self-sufficiency has long been one of Bomba’s personal goals. That’s why he taught himself the art of recording in the first place, to keep musical control at his fingertips. If it ever came to a point where a musician couldn’t even be in a room with musical collaborators – a time where we were all locked down in our homes for an extended period, for example – there would still be a way forward. Food & Shelter is the first album he has made where he plays, writes and sings every note, all recorded in the studio at his home in the beautiful mountain country of north-eastern Victoria.Bomba says: “Some say lockdown is the time when introverts are at their best and I am one of those people. This was the perfect time for me to stay home, get motivated, be disciplined. The song Opportunity is about just that. This was the chance to make it happen.”The food and shelter theme recurs through the album: “Food equals the fuel that ignites us physically, emotionally, spiritually, mentally, to meet the challenges of modern life. Shelter is the safe house, the place of solace, friendship, love, getting back to nature, nurturing.”
Release
Get ready for a spooktacular celebration, a Halloween feast, and dance along to the Skeleton Scat!With the love of Halloween worldwide and children’s fascination with dressing up, this new album Halloween Party is just in time for the October celebration. The gang has Wiggle Town decorated like never before with cobwebs, pumpkins, bats, spiders and Halloween lighting – and children are encouraged to extend their imagination, dress up, and dance to one of the many new songs, such as Zombie Feet, Furry Wolfman and Little Vampires.Paul the Party Planner narrates, encouraging kids to follow the story as he guides and explains the actions through fun-filled tunes with Emma, Lachy, Simon and Anthony!Dress ups are a plenty, including a daddy dressed like a mummy and Wags the Dog dressed like a howling wolfman - and, as always, there’s lots of dancing, with even spiders, vampires and cats doing a waltz together.This latest special is a super fun and not-so-scary addition to The Wiggles catalogue.
Release
“I don’t want to do the same thing twice,” says homegrown singer-songwriter and multi-instrumentalist Gretta Ziller. As expansive sophomore studio album Judas Tree attests, it’s much more than a mantra.Gretta Ziller’scritically-lauded debut album Queen of Boomtown (2017) was long-listed for the Australian Music Prize, and was nominated for The Age Music Victoria Awards. Ziller has been an APRA Professional Development finalist, garnered two Golden Guitar nominations, and has performed at Australian Music Week.Judas Tree finds Ziller ranging far and wide over the sonic landscape, pushing her uniquely expressive voice, kaleidoscopic sound, and deft songwriting skills to dizzying new heights.“I’m a trained vocalist, and with this album, I wanted to prove that,” Ziller says.An exhilarating departure from the softer Americana poise of Queen of Boomtown, Judas Tree deploys richly layered guitar-driven sounds, building on Ziller’s roots in blues, rock, jazz, and pop.“I wanted to start at ‘Whiskey Shivers’ from Queen of Boomtown: that was my base song, sonically,” Ziller explains. “We wanted to have that big, full, really layered sound.”The result is an album that draws from many wellsprings: desert rock, psych, power pop, and more, capturing the sounds of inspirations from Rag’n’Bone Man to Bishop Briggs. The result is an 11-track songbook that frequently defies categorisation.“I’m not turtley enough for the turtle club,” Ziller jokes of her stylistic allegiances. “I come from country roots: I’m proud of the fact that I write like a country writer, because country songwriters are fantastic. But my sound isn’t country. I wanted to explore the foundation of me, while keeping my country songwriter’s influence.”An eloquent demonstration of Ziller’s storied hand as a writer, Judas Tree is an impassioned document of hearts bruised, broken, and steeled by adversity.The product of a fertile period of writing and touring on the back of Queen of Boomtown, Judas Tree was produced by the in-demand Paul Ruske, with engineering by Richard Stolz (Tones & I, Tash Sultana, Paul Kelly, Husky) and Richard Dodd (Tom Petty, George Harrison, Roy Orbison). Also featured is Americana peer Jen Mize on backing vocals and cello.Shivering with soul, the first single lifted from Judas Tree,‘Unlikely Believer’ (2020), offered an intoxicating insight into the album as a whole. Tearaway second single ‘Fan the Fire’ is an irresistible anthem of defiance, and finds Ziller shouldering the mantle of festival main stage floor-filler as never before.