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Lee Kernaghan

Lee Kernaghan was born on April 15, 1964, in Corryong, Victoria on the foothills of the Snowy Mountains high country. The son of a truck driver and later multi platinum recording artist Ray Kernaghan, Lee spent his formative years growing up in the Riverina country of Southern NSW. Lee’s Grandfather was a third generation drover of sheep and cattle and his experiences on the road with his Pop ran deep, producing a string of hits that began with the release of his first album, the ARIA award winning The Outback Club in 1992. His first number one hit ‘Boys from the Bush’ became an anthem, a celebration of a way of life that connected with the hearts and minds of a younger generation of rural Australians. His music was country but it rocked and was the harbinger of a new era for Australian Country Music. “When Garth (Porter) and I first wrote Boys from the Bush I had no idea it would ever be a hit. It was just a song about me and my mates, working on the land, going to the pub and tearing around in utes. I didn’t think anyone would be that interested in us...we were just kids from the bush but Garth said “this record (The Outback Club) has to be about your life and where you come from” so we wrote that song and several others and before long I had a band and we were out on the road performing them live.”

NEW STAR RISING
In January 1993 Kernaghan was awarded his first Golden Guitar for Song of the Year (Boys from the Bush) along with more Golden Guitars for Album of the Year (The Outback Club) and Male Vocalist of the Year. Kernaghan and Porter collaborated again in 1993 to produce the highly acclaimed Three Chain Road album which featured the smash hits She’s my Ute, The Outback Club and the award winning duet Leave him in the Longyard with Slim Dusty. Three Chain Road won Kernaghan a record five Golden Guitars at the Australian Country Music Awards, the 1994 ARIA Award for Country Album of the Year and Double Platinum Certification from the Australian Record Industry Association. Throughout his career Lee Kernaghan has dominated the charts with successive hit albums including Three Chain Road, 1959, Hat Town, Electric Rodeo, The New Bush, The Big Ones and #1 album Spirit of The Bush. Awarded Hit Maker of the Decade in recognition of unprecedented chart success throughout the 90’s Lee was recently named the biggest hit-maker of the last twenty years on the Australian Country Tracks Chart 2009 edging out musical greats from Australia and America for the number one position.

LOST IN THE WILDERNESS
It hadn’t always been smooth sailing for Kernaghan who after winning the 1982 Starmaker award soon found himself in the musical wilderness. “I remember being on a real high after Starmaker but my first single didn’t have any impact at radio, there was a failed record and management deal somewhere in there and before long I was back in Albury, NSW trying to get gigs anywhere for me and my band. Nobody wanted to hear much country back then so I was mainly singing pop/rock covers and some rock ‘n roll. I remember working in a piano bar playing cocktail music for a couple of years and even called bingo at the SS&A club between sets. Probably the darkest day was playing at the Carriers Arms Hotel in early 1990. I loaded in my PA and started playing at 8pm but a couple of hours went by and nobody turned up. At 11pm the bar manager said I could knock off and I loaded all my gear back into this little modified horse float I was towing, knowing that not a soul had turned up to my show, not even my Mum!”

PASS THE HAT AROUND
Kernaghan has always been passionate about the bush, children, families and the people of rural, remote and regional Australia. “The boys and I rolled into Charleville QLD one Saturday morning back in 1997. We’d been touring hard through the bush for the previous few years and had seen first hand the effects of drought and economic rationalisation on smaller towns and communities. We’d also experienced first hand the mighty spirit of country people that binds so many towns together and helps keep people going through good times and bad. As I looked up and down the main street of Charleville that morning I turned to the boys and said this is a Hat Town. As soon as I had said the words I knew it would be the title of my next album.” ‘Hat Town’ became the first number one hit from the album which also produced the number one songs and music videos ‘Gettin’ Gone’ and ‘Goondiwindi Moon’, which featured the stellar guest vocals from Grammy Award winning Trisha Yearwood. Wanting to give something back to the country Lee announced the “Toyota Pass the Hat Around Australia Tour” that went on to raise over one million dollars for country communities doing it tough. Funds were raised to air-condition country schools, for bushfire rebuilding projects, for the purchase of medical equipment for remote hospitals, emergency services, drought and flood relief.

