


James Morrison is, by anybody’s standard, a virtuoso in the true sense of the word.
Besides the trumpet, this multi-instrumentalist also plays trombone, euphonium, flugel horn, tuba, saxophones, double bass and piano.
At the age of seven, he was given his first instrument, at nine he formed his first band and at 13 he was playing professionally in nightclubs. His international career developed just as quickly. At only age 16 James debuted in the USA with a breathtaking concert at the Monterey Jazz Festival.
Following this were performances at the big festivals in Europe including Montreaux, Pori, North Sea, Nice and Bern, playing with many of the legends of jazz – Dizzy Gillespie, Cab Calloway, Woody Shaw, Red Rodney, George Benson, Ray Charles, B.B. King, Ray Brown and Wynton Marsalis, to name a few. There were also gigs in the world’s most famous jazz clubs: The Blue Note and Village Vanguard in New York, the New Morning in Paris and Ronnie Scott’s in London.
Now 51, James Morrison’s career thus far has been diverse and perhaps not typical of most jazz musicians. He recorded Jazz Meets the Symphony with the London Symphony Orchestra conducted by Lalo Schifrin, performed concerts at the Royal Albert Hall with the London Philharmonic Orchestra and at the Royal Opera House, Covent Garden for Princess Anne, has given royal command performances on two occasions for Her Majesty Queen Elizabeth II and played for US Presidents Bush & Clinton at Parliament House in Australia. In 1997, James was awarded a medal of The Order of Australia in recognition of his service to the arts in Australia.
James was also the artistic advisor to the Sydney Symphony Orchestra’s Kaleidoscope series, which has included performances by Chick Corea, Dianne Reeves, Gary Burton and Kristjan Järvi. He spends much time in education, giving master classes and workshops in many countries and presenting the James Morrison Jazz Scholarship at Generations in Jazz. An avid user of the latest technologies James is very involved in furthering the presence of jazz and music education on the internet. He uses computers extensively in his writing, recording and performances.
The latest chapter in his diverse career has seen James appointed as Artistic Director of the Queensland Music Festival, a music initiative whose vision is to ‘transform lives through unforgettable musical experiences’.