‘5, 4, 3, 2, 1’weds slide guitar to a gauzy haze of electric guitar tones as Ziller confronts a faithless lover, building to a cathartic, squalling climax, while the ominous ‘Judas Tree’ thunders with apocalyptic drums and tectonic desert rock guitars. At the heart of the album is supercharged guitar-pop entry ‘Stockholm’, with its storm of keys and buzzsaw guitars.There’s a bleakly majestic blues-rock entry in the sinuous ‘Cinder Ash & Ruin’ – a mounting maelstrom of layered guitars and one of Ziller’s most powerful vocal deliveries to date – before the ethereal ‘Jericho’ lands, shivering and swelling with feeling, providing the album’s clearest moment of stillness and introspection.‘My little rebellions are getting too grand,’Ziller sings on stirring piano ballad ‘Dry Town’, before the 90s-hued ‘Damage Done’ arrives with its raw, low-slung guitars and angular percussion. There’s a garage soul sway in ‘Over My Head’, before album closer ‘Dear Love Letter’ sees Ziller signing off with an engrossing, song of reflection.A study in songwriting mastery, incomparable vocal power, and stylistic expansion, Judas Tree is an unmissable monument to invention, re-invention, and vision.
Release
Diver City, a colourful and lively original children’s music collaboration project between musician Kristy Lee Peters (KLP) and comedian Matt Okine, returns in 2021 with the announcement of new single, video and album, DANCE SILLY.Diver City launched last year, entertaining children across the country with their infectious pop tunes!  Their debut album, Welcome to Diver City, received widespread play across ABC Kids and earned them an ARIA Award nomination for Best Children's Album, and an AIR Award nomination for Best Independent Children's Album.The album is a pop-driven musical kaleidoscope of feel good anthems, wacky adventures, and tunes to keep you and your little one's daily routine in check. Featuring collaborations with some of Australia's most popular artists, such as Bertie Blackman, Sam Cromack (Ball Park Music), Andy Bull, Adam Hyde (Peking Duk), Katie Noonan, Art Vs Science and more, and released with three accompanying music videos and sketches, DANCE SILLY invites everyone back to their favourite town of Diver City; a place where EVERYONE is welcome!Kristy Lee said , “It’s so exciting to write songs for children, harnessing the amazing talents of some of Australia’s most incredible songwriters and performers.  We are all about creating quality, positive material for young children and to be able to do it with our mates, is so rewarding!”.Matt Okine added, “Kristy Lee and I share a mutual love for all things silly and cooky and fun – it was such a natural fit for us to come together to create music for kids, with visuals they can dance along to – who wouldn’t welcome the opportunity to do that?”DANCE SILLY Album Tracklist:1.    Diver City In The House 2.    Together We Fly3.    Birds & Cows - co-written with Sam Cromak (Ball Park Music)4.    Dance Silly - co-written with & featuring Art vs Science5.    Love Is Love (Rainbow Family) - co-written with & featuring Bertie Blackman, also featuring Nicholas Brown (Playshool)6.    Your Imagination - co-written with & featuring Andy Bull, also featuring Katie Noonan7.    Abajo Road8.    Potty Party9.    Straight Hair Curly Hair - co-written with & featuring Adam Hyde (Peking Duk) and Raph (The Meeting Tree)10.  The Waiting Song11.  Jungle Gym - featuring Nick Drabble (Set Mo)12.  Pack it Up - featuring Alex Dyson13.  Sad Spaghetti14.  Make A Mess - co-written with & featuring Veronica Milsom15.  Toothbrush Time - co-written with Sam Cromak (Ball Park Music)
Release