A NEW MILLENNIUM
By the end of the 90’s Kernaghan had spent the last eight years of his life recording and touring at a heavy pace. He entered the new millennium with his retrospective Rules of the Road album that featured his reworking of the Coster/Dusty classic Cunnamulla Fella and posthumous duets with the legendary Tex Morton and Buddy Williams. By 2002 Kernaghan was ready to rock and released Electric Rodeo, which topped the Australian Country Chart and debuted #4 on the ARIA Top 50 Album Sales Chart. Electric Rodeo was released in tandem with Kernaghan’s performance as The Balladeer in the hit stage production “The Man from Snowy River Arena Spectacular” which won him his third ARIA Award for Best Musical Soundtrack. 2006 saw the release of his Album of the Year The New Bush, which was certified Platinum by ARIA and in 2007 the companion album Spirit of the Bush featured the Vocal Collaboration of the Year with Adam Brand and Steve Forde.

TAKING IT ON THE ROAD
Kernaghan’s dynamic live performances have been a trademark to his stellar career which has enabled him to take country music “out of the box” and serve it up, pyrotechnics and all to a mainstream audience. Lee Kernaghan has become a leading figure in Australian music and a fine ambassador for his craft. Kernaghan has an undisputable passion for his music and his country and was named 2008 Australian of the Year by the Prime Minister, Kevin Rudd. To many people he represents the spirit and values of contemporary rural Australia but for Lee it’s everyday Australians that inspire him the most. He has sold over one million albums in Australia, won 27 Golden Guitars, 3 ARIA awards, had 26 number one hits and 10 hit albums – all of which have achieved Platinum or better sales.

THE PLANETS ALIGN
On November 6, 2009 Kernaghan releases his latest collection of songs, Planet Country. Two years in the writing and producing, Planet Country may very well be his finest album to date. Recorded in Sydney and Nashville with what Lee describes as “some of the best musicians in the world”, Planet Country reveals enormous depth, masterful songwriting and maturity in Kernaghan that can only have come from experience. Standout singles include ‘Planet Country’, ‘People like Us’, the majestic ‘Love In The Time Of Drought’, ‘Dirt’, ‘Australian Boy’, ‘Gold’ and ‘Scars’ the southern rock inspired duet featuring U.S. country superstar Dierks Bentley. “Planet Country is about me and it’s about us. There’s not one line from any song that I haven’t lived myself or believe in. Every song on the album is there for a reason. Everyone who has contributed, from the players, songwriters, production and engineering team has made making Planet Country a highlight of my career. At the end of the day it’s only music, but there’s something special about this one for me.”

SPIRIT OF THE ANZACS
2015 marks the 100th Anniversary of the ANZAC’s landing at Gallipoli. In honour of this landmark occasion, music icon and former Australian of the Year, Lee Kernaghan, teams up with a host of local artists and musicians to bring you ‘SPIRIT OF THE ANZACS'.
Recorded at Rancom Street Studio in Sydney, Lee worked with long-time producer and collaborator Garth Porter. Granted unique access to the Australian War Memorial archive, ’SPIRIT OF THE ANZACS’ is inspired by the letters of these diggers to their loved ones from WWI thru to the present day.

'SPIRIT OF THE ANZACS’, the remarkable new album from Lee Kernaghan & Special Guests, has claimed the ARIA Album Chart #1 spot, overcoming a host of international and domestic releases with one of the strongest second week sales of the year. ARIA has also certified that the album has gone GOLD after only two weeks of sales.

‘Spirit Of The Anzacs' has dominated the iTunes All-Genres album chart this week with the Deluxe Edition of the album hitting the top of the chart on Sunday evening. The music video featuring the charity single Spirit Of The Anzacs’ has also claimed the number one position on the iTunes All Genre video chart.

Lee is thrilled that this album has resonated so strongly with the Australian public, saying “Writing and recording these songs that have been inspired by the letters and true stories from servicemen and women is the most humbling yet inspirational experience of my career.

