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Lee Kernaghan

Lee Kernaghan was born on April 15, 1964, in Corryong, Victoria on the foothills of the Snowy Mountains high country. The son of a truck driver and later multi platinum recording artist Ray Kernaghan, Lee spent his formative years growing up in the Riverina country of Southern NSW. Lee’s Grandfather was a third generation drover of sheep and cattle and his experiences on the road with his Pop ran deep, producing a string of hits that began with the release of his first album, the ARIA award winning The Outback Club in 1992. His first number one hit ‘Boys from the Bush’ became an anthem, a celebration of a way of life that connected with the hearts and minds of a younger generation of rural Australians. His music was country but it rocked and was the harbinger of a new era for Australian Country Music. “When Garth (Porter) and I first wrote Boys from the Bush I had no idea it would ever be a hit. It was just a song about me and my mates, working on the land, going to the pub and tearing around in utes. I didn’t think anyone would be that interested in us...we were just kids from the bush but Garth said “this record (The Outback Club) has to be about your life and where you come from” so we wrote that song and several others and before long I had a band and we were out on the road performing them live.”

NEW STAR RISING
In January 1993 Kernaghan was awarded his first Golden Guitar for Song of the Year (Boys from the Bush) along with more Golden Guitars for Album of the Year (The Outback Club) and Male Vocalist of the Year. Kernaghan and Porter collaborated again in 1993 to produce the highly acclaimed Three Chain Road album which featured the smash hits She’s my Ute, The Outback Club and the award winning duet Leave him in the Longyard with Slim Dusty. Three Chain Road won Kernaghan a record five Golden Guitars at the Australian Country Music Awards, the 1994 ARIA Award for Country Album of the Year and Double Platinum Certification from the Australian Record Industry Association. Throughout his career Lee Kernaghan has dominated the charts with successive hit albums including Three Chain Road, 1959, Hat Town, Electric Rodeo, The New Bush, The Big Ones and #1 album Spirit of The Bush. Awarded Hit Maker of the Decade in recognition of unprecedented chart success throughout the 90’s Lee was recently named the biggest hit-maker of the last twenty years on the Australian Country Tracks Chart 2009 edging out musical greats from Australia and America for the number one position.

LOST IN THE WILDERNESS
It hadn’t always been smooth sailing for Kernaghan who after winning the 1982 Starmaker award soon found himself in the musical wilderness. “I remember being on a real high after Starmaker but my first single didn’t have any impact at radio, there was a failed record and management deal somewhere in there and before long I was back in Albury, NSW trying to get gigs anywhere for me and my band. Nobody wanted to hear much country back then so I was mainly singing pop/rock covers and some rock ‘n roll. I remember working in a piano bar playing cocktail music for a couple of years and even called bingo at the SS&A club between sets. Probably the darkest day was playing at the Carriers Arms Hotel in early 1990. I loaded in my PA and started playing at 8pm but a couple of hours went by and nobody turned up. At 11pm the bar manager said I could knock off and I loaded all my gear back into this little modified horse float I was towing, knowing that not a soul had turned up to my show, not even my Mum!”

PASS THE HAT AROUND
Kernaghan has always been passionate about the bush, children, families and the people of rural, remote and regional Australia. “The boys and I rolled into Charleville QLD one Saturday morning back in 1997. We’d been touring hard through the bush for the previous few years and had seen first hand the effects of drought and economic rationalisation on smaller towns and communities. We’d also experienced first hand the mighty spirit of country people that binds so many towns together and helps keep people going through good times and bad. As I looked up and down the main street of Charleville that morning I turned to the boys and said this is a Hat Town. As soon as I had said the words I knew it would be the title of my next album.” ‘Hat Town’ became the first number one hit from the album which also produced the number one songs and music videos ‘Gettin’ Gone’ and ‘Goondiwindi Moon’, which featured the stellar guest vocals from Grammy Award winning Trisha Yearwood. Wanting to give something back to the country Lee announced the “Toyota Pass the Hat Around Australia Tour” that went on to raise over one million dollars for country communities doing it tough. Funds were raised to air-condition country schools, for bushfire rebuilding projects, for the purchase of medical equipment for remote hospitals, emergency services, drought and flood relief.