'Love Songs For Lonely People' marks the first-ever solo album from former Cockroaches frontman and industry icon Paul Field.Field began the project at the start of 2020, where he recorded the vocals for ‘Valentine’s Day’ in Brisbane. Before international travel was stopped, he travelled to Nashville to directed and film the video for the track. After concluding he wanted a duet partner for the song, he called his good mate Kasey Chambers where she added her iconic vocal stylising, emotionally rich vocal tones and elevating the song to a new level. After recording her vocals she said to Paul, “I hope I didn’t fu#k it up”, Paul laughed and said, “You’ve got to be kidding me. It’s sublime!".‘Love Songs For Lonely People’ is a combination of new originals and covers of songs special to him. “Some of these songs I’ve been singing since I was a teenager. The common element with all of these songs is that I love them, and it was always a desire to record them one day” says Paul.Featured on the album are friends Jimmy Barnes, Ria Pirelli, Chris E Thomas and Elly-May Barnes. Featured on all tracks playing the guitar is Bill Chambers. The majority of ‘Love Songs For Lonely People’ was recorded at Jimmy Barnes own studio in Sydney and is co-produced by Paul’s brother John, who wrote and co-wrote some of the biggest hits for The Cockroaches and The Wiggles and co-wrote ‘This Way to Love and Happiness’ & ‘Alison (You’re The One)’.Tracklist1.     THIS WAY TO LOVE AND HAPPINESS (John Field, Paul Field)2.     YOU AIN’T GOING NOWHERE Featuring Jimmy Barnes (Bob Dylan)3.     SLEEPLESS NIGHTS Featuring Ria Pirelli (Felice Bryant, Boudleaux Bryant)4.     VALENTINE’S DAY Featuring Kasey Chambers  (Sean Sennett)5.     GASOLINE AND MATCHES Featuring Chris E Thomas (Buddy Miller, Julie Miller)6.     THEY REMIND ME TOO MUCH OF YOU (Don Robertson)7.     TOMORROW IS A LONG TIME Featuring Elly-May Barnes (Bob Dylan)8.     KISS HER FOR ME (Frankie Miller)9.     WHEN YOU WALK IN THE ROOM (Jackie De Shannon)10.  FACTORY GIRL (Mick Jagger, Keith Richards)11.  ALISON (YOU’RE THE ONE) (John Field, Paul Field)12.  YOU DON’T KNOW ME (Cindy Walker, Eddy Arnold)
Release
Finding improbable beauty in the more difficult aspects of love – transcendent moments of bliss giving way to overwhelming confusion, disappointment, and loss – two-time Golden Guitar-winning songsmith Andrew Swift delivers a stunning document of heartache with expansive sophomore album The Art of Letting Go.Produced by the inimitable Matt Fell (Sara Storer, Shane Nicholson, Fanny Lumsden), The Art of Letting Go found Swift partnering with a host of songwriting luminaries, from the Wolfe Brothers, to Phil Barton (Lee Brice, Eli Young Band), Sinead Burgess, Jay O’Shea, Margaret Valentine, Brian Maher (Taylor Swift), and Kevin Mac (George Jones, Zac Brown Band).Joining Swift on the album was a host of stellar players drawn from both Australia and Nashville: Josh Schuberth (Josh Pyke) on drums, Matt Fell, Ollie Thorpe on guitar, Tim Crouch (Alan Jackson, Jim Lauderdale) on fiddle, mandolin, and banjo; Rob McNelly (Miranda Lambert) on lead guitar, Sam Hawksley (Adam Brand), Pete Cornelius, Dan Biederman (Adam Eckersley Band), Andy Schrav, and Will Kimbrough (Emmylou Harris) on mandolin.The Art of Letting Go finds Swift deploying an array of rich sonic textures, building on and expanding the sounds that made incomparable debut Call Out for the Cavalry a breakout success.The Art of Letting Go finds Andrew Swift at the peak of his powers. Showcasing the singer’s soaring vocal, ‘Courting Calamity’ is carried on an updraft of swelling heartland rock guitars, as Swift courts disaster in the arms of a dangerous yet irresistible new love. The soulful ‘Never Meant to Break Your Heart’ charts the exquisite agony of romantic regret, before ‘Head Full of Honey’ offers up an earthy, rollicking ode to lovesickness peppered with mandolin and fiddle.The beating heart of the album, title track ‘The Art of Letting Go’ is a glorious, heartworn torch song, while there’s an irresistible locomotive country-pop jaunt in ‘Right On Down’, a delicate hymn to the healing power of friendship in times of trouble in ‘One Breath at a Time’, and a stoned and booze-addled waltz in the languorous ‘She Loves to Get High’.Glorious country-pop tune ‘Say the Word’ (Featuring Cass Hopetoun) couples summery sounds with illicit longing, setting the stage for soulful, slinky love song ‘Good Kind of Giving In’. ‘Taking the Blame’ is a heartsick, world-weary sway, before Swift reflects on the challenges of the past year in the meditative ‘Holding My Tongue’.A powerful document of love, longing, and loss, The Art of Letting Go is Andrew Swift at his evocative, expressive best.