I am so grateful for the contribution and incredible performances from some of Australia’s greatest artists, who have joined me in honouring the Anzacs. Every nation has its story. This ours”.

Additionally, ABC Music achieves a landmark this week, achieving their first ever artist No.1 ARIA Mainstream album. Robert Patterson, Director – ABC Commercial, said “It is a great achievement that ABC Music has attained its first No.1 mainstream chart album. It’s also entirely fitting it should be by Lee Kernaghan – an artist who has worked in partnership with the ABC for his entire career.”

‘Spirit Of The Anzacs’ features a diverse array of stars across the musical spectrum including Lisa McCune, John Schumann, Sara Storer, Fred Smith and VC recipient Ben Robert Smith.  Superstars Guy Sebastian, Jessica Mauboy, Sheppard, Jon Stevens, Shannon Noll and Megan Washington donated their time and talents to the ‘Spirit Of The Anzacs’ charity song and video with all proceeds going to Legacy Australia and Soldier On.

http://www.leekernaghan.com/
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https://twitter.com/leekernaghan
https://instagram.com/leekernaghan/



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The latest release in the Australian Composer Series features orchestral works by Andrew Schultz: his Symphony No. 3 Century, as well as the works Peace and August Offensive.Centurywas commissioned for the celebrations surrounding the centenary of Australia’s national capital, Canberra, in March 2013, and premiered in front of an audience of 150,000 people. Chris Wallace of the Canberra Times wrote, “Century is excellent. It is epic. It is powerful and beautiful.” The work speaks to the fascinating history of our purpose built ‘bush capital’, and the struggle between idealism and practicality that was inherent in its construction. It sounds instantly Australian, celebrating the abundance of our natural environment while also warning of its intensity and brutality.Peace was written in 2013 for the Tasmanian Symphony Orchestra, and takes its name from one of JMW Turner’s best-known paintings, Peace – Burial at Sea (1842). This is not a peace of tranquillity, however – rather the uneasy peace that forms after a period of violence and conflict. August Offensive, by contrast, is a very fast, virtuosic and violent work which was premiered at the ANZAC Day dawn service at Gallipoli on 25 April 2013. Commissioned for the centenary of the Gallipoli campaign by the Australian Department of Veterans’ Affairs, it commemorates the horrendous battles in August 1915 which saw some of the most deadly fighting of the entire campaign.Born in Adelaide in 1960, Andrew Schultz grew up in regional New South Wales and Victoria before his family moved to Brisbane, where he completed his secondary schooling. His teachers and mentors included Colin Brumby, George Crumb, David Lumsdaine and Luciano Berio and he studied at the Universities of Queensland, Pennsylvania and King’s College London. Currently Professor of Music at UNSW in Sydney, his  TRACKLISTINGANDREW SCHULTZ born 1960Symphony No. 3 ‘Century’, Op. 911     I. Struggle2     II. Dream3     III. Create4     Peace, Op. 935     August Offensive, Op. 92 Tasmanian Symphony OrchestraHamish McKeich conductor  The Tasmanian Symphony Orchestra’s Australian Composer series is one of the most important recording projects in the history of Australian music, making available the orchestral works of a wide range of Australian composers,performed by one of the world’s finest small orchestras.
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DEBUT ALBUM FROM TODDLER-FRIENDLY INDIE-POP BAND FEAT. MEMBERS OF LEMONHEADS, SMUDGE & MORE! ABC KIDS' newest music superstars The Sticker Club are a group that echo the bubblegum pop of late 60s cartoon bands like The Archies and Bananas Splits, mixed with the indie-rock pedigree of the band’s members Nic Dalton (Lemonheads, Plunderers), Alison Galloway (Smudge), Nellie Afford (Agnes Kain), Ben Whitten (Intercontinental Playboys) and Dizzi Cassidy (The Argon Room, Faker). The band’s debut album Scratch ‘n’ Sniff is released today through ABC KIDS & Half A Cow. The Sticker Club formed in 2012 when Nic realised he had written a whole