A NEW MILLENNIUM
By the end of the 90’s Kernaghan had spent the last eight years of his life recording and touring at a heavy pace. He entered the new millennium with his retrospective Rules of the Road album that featured his reworking of the Coster/Dusty classic Cunnamulla Fella and posthumous duets with the legendary Tex Morton and Buddy Williams. By 2002 Kernaghan was ready to rock and released Electric Rodeo, which topped the Australian Country Chart and debuted #4 on the ARIA Top 50 Album Sales Chart. Electric Rodeo was released in tandem with Kernaghan’s performance as The Balladeer in the hit stage production “The Man from Snowy River Arena Spectacular” which won him his third ARIA Award for Best Musical Soundtrack. 2006 saw the release of his Album of the Year The New Bush, which was certified Platinum by ARIA and in 2007 the companion album Spirit of the Bush featured the Vocal Collaboration of the Year with Adam Brand and Steve Forde.

TAKING IT ON THE ROAD
Kernaghan’s dynamic live performances have been a trademark to his stellar career which has enabled him to take country music “out of the box” and serve it up, pyrotechnics and all to a mainstream audience. Lee Kernaghan has become a leading figure in Australian music and a fine ambassador for his craft. Kernaghan has an undisputable passion for his music and his country and was named 2008 Australian of the Year by the Prime Minister, Kevin Rudd. To many people he represents the spirit and values of contemporary rural Australia but for Lee it’s everyday Australians that inspire him the most. He has sold over one million albums in Australia, won 27 Golden Guitars, 3 ARIA awards, had 26 number one hits and 10 hit albums – all of which have achieved Platinum or better sales.

THE PLANETS ALIGN
On November 6, 2009 Kernaghan releases his latest collection of songs, Planet Country. Two years in the writing and producing, Planet Country may very well be his finest album to date. Recorded in Sydney and Nashville with what Lee describes as “some of the best musicians in the world”, Planet Country reveals enormous depth, masterful songwriting and maturity in Kernaghan that can only have come from experience. Standout singles include ‘Planet Country’, ‘People like Us’, the majestic ‘Love In The Time Of Drought’, ‘Dirt’, ‘Australian Boy’, ‘Gold’ and ‘Scars’ the southern rock inspired duet featuring U.S. country superstar Dierks Bentley. “Planet Country is about me and it’s about us. There’s not one line from any song that I haven’t lived myself or believe in. Every song on the album is there for a reason. Everyone who has contributed, from the players, songwriters, production and engineering team has made making Planet Country a highlight of my career. At the end of the day it’s only music, but there’s something special about this one for me.”

SPIRIT OF THE ANZACS
2015 marks the 100th Anniversary of the ANZAC’s landing at Gallipoli. In honour of this landmark occasion, music icon and former Australian of the Year, Lee Kernaghan, teams up with a host of local artists and musicians to bring you ‘SPIRIT OF THE ANZACS'.
Recorded at Rancom Street Studio in Sydney, Lee worked with long-time producer and collaborator Garth Porter. Granted unique access to the Australian War Memorial archive, ’SPIRIT OF THE ANZACS’ is inspired by the letters of these diggers to their loved ones from WWI thru to the present day.

'SPIRIT OF THE ANZACS’, the remarkable new album from Lee Kernaghan & Special Guests, has claimed the ARIA Album Chart #1 spot, overcoming a host of international and domestic releases with one of the strongest second week sales of the year. ARIA has also certified that the album has gone GOLD after only two weeks of sales.

‘Spirit Of The Anzacs' has dominated the iTunes All-Genres album chart this week with the Deluxe Edition of the album hitting the top of the chart on Sunday evening. The music video featuring the charity single Spirit Of The Anzacs’ has also claimed the number one position on the iTunes All Genre video chart.