Release
The Song Club’ is the debut album from Felicity Urquhart and Josh Cunningham. From a year that many would have gladly sent back for a refund, a joy bringing, spirit lifting collection of songs emerged as a reminder that even in the darkest of times, the light of music and love can never be extinguished.in January 2020, Felicity and Josh were invited to join Song Club - a creative collective that tasked members with writing a song a week. This challenge gave the pair a lifeline to creativity and community as well as an abundance of new material.Nine of the eleven tracks on ‘The Song Club’ LP were written as weekly ‘Song Club’ compositions. Resulting in an album of simple beauty, true to life narrative and music that celebrates the stories the songs tell.Josh (as a member of The Waifs), and Felicity in her own right, have both enjoyed lengthy, successful, enduring musical careers. A collective haul of Golden Guitars, ARIA Awards, multi-platinum album sales and extensive touring over nearly three decades forms a body of work that serves as a ready definition of success.A from the heart connection to music has been a constant for each, from the moment its’ power captivated them at an early age and set the course for their lives.The fact that all the songs were written, performed, recorded and produced by Josh and Felicity seems a fitting element to this deeply intimate work that was mixed by James Newhouse and mastered by William Bowden.'The Song Club' features eleven songs that speak of new beginnings, new journeys, new horizons, and a sense of freedom and flight.Track Listing:1.       Seasons (J.Cunningham)2.       Spare Parts (J.Cunningham)3.       Wanna Go There (F.Urquhart/J.Cunningham)4.       Open Sea(J.Cunningham)5.       No Such Luck (J.Cunningham)6.       Rain Fall (J.Cunningham)7.       Catching A Feeling (J.Cunningham)8.       Flying (F.Urquhart/J Cunningham)9.       At Your Table (J.Cunningham)10.     Hopeless and Good (F.Urquhart)11.     A Year To Remember(J.Cunningham)  
Release
Drawing profound inspiration from his identity as a Torres Strait Islander and celebrating the cultural traditions and natural rhythms of his island homeland, rising star singer-songwriter and musician Chris Tamwoy delivers a captivating self-portrait with debut studio album Reality Is.Recorded at Queensland’s storied Yama-Nui Studio and produced by the ARIA Award-winning Paulie “Paulie B” Bromley (Ash Grunwald, Katie Noonan), Reality Is showcases Tamwoy’ssignature virtuosic guitar-tap style, and boasts a suite of mesmerising vocal performances delivered in a mix Eastern and Western Torres Strait Islander language, Creole, and English.“My whole album is based on the reality of life,” Tamwoy relates. “It’s about me and who I am: it’s me as an individual covering every inch, every aspect of who I am as a Torres Strait Islander. I wanted to bring in my identity and the clans I originate from in the Torres Strait.”The 2020 single ‘Kulba Yaday’, featuring the incomparable Christine Anu, refers to “old talk”: a celebration of Torres Strait Islander culture and the passing down of knowledge between generations, is a mesmerising entry carried by transcendental vocal harmonies.  “I’m very driven by my elders passing down information and keeping traditional culture alive from generation to generation,” Tamwoy explains. “I’ve been able to apply teachings from my elders to expressions of music and art. It’s a big influence in this album.”Sung in Anu’s mother’s language Kalaw Kawaw Ya, ‘Kulba Yaday’ is a song of profound importance to Tamwoy’s musical family. Anu herself has said of Tamwoy, “Chris Tamwoy should be celebrated for an individuality, his uniqueness! I am proud to call him a peer who will have a massive impact in the industry.”The album’s narrative songs are punctuated by a string of instrumentals that conjure the gently lapping wavelets of Tamwoy’s island country, and recall the likes of Xavier Rudd and John Butler: the richly resonant ‘Healing You’, frenetic album closer ‘LUV’, and the virtuosic ‘Waves’, with its hypnotic picking and tumbling rhythm, which is equal parts percussive and chiming with sweetness.Adding profound and very personal importance to Reality Is is the album’s cover art, which depicts a totemic shark, crocodile, and stingray bound together by a patterned circle.“Those three animals represent the three clans I’m from,” Tamwoy explains. “The crocodile sits to the left side, which represents my mother’s side, the shark sits to the right and represents my father’s side, and the stingray sits in the middle and is the clan animal for the Tamwoy clan.”Projecting Tamwoy’s powerful connection to culture and country, Reality Is is the songbook of a master musician and uniquely captivating songsmith. Teeming with arresting images and sounds drawn from the Torres Strait, it’s an unforgettable insight into the world of an enduring star on the rise.
Release
Inspired by the Songs Without Words of Felix and Fanny Mendelssohn, this trio of exquisite lyrical miniatures explores the relationship, in life and in music, between these two talented composers.The first of the three, ‘Ornamental’, references the double standard applied to the two gifted youngsters by their father, who declared that Felix could become a professional musician, but for Fanny, music could only ever be an ornament. The middle movement, ‘Lied’ (German for ‘song’), explores the close musical collaboration between Felix and Fanny, and the way in which their individual styles came to resemble each other. In both of these pieces, composer Anne Cawrse contrasts and brings together traditional stereotypes of masculine and feminine: strength and beauty, intellect and emotion, structure and decoration.The suite closes with ‘Swansong’, a reflection on aspects of loss in the story of Fanny and Felix: the struggle to be heard and understood, the disappointment of unfulfilled potential, and the sorrow felt at the death of a sibling – Felix, shattered by the loss of his beloved older sister, died less than six months later, aged 38Songs Without Words was commissioned by ABC Classic in 2020 as part of the ABC’s Fresh Start program.
Release
‘We’re All Fruit Salad!: The Wiggles’ Greatest Hits’ is the brand new, career-spanning compilation album from The Wiggles, released to celebrate the band’s 30th anniversary!The album is jam-packed with 40 iconic hits that have become part of the early childhood music canon. Unforgettable classics from across the band’s entire career including ‘Rock-A-Bye Your Bear’, ‘Hot Potato’, ‘Fruit Salad’, Toot Toot, Chugga Chugga Big Red Car’ and ‘Do the Propeller!’, as well as 7 brand new recordings that are exclusive to this album!Fans of The OG Wiggles (The ‘Original Guys’), will love reliving the soothing voice of Greg, scintillating guitar breaks from Murray, Jeff’s keyboard wizardry, and Anthony's commentary "What’s Next Greg?”, alongside their good friends; Dorothy the Dinosaur, Captain Feathersword, Wags the Dog and Henry the Octopus.The OGs started ‘cradle rock’, sold out Madison Square Garden 12 times and have created classics for children around the world! A few years later, Sam started Wiggling and the band kept rocking! In 2013, a whole new sound came along, when Emma, Lachy and Simon joined in on the fun!"This 30-year compilation is like looking back at a party that has been going for more than half my life”- Anthony Field (Blue Wiggle, Founding Member).This album is a celebration of The Wiggles music’s enduring appeal, and the band’s popularity with generations of families across the globe.30 years, yummy yummy!Track list:1.      