stack of songs for his toddlers and should put a “kids” band together, so he asked his friends Alison and Ben, who had daughters the same age as his. Ben, Alison and Nic’s daughters were initially in the band (singing, dancing and playing trombone, flute and clarinet) but the three girls quit (“we don’t want to be in a kid’s band”) and were replaced by Dizzi on the bass. The band liked the sound that trombone, flute and clarinet created, so charts were written by Jenna Cave for five of the songs for the album, played by top-shelf Sydney jazz musicians. The band describe themselves as “a bit different to other kids’ bands because we’ve got the double wah-wah guitars and we’re quite rock and roll - kind of like 60s garage meets Don Spencer.”  The first song Nic wrote for the band was ‘(Can You Do) The Peanut’, written on a family camping holiday down the New South Wales south coast. A female lead singer was required so in stepped Nellie, who also supplied one of the Sticker Club’s most treasured songs “Caterpillar”. Nic started recording Scratch ‘n’ Sniff in 2014 ... before the birth of three babies got in the way! The album was completed and mixed recorded by famed producer Tim Kevin (Holly Throsby, Youth Group) at Tempe River Studio in Marrickville. Sixteen songs in all: from the bubblegum pop of ‘Darcy’ and ‘New School Tomorrow’ to the toddler- friendly ‘Can You Hear The Doggie?’ and ‘Kissiasaurus’ with some psychedelic rock thrown in courtesy of ‘(Doin’) The Echo’ and ‘Magic Flower Power Hour’. The band perform regularly at the It’s A Family Affair concert series at Sydney’s Petersham Bowling Club, and have gathered a loyal fanbase after talk-of-the-town appearances at the Dress Up Attack Festival, Summer Hill School, Yeo Park Infants fetes, and the Inner West Music Festival. 
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ABC KIDS Hits is a fun new compilation album for the little ones to enjoy these holidays.Featuring songs from all your ABC KIDS favourites including Justine Clarke, The Wiggles, Play School, Giggle and Hoot and more. ABC KIDS Hits is jam-packed with 38 wonderful tunes that children will love singing and dancing along to throughout the summer.
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ABC KIDS has brought together some of Australia’s best-loved and most popular Christmas tunes, creating the ultimate holiday music collection for kids. Featuring a beautiful mix of traditional Christmas carols such as ‘Deck The Halls’ and ‘Sleigh Ride’, Aussie classics including ‘Christmas Where The Gum Trees Grow’ and ‘Six White Boomers’, and a smattering yuletide tunes from Bananas In Pyjamas, The Wiggles, Jay Laga’aia, Sesame Street, and many more beloved ABC KIDS favourites.
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Celtic and Gaelic Sacred MelodiesCatherine Strutt piano with special guest Chris Duncan Scottish fiddleThere is a quality in the music of the Celtic and Gaelic people that touches something deep inside us. It could be the home-spun folk rhythms that speak of good times with close friends. It could be the sound of a people who have been defined by dispossession, a sense of yearning for a homeland that can never be theirs. Or perhaps it is purely musical, a tradition whose core notes resound with the sound of the human spirit.Catherine Struttexplores these themes on her new album No Wind at the Window. The tracks range from well-known pieces like ‘Amazing Grace’, ‘Abide With Me’ and ‘Morning Has Broken’, to obscure tunes from a small Gaelic hymnbook from 1935, called simply An Laoidheadair (The Hymnal), given to Catherine by a friend as she embarked on this incredibly personal journey.