Lee is thrilled that this album has resonated so strongly with the Australian public, saying “Writing and recording these songs that have been inspired by the letters and true stories from servicemen and women is the most humbling yet inspirational experience of my career.

I am so grateful for the contribution and incredible performances from some of Australia’s greatest artists, who have joined me in honouring the Anzacs. Every nation has its story. This ours”.

Additionally, ABC Music achieves a landmark this week, achieving their first ever artist No.1 ARIA Mainstream album. Robert Patterson, Director – ABC Commercial, said “It is a great achievement that ABC Music has attained its first No.1 mainstream chart album. It’s also entirely fitting it should be by Lee Kernaghan – an artist who has worked in partnership with the ABC for his entire career.”

‘Spirit Of The Anzacs’ features a diverse array of stars across the musical spectrum including Lisa McCune, John Schumann, Sara Storer, Fred Smith and VC recipient Ben Robert Smith.  Superstars Guy Sebastian, Jessica Mauboy, Sheppard, Jon Stevens, Shannon Noll and Megan Washington donated their time and talents to the ‘Spirit Of The Anzacs’ charity song and video with all proceeds going to Legacy Australia and Soldier On.

http://www.leekernaghan.com/
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Release
“This was a superb concert. 5 stars.” Artshub“The idea of pairing Australia’s finest up and coming pianist with our finest contemporary conductor to perform and record a cycle is a great one.”LimelightABC Classic is thrilled to announce the release of the complete piano concertos by Beethoven, performed by pianist Jayson Gillham, with the Adelaide Symphony Orchestra conducted by Nicholas Carter.This cycle – the first in twenty years recorded with an Australian pianist, conductor and orchestra – is a major contribution to the ongoing celebrations of Beethoven’s 250th anniversary.Beethoven’s five piano concertos stand at the very pinnacle of classical music. Written between 1795 and 1809, they trace the evolution of Beethoven’s music from the inheritor of the Classical style perfected by Mozart and Haydn, to the inventor of a style that was entirely his own: dramatic, expressive, and revolutionary.Recorded in five concerts performed over 10 days at Adelaide’s Elder Hall in June 2019, these recordings capture a soloist, conductor and orchestra totally in synch with each other, with a shared vision for the sound world and rhetoric of these mighty works. Reviews of the concert remarked at the “chamber music-like intimacy” between the performers, with a “sense of balance and support… often never heard before within these well-known and much listened to works” (Limelight).Internationally praised for his compelling performances, Australian-British pianist Jayson Gillham is recognised as one of the finest pianists of his generation. His debut album, released in 2016, immediately reached the No. 1 spot in both the Core Classical and Classical Crossover ARIA charts, while his latest album, 2018’s Romantic Bach, was described as “exceptional” and “a supremely satisfying recital from start to finish” by Limelight, and Gramophone said that, “many of these performances must bear comparison with famous recordings of the past by Rachmaninov, Myra Hess and Dinu Lipatti. Gillham comes up trumps every time.”Nicholas Carter was appointed Principal Conductor of the Adelaide Symphony Orchestra in 2016 – the first Australian to be chosen as Principal Conductor of an Australian orchestra in over 30 years – and has established a reputation as a conductor of exceptional versatility, equally at home in the concert hall and opera house, and fluent in a diverse repertoire. Newly appointed as Chief Conductor of the Stadttheater Klagenfurt and the Kärntner Sinfonieorchester, Nicholas Carter will lead three new productions per season and appear regularly in the orchestra’s concert series.With a reputation for vitality and versatility, the much loved Adelaide Symphony Orchestra is South Australia’s largest performing arts organisation, established in 