Get Ready to Wiggle (1993)2.     Rock-a-Bye Your Bear (1993)3.     Hot Potato (1994)4.     Fruit Salad (1994)5.     Dorothy the Dinosaur (1993)6.     The Monkey Dance (1994)7.      D.O.R.O.T.H.Y (My Favourite Dinosaur) (1994)8.     Can You (Point Your Fingers and Do the Twist?) (1997)9.     Romp Bomp a Stomp (1996)10.   Go Santa Go! (1996)11.    Toot Toot, Chugga Chugga, Big Red Car (1998)12.   Captain Feathersword Fell Asleep On His Pirate Ship (Quack Quack) (1998)13.   Food Food Food (Oh How I Love My Food) (1998)14.   Here Come the Reindeer (2000)15.   Wiggle Bay (2002)16.   Anthony's Workshop (2003)17.    Getting Strong! (2007)18.   Follow the Leader (2007)19.   Do the Propeller! (2013)20.  I've Got My Glasses On! (2013)21.   Ready, Steady, Wiggle! (2013)22.  Say the Dance, Do the Dance (2013)23.  Wake Up Lachy! (New 2021 version)24.  Apples and Bananas (New 2021 version)25.  Simon Says (2018)26.  Who's in the Wiggle House? (2014)27.   The Wonder of Wiggle Town (2016)28.  Henry's Christmas Merengue (2017)29.  Emma's Theme (New 2021 version)30.  Welcome to the Lachy Wiggle Show (New 2021 version)31.   I Went to the Library (2015)32.  Hey, Wags! (2014)33.  The Toilet Song (2018)34.   Shirley Shawn the Unicorn (2018)35.   Emma's Yellow Bow (New 2021 version)36.  H.O.L.I.D.A.Y from ‘Wiggle Pop!’ (2018)37.   Here Come The Wiggles from ‘Fun and Games!’ (2020)38.  Handwashing Song from ‘Choo Choo Trains…’ (2020)39.  Everybody Wiggle Along (2021)40.  We're All Fruit Salad! (2021)
Release
Morgan England-Jones soprano • Acacia QuartetA musical tale of hope.The Night Parrot is one of the most elusive and mysterious birds in the world. Believed to be extinct for 100 years, this shy, nocturnal, ground-dwelling Australian parrot with its distinctive green and gold feathers was finally spotted in the wild, and a 56,000 hectare reserve has been created to protect and nurture the tiny remaining population.Setting a bush poetry-style text created by librettist Jeff Wells, composer Jessica Wells traces in music the story of the Night Parrot, and the quest to find it and bring it back from the edge of extinction: an exploration, she says, ‘of the human endeavour that had almost destroyed this little bird, but has now saved it.’ Her music evokes the vast and sparse outback environment that the Night Parrot inhabits; it examines the predators and dangers that threaten its existence; it takes us to Victorian England and the posh drawing rooms where stuffed birds were sent; it shows us the first time a bird was held in human hands for over 130 years; and finally, it reflects on the importance of the effort to preserve the species now and into the future.Performed by award-winning soprano Morgan England-Jones and the Acacia Quartet, this is a heartwarming and uplifting musical account of one of this country’s great stories.   TRACKLISTING JESSICA WELLSThe Night ParrotI. PrologueII. Will-o-the-WispIII. Channel CountryIV. The Story of a Little BirdV. PredatorsVI. The Story of a Precious BirdVII. VictorianaVIII. The Story of Pezoporus occidentalisIX. Sundown in the Spinifex (Re-enactment)X. EpilogueXI. Reflection Morgan England-Jones sopranoAcacia QuartetLisa Stewart violinMyee Clohessy violinStefan Duwe violaAnna Martin-Scrase cello