“For as long I can remember,” says Catherine, “My mother has played the harmonium at the local Anglican church. It was there that I encountered the great tunes of the Welsh and English hymn writers, and from this first early exposure, the hymns tunes have been stored deep inside my memory, and never forgotten.”Catherine is considered to be one of the finest piano players of traditional Scottish dance music in the world today. She is well respected as an innovative and sensitive natural dance and concert musician and is a grapheme synaesthete, an individual who experiences numbers and letters in colour.Using this phenomenon as a tool, Catherine plays and records entirely by ear. Her intuitive sense of rhythm and colour are incomparable and she continues to be an inspiration, teacher and mentor to many of Australia’s Scottish-style pianists. TRACKLISTING1     All Through the Night (Ar hyd y nos)2     I Heard the Voice of Jesus Say (Kingsfold)3     How Are Thy Servants Blest, O Lord (Kilmarnock)4     No Wind at the Window (Columcille)5     There Is Sweet Rejoicing on the Hill of Paradise (Bearnaraidh) /       Sion Sings with Sheer Sweetness (Sion)6     Oh, This is the Story That Will Gladden My Heart (So an sgeul)7     Lord, Hear My Praying (Lara)8     Country Carol (The Oxen)9     God Is Love, Let Heaven Adore Him (Abbot’s Leigh)10   Morning Has Broken (Bunessan)11   Hail the Day That Sees Him Rise (Llanfair)12   O Crucified Redeemer (Llangloffan)13   Christ Be My Leader by Night as by Day (Bonnie George Campbell)14   Abide with Me (Eventide)15   Sussex Carol16   Love Divine, All Loves Excelling (Blaenwern)17   Precious Is Your Grace to Us (Tigh-an-Easa)18   God of Jeremiah (Kelvin Grove)19   Amazing Grace (New Britain)20   O for a Closer Walk with God (Caithness) Catherine Strutt piano with special guest Chris Duncan Scottish fiddle(Tracks 5, 11, 15, 17)
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One of Australia’s best known and most performed composers, Ross Edwards has created a distinctive sound world based on deep ecology and an awareness of the need to reconnect music with elemental forces and restore its traditional association with ritual.Throughout a long and storied career, Ross has written music that celebrates Australia – its cultural diversity, its natural environment, and its connection to the vast and diverse Pacific Rim region. Perhaps nowhere is this better demonstrated than in his chamber music, which allows for rich, detailed musical textures as well as an intense, focussed intimacy.Incantationscelebrates Ross’s 75th birthday in December 2018 by presenting a collection of his chamber music performed by some of Australia’s finest musicians, many of whom commissioned or premiered the pieces included here. It contains four previously unreleased recordings and a number of others making their CD debut, as well as highlights from the ABC Classics catalogue.It features a tremendous array of Australian musicians, including the Goldner String Quartet, Riley Lee, Claire Edwardes, Karin Schaupp, New Sydney Wind Quintet, Apollo Trio, Enigma Quartet, Viney-Grinberg Piano Duo, Jason Noble, Melissa Doecke, Mark Isaacs, The Seymour Group, Alexandre Oguey, Bernadette Harvey,  and the Australia Ensemble @UNSW. TRACKLISTINGCD11-5     Animisms*         Australia Ensemble @UNSW6-7     Sea Star Fantasy         Bernadette Harvey piano8-11   String Quartet No. 2 ‘Shekina Fantasy’*         Goldner String Quartet12      Djanaba         Claire Edwardes marimba, Karin Schaupp guitar13-15  Incantations         New Sydney Wind Quintet16-18  Piano Trio         Apollo Trio CD21-5     The Laughing Moon         New Sydney Wind Quintet6        Voice of the Rain*         Riley Lee shakuhachi, Enigma Quartet7-9     Piano Sonata         Bernadette Harvey piano10      Water Spirit Song*         Alexandre Oguey cor anglais11-19  A Flight of Sunbirds         Viney-Grinberg Piano Duo20      Binyang         Jason Noble clarinet, Claire Edwardes claves21-23  Nura         Melissa Doecke flute, Mark Isaacs piano24-28  Laikan         The Seymour Group           *Previously unreleased recordings
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Australian piano virtuoso Jayson Gillham presents his fourth album on ABC Classics, devoted to the keyboard works of Johann Sebastian Bach. Featuring 11 of Bach’s compositions transcribed and arranged, from Rachmaninoff’s arrangement of the Violin Partita in E major into a pianistic showpiece, to Myra Hess’s sublime ‘Jesu, Joy of Man’s Desiring’, Jayson Gillham’s latest release is a love letter to Bach from a who’s who of the great pianists and pianist-composers – Rachmaninoff, Percy Grainger, Hess, Busoni, Siloti and Petri.