1936. For over 80 years, the ASO has been there to corroborate life and contribute to South Australia’s identity. Today the ASO plays a major role in Adelaide’s cultural and economic vibrancy, and enriches the community through a diverse program of world-class performances to more than 100,000 concertgoers each season.TRACKLISTING CD1Piano Concerto No. 1 in C major, Op. 15I. Allegro con brioII. LargoIII. Rondo: Allegro scherzandoPiano Concerto No. 2 in B-flat major, Op. 19I. Allegro con brioII. AdagioIII. Rondo: Molto allegroCD2Piano Concerto No. 3 in C minor, Op. 37I. Allegro con brioII. LargoIII. Rondo: AllegroPiano Concerto No. 4 in G major, Op. 58I. Allegro moderatoII. Andante con motoIII. Rondo: VivaceCD3Piano Concerto No. 5 in E-flat major, Op. 73 ‘Emperor’I. AllegroII. Adagio un poco mossoIII. Rondo: Allegro Jayson Gillham pianoAdelaide Symphony OrchestraNicholas Carter conductor
Release
       “250 years ago, Ludwig van Beethoven, the Grand Mogul from Bonn (as Haydn cheekily referred to him) was born. The German composer, whose own extraordinary story famously includes suffering from profound deafness from his late 20s, would become regarded as the great musical liberator, forging the course of the Romantic movement and beyond.” Richard TognettiIn 2020 the Australian Chamber Orchestra will celebrate two monumental anniversaries: 30 years of fearless leadership with ACO Artistic Director Richard Tognetti and 250 years since the birth of the great Ludwig van Beethoven.To celebrate both milestones, ABC Classic is releasing a collection of the ACO’s legendary Beethoven recordings – including never-before released recordings of two of his greatest works: Symphonies 5 and 6.These recordings represent some of the orchestra’s finest performances, including two #1 albums and three ARIA Award-nominees, and feature collaborations with some of Australia’s finest artists – soprano Nicole Car, and pianistsTamara Anna Cislowska andErin Helyard.Beethoven has endured for centuries as one of the most popular and beloved composers around the world, with his music found everywhere from concert halls, to film soundtracks, to disco-era chart-toppers. He was a true musical revolutionary and is credited with paving the transition between the Classical and Romantic eras. His music has always been a mainstay of the ACO’s core repertoire, but this marks the first time that they have recorded these two monumental symphonies.Since its establishment in November 1975, the Australian Chamber Orchestra has become one of the world’s most daring and exciting ensembles, renowned globally for its inspired programming, unrivalled virtuosity, energy and individuality, showcased through an extensive and ongoing program of international touring and recordings for many of the world’s top labels.★★★★★“The Australian Chamber Orchestra was splendid in its all-Beethoven concert… [achieving] revealing clarity that gleamed like the colours of an old master newly restored.” – Sydney Morning Herald“[Beethoven’s] Fifth is always a crowdpleaser, and the ACO made it exceptionally so. This was the stuff of dreams.” – LimelightTRACKLISTING  CD1Symphony No. 5 in C minor, Op. 67 *1   I.   Allegro con brio2   II.  Andante con moto3   III.Allegro –4   IV.AllegroSymphony No. 6 in F major, Op. 68 ‘Pastoral’ *5   I.   Awakening of cheerful feelings on arrival in the countryside6   II.  Scene by the brook7   III.Merry gathering of country folk –8   IV.Thunder, Storm –9   V.  Shepherd’s song. Cheerful and thankful feelings after the stormCD2String Quartet in B-flat major, Op. 130, with Grosse Fuge, Op. 133 (arr. for string orchestra by Richard Tognetti)1   I.   Adagio ma non troppo – Allegro2   II.  Presto3   III.Poco scherzoso4   IV.Alla Danza tedesca5   V.  Cavatina6   VI.Grosse Fuge7   Romance for Violin and Orchestra in F major, Op. 50      Satu Vänskä– violin8   Piano Concerto No. 5 in E-flat major, Op. 73 ‘Emperor’: II. Adagio un poco mosso     Tamara-Anna Cislowska– piano9   Ah! perfido ... Per pietà, non dirmi addio, Op. 65     Nicole Car – sopranoCD3Sonata for Violin and Piano in G major, Op. 30, No. 3 1   I.   Allegro assai2   II.  Tempo di Minuetto, ma molto moderato e grazioso3   III.Allegro vivaceSonata for Violin and Piano in A major, Op. 47 ‘Kreutzer’ 4   Ia.Adagio sostenuto –5   Ib.Presto6   II.  Andante con Variazioni7   III.Presto     Richard Tognetti – violin     Erin Helyard– fortepiano8   Violin Concerto in D major, Op. 61: I. Allegro ma non troppo     Richard Tognetti– violin* Never previously released