“The thing about Bach,” says Jayson, “is that it works so well on whatever instrument combination you put it on. It’s something to do with the way Bach thinks, and the way he writes the music – the content is more important than the timbre of the instrument that it’s played on. And so it’s really effective on all instruments – particularly the piano.”Born 333 years ago in Germany, Bach remains arguably the most important musician in the Western musical tradition. Nowhere does his outsized brilliance shine through more brightly than in his keyboard works, and the influence that they have had on centuries of composers and musicians. This celebrated repertoire allows the full extent of Jayson’s artistry to shine through, revealing the profound depth of his musicality, and a mind constantly interrogating his performance, his instrument, and the music.Born and brought up in rural Queensland, Jayson Gillham travelled for hours to piano lessons in Brisbane, before shooting to fame in a number of prestigious international competitions. He is now recognised as one of the finest pianists of his generation, performing across the globe with the world’s most prestigious orchestras, venues and festivals. ABC Classics signed Jayson for a three-album deal, and his debut record, an all-solo offering surveying music by Bach, Schubert and Chopin, reached No. 1 in the ARIA Charts on release.  Soon afterwards the great pianist Vladimir Ashkenazy, conducting the Sydney Symphony, chose to make his first-ever recording of a Beethoven concerto with Jayson Gillham at the keyboard. Jayson’s Medtner and Rachmaninoff album, recorded in 2017 with the Melbourne Symphony Orchestra and Benjamin Northey, received unanimous praise and was Recording of the Month in Limelight magazine. TRACKLISTINGJOHANN SEBASTIAN BACHFugue in E major, BWV878        from The Well-Tempered Clavier, arr. Percy Grainger       Suite from Violin Partita in E major, BWV1006       arr. Sergei RachmaninoffI. PreludeII. GavotteIII. Gigue       Fantasia and Fugue in A minor, BWV904I. FantasiaII. FugueSheep May Safely Graze        from Cantata BWV208, arr. Egon Petri       Capriccio on the Departure        of his Beloved Brother, BWV992I. Arioso: AdagioII. [Andante]III. AdagiosissimoIV. [Andante con moto]V. Aria del Postiglione: Allegro pocoVI. Fuga all’imitatione della postaSicilianofrom Flute Sonata No. 2        in E-flat major, BWV1031, arr. Wilhelm KempffJesu, Joy of Man’s Desiring        from Cantata BWV147,arr. Myra HessNun freut euch, lieben Christen g’mein, BWV734a        arr. Ferruccio BusoniChaconne from Violin Partita No. 2 in D minor, BWV1004        arr. Ferruccio BusoniOrgan Prelude in E minor, BWV555       arr. Alexander Siloti PERCY GRAINGER 1882–1961Blithe Bells: A free ramble on JS Bach’s        ‘Sheep May Safely Graze’ 
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The Grigoryan Brothers return with an album of J.S. Bach’s best-loved concertos, newly arranged for two guitars and orchestra.The two great forces in J.S. Bach’s life were music and family - somewhat inevitably, for a man who had twenty children. Bach first wrote the concertos on this disc as a young composer finding his place in the world, seeking to establish both his musical and personal identity. But they stayed with him throughout his life: he adapted them for different instruments, performed them with his sons, and used them to pass down his musical and life experiences.So it is entirely fitting that two brothers, Slava and Leonard Grigoryan, have come together to play these works. The parallels are even more poignant considering their father, Edward, created the arrangements on this disc, and that early rehearsals of this material involved their parents (Edward on violin, Irina on viola) and Slava’s wife Sharon (on cello). The intimacy and eternity of Bach’s music could hardly be better illustrated.This album follows on from the brilliant success of Slava’s two recent albums of Bach cello suites arranged for solo guitar: albums that broke records for the longest time spent atop the ARIA Classical charts, and which both won the ARIA for Best Classical Album (2017 + 2018). It also continues the family tradition of their most recent album as a duo, 2017’s Songs Without Words, which featured beloved classical works arranged for guitar duo by their father Edward.Slava and Leonard are counted amongst the finest musicians of their generation, and between them have been awarded four ARIA awards and received an incredible further 24 nominations, confirming their status as Australia’s favourite guitarists. TRACKLISTINGJS BACH 1685–1750Concerto for Two Violins in D minor, BWV1043 (Arrangement for two guitars in A minor)I. VivaceII. Largo ma non tantoIII. Allegro Concerto for Keyboard in D minor, BWV1052 (Arrangement for two guitars in D minor)I. AllegroII. AdagioIII. Allegro Concerto for Violin and Oboe in C minor, BWV1060R (Arrangement for two guitars in G minor)I. AllegroII. AdagioIII. Allegro Arioso (Sinfonia: Adagio)        (from Cantata BWV156) All tracks arranged for two guitars and orchestra by Edward Grigoryan Slava Grigoryan guitarLeonard Grigoryan guitarAdelaide Symphony Orchestra Benjamin Northey conductor
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Take a journey into The Wiggles world by starring in your own unique interactive story narrated by the delightful Yellow Wiggle Emma. Become Dorothy the Dinosaur, giggle with fun face masks and filters, and sing and play along to The Wiggles’ videos. The Wiggles: Fun Time With Faces is a brand new way of telling stories and singing songs with interactive video and fun Augmented Reality faces. Powered by Apple’s new ARKit technology, children and families will have endless fun being transported inside the world of The Wiggles. SO MUCH FUN IN ONE APP!‘Fun Time with Songs’ house is a new way of telling stories and singing songs with interactive AR video enabling children to learn and engage with their favourite Wiggles’ characters like never before. ‘Play Time with Faces’ house is an open ‘play your own way’ sandbox encouraging children to express themselves in their own way with 2D faces. (3D faces available on the iPhone X). ‘Fun Time with Videos’ house is where children can stream their favourite video clips by The Wiggles directly to their device via the app.  iPhone X+ users: ‘Fun Time with Stories’ house brings a ‘learn-through-play’ immersive experience children, narrated by Emma Wiggle. Children become their favourite characters with Animoji-style 3D masks, including Wags the Dog, Dorothy Dinosaur and Henry the Octopus.  MADE LOVINGLY FOR KIDS AND FAMILIESProvides a safe, interactive and fun experience for kids and familiesKeeps children active and engagedFun for all the familyEasy for kids to interact with songs, stories and sticker fun SUBSCRIPTION CONTENTA selection of free content is available to play with at any time7 day full access trialChoose a monthly or yearly subscription to get unlimited access to all content, with new songs, stories, stickers and faces updated monthly!Monthly or yearly subscriptions are available as an In-App Purchase.Payment will be charged to your iTunes Account at the completion of the trial period.The subscription automatically renews unless auto-renew is turned off at least 24-hours before the end of the current period.Your account will be charged for renewal within 24-hours prior to the end of the current period.Subscriptions may be managed by you and auto-renewal may be turned off by going to your phone’s Account Settings after purchase.  Download The Wiggles: Fun Time with Faces to start singing and playing today!
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Soliloquy: An act of speaking your thoughts aloud, oblivious to any listenersFor acclaimed Australian recorder virtuoso Genevieve Lacey, Telemann’s twelve fantasias for solo flute have long had an intensely personal connection. As a teenager she was obsessed with a famous recording by the legendary Frans Brüggen, and performed the first fantasia of the set at her cousin’s funeral – the only thing she could think of to ease all that family pain.Genevieve never learned the other eleven; the first was too tightly wound with grief for her to imagine a relationship with any of the others. But years later when she was ready to return to this beloved music, inspiration struck, and she decided to devote herself to learning one fantasia a month throughout 2017.Over the course of that year, these fantasias became like a personal diary for Genevieve. An acutely personal and isolated process became a soliloquy – a series of