Release
The Huntington Estate Music Festival is one of the brightest stars in Australia’s musical firmament. For three decades, it has been bringing together top-flight musicians from around the country and around the world to present a breathtaking array of chamber music masterpieces, both iconic favourites and delicious new discoveries. Presented by the Huntington Estate Winery in association with Musica Viva Australia, and held in the winery’s Barrel Room, one of the most remarkable and surprising music venues in the world, the Festival is a delight to audiences and musicians alike.After 30 stellar years of exceptional music-making, however, the 2019 Festival will be the last, with Huntington Estate owners Tim and Nicky Stevens reluctantly deciding that their grapes – and their young family – must come first. To mark this significant occasion, ABC Classic is proud to delve into its broadcast archives to present this selection of some of the Festival’s most memorable performances across a typically diverse and intriguing range of repertoire: from Schubert and Dvořák to Bach’s astonishing eldest son Wilhelm Friedemann and Australian composers Ross Edwards and Ian Munro.It was Richard Tognetti and the Australian Chamber Orchestra who began the Festival and established it as a serious contender on the world stage – and the hottest concert tickets in the country! This album includes superb three recordings from those early years: music of Mendelssohn, Brahms and Percy Grainger.In 2006, the ACO passed the baton to Musica Viva and Artistic Director Carl Vine, opening up the Festival’s artist roster to an extraordinary range of musicians, both local and international. From among the literally hundreds of thrilling performances, this album features New York-based Australian pianist Andrea Lam, Russian-Armenian clarinettist Narek Arutyunian, the rich bass-baritone of Teddy Tahu Rhodes and Vienna’s acclaimed Eggner Trio, along with regular Festival guests the Goldner String Quartet and the rising stars of the Australian National Academy of Music (ANAM) Chamber Orchestra.…/2The CD of this compilation is available exclusively at the Festival itself, but for all those who can’t make the trip to Mudgee, ABC Classic is releasing the full album as a digital album, for download and streaming, so that audiences all around the world can share in the celebration. TRACKLISTING  1     MENDELSSOHN Symphony No. 3 ‘Scottish’: II. Vivace non troppo2     BRAHMS arr. ANGERER Chorale Prelude ‘O Gott, du frommer Gott’3     GRAINGER Blithe Bells       Australian Chamber Orchestra, Richard Tognetti director (2002 / 2004)        SCHUBERT4     An die Musik (To Music)5     Erlkönig (The Erl-King)6     Die Forelle (The Trout)7     Die Taubenpost (Pigeon Post) from Schwanengesang       Teddy Tahu Rhodes bass-baritone, Kristian Chong piano (2007)        WF BACH Sinfonia in F major ‘Dissonant’8     I. Vivace9     II. Andante10   III. Vivace11   IV. Menuetto I & II       ANAM Chamber Orchestra, Paul Wright violin / conductor (2010)      12   ROSS EDWARDS String Quartet No. 2 ‘Shekina Fantasy’:       I. Allegro moderato       Goldner String Quartet (2010)        MENDELSSOHN13   Song without Words Op. 67 No. 2 – Allegro leggiero14   Song without Words Op. 85 No. 4 – Andante sostenuto       Andrea Lam piano (2012) 15   WEBER Clarinet Quintet in B-flat major: II. Fantasia       Narek Arutyunian clarinet, Australian String Quartet (2012)        MUNRO Piano Trio No. 2 ‘Book of Lullabies’ – Excerpts16   II. Lullaby in Edo17   III. Kun Mun Kultani Tulisi18   IV. Skye Boat Song       Dimity Hall violin, Julian Smiles cello, Ian Munro piano (2013) 19   DVOŘÁK Piano Trio No. 1: II. Adagio molto e mesto       Eggner Trio (2015)