moments out of time, out of earshot, diving ever deeper into sound, into memory, dream, and wonder.Georg Philipp Telemann(1681–1767) was acclaimed in his day as the best composer in Germany – greater even than his contemporary, JS Bach. An absolute master of all the established musical forms of his day, both sacred and secular, Telemann was also a trailblazer with a seemingly inexhaustible imagination. His Fantasias for solo flute proved for the first time that this was an instrument able to weave from its single line of melody a vast harmonic tapestry, full of colour and emotion. Genevieve's performances reveal equally gorgeous and surprising colours on the recorder. TRACKLISTINGGEORG PHILIPP TELEMANN (1681–1757) Fantasias for solo flute, TWV 40:2–13Fantasia No 1 in A majorFantasia No 2 in A minorFantasia No 3 in B minorFantasia No 4 in B-flat majorFantasia No 5 in C majorFantasia No 6 in D minorFantasia No 7 in D majorFantasia No 8 in E minorFantasia No 9 in E majorFantasia No 10 in F-sharp minorFantasia No 11 in G majorFantasia No 12 in G minor  Genevieve Laceyrecorder
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Flinders Quartet • Benjamin Martin pianoFour Australian works played by one of Australia’s best chamber groups.Flinders Quartetis one of Australia’s best-loved and most highly respected chamber music ensembles, acclaimed for dynamic and stirring performances of a full spectrum of repertoire. The quartet also have an ongoing mission to further the Australian tradition of chamber music by commissioning and premiering new works by Australian composers: all four pieces on this disc were commissioned or premiered by the quartet in service of this goal.Elena Kats-Chernin’sThe Offering is the composer’s first piece for piano quintet. A kaleidoscopic work, it draws on elements and forms from different musical eras; witness the Baroque elegance of the first movement, the ragtime rhythms of the third. Richard Mills’ quartet Glimpses from My Book of Dada is full of idiosyncratic observations of life and people, from neighbours dancing in the rain to the behaviour of wombats, from composer and educator Dulcie Holland’s aversion to fifths to a surreal dream of Graham Koehne’s mother, it is a piece vivid in imagination and vivid in its descriptions.Peter Sculthorpe’seighteenth and final string quartet is in many ways his most poignant, an evocative depiction of the Australian landscape that he loved so well and its suffering under a changing climate. Widely regarded as one of the greatest modern chamber works, it is by turns dramatic, heroic and filled with longing. Like the Sculthorpe, Tom Henry’sScenes From a Poet's Life pushes the possibilities of the string quartet form, though this is much more personal in scope, as the poet of the title struggles to attain the paradise tantalisingly glimpsed in the process of writing.TRACKLISTINGELENA KATS-CHERNIN The OfferingI.     Allegro con spiritoII.    AndanteIII.   Vivace scherzoIV.   TranquilloV.    Allegro energetico RICHARD MILLS String Quartet No. 4: Glimpses from My Book of Dada I.     The Circumspect IbisII.    The Rise of the Airheads in Public LifeIII.   Rêve circulaire du wombatIV.   Rare Umbrella Dance of Molly HouriganV.    Scheming and Latté DrinkingVI.   The Octopus QuadrilleVII.  Dulcie Holland Says NoVIII.Anti Tango from Berlin as               Premonition of Invasion by               Russian HerbalistsIX.   Prayer for Nonna Thora PETER SCULTHORPE String Quartet No. 18 I.     PreludeII.    A Land SingingIII.   A Dying LandIV.   A Lost LandV.    Postlude TOM HENRY20.   Scenes from a Poet’s Life Flinders QuartetShane Chen violinNicholas Waters violinHelen Ireland violaZoe Knighton cello withBenjamin Martin piano [tks 1-5]
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triple j's much-loved Like A Version series returns with its 14th volume – featuring a host of local and international artists covering their favourite tunes.This  double album features a collection of 39 tracks including Gang of Youths covering Middle East's 'Blood,' Billie Eilish's version of Michael Jacksons smash hit 'Bad' and a tonne more awesome covers from the likes of Ocean Alley, CHVRCHES, Meg Mac, Gordi, The Kooks, Nothing But Thieves and heaps more!