Genre: ClassicalSinger / Songwriter
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ABC Classics is proud to release the single 'Where?' from the stunning new opera The Rabbits. Sung by Kate Miller-Heidke, accompanied by Iain Grandage, the song encapsulates the pathos and beauty of the music that has been taking Australia by storm.
About The Rabbits
The Rabbits came many grandparents ago. They built houses, made roads, had children. They cut down trees. A whole continent of rabbits...
John Marsden and Shaun Tan's haunting picture book captivated a generation of children and adults, with its bold pictures and deeply moving story of progress, displacement and culture clash. It is a story that speaks to the world.
Opera Australia and Barking Gecko Theatre Company assembled some of Australia's foremost creative talents to adapt this story into a new opera for children and families. The result is "a triumphant adaptation of a deeply tragic story", wrote The Guardian.
Gabriela Tylesova's sets and costumes realise Tan's pictures in all of their mystical wonder, while Lally Katz transforms Marsden's spare poetry into an enchanting libretto. Butterfly-voiced opera and pop singer Kate Miller-Heidke wrote the "simply beautiful" score (The Guardian) and performs in the production alongside a talented cast of opera singers and contemporary music performers.
The Rabbits won four Helpmann Awards, including Best New Australian Work, Best Original Score, Best Costume Design, and Best Presentation for Children.
The Rabbits - Based on the book written by John Marsden and Illustrated by Shaun Tan.
Composed by Kate Miller-Heidke
Libretto by Lally Katz
Adapted by John Sheedy
Musical Director, Musical arrangements and additional music by Iain Grandage
Sound Design and Audio Recording Engineering by Michael Waters
An Opera Australia and Barking Gecko Theatre Company co-production. In association with West Australian Opera.
Commissioned by Perth International Arts Festival and Melbourne Festival.
This Project is assisted by the Australian Government’s Major Festivals Initiative, in association with the Confederation of Australian International Arts Festivals - Perth International Arts Festival, Melbourne Festival, Sydney Festival and the Western Australian Government through the Department of Culture and the Arts.
The book was first published in Australia by Lothian Books. The opera is produced by arrangements with Hachette Australia Pty Ltd.
Featuring songs from all your ABC KIDS favourites including Justine Clarke, The Wiggles, Teletubbies, Play School, Giggle and Hoot and more, Let’s Play! is jam-packed with 40 wonderful tunes that children will love singing and dancing along to throughout the summer.
A richly textured songbook that swings effortlessly from the cigar-and-rum-perfumed atmosphere of Old Havana to the humid abandon of Kingston’s heaving nightclub scene, Havana Meets Kingston weaves together Spanish-language ardour and entrancing Jamaican patois, spinning a musical web that transcends language – speaking to nothing so clearly as hips and heart, in equal measure.The first single ‘Carnival’ (featuring British-Jamaican singer Randy Valantine and Cuban singer Solis) was released in February, making waves across the UK and Europe. It remains in the Global Reggae and iTunes (World Music) charts with BBC’s David Rodigan a big supporter.HAVANA MEETS KINGSTON brings together established and emerging Cuban and Jamaican musicians in an album of all mostly original songs, as well as covers of classic Cuban material. The main recording sessions took place over 10 days in June 2015 at the famous Egrem Studio in Havana, Cuba. Savona personally flew seven Jamaicans into Havana for these sessions, including Sly & Robbie, Boopee and Bongo Herman among other greats. In the studio they joined Buena Vista Social Club musicians Barbarito Torres and Rolando Luna, alongside Cuba’s most influential percussionist Changuito (Los Van Van) and many more.
Slava Grigoryan’s acclaimed Bach journey continues with the second volume of the Cello Suites.Volume I – released in November 2016 – has entered recording history through its phenomenal success, receiving global critical acclaim and multiple awards (including the 2017 ARIA Award for Best Classical Album), and smashing the record for the longest spell at the top of the Classical Chart.Grigoryan again chooses the richly resonant baritone guitar for Volume II, whose lower pitch allows the Suites to be performed in their original keys. The Sixth Suite was, however, originally written for an instrument a fifth higher than the cello – the same degree higher as a classical guitar from the baritone. As such, Grigoryan performs the Sixth Suite on a standard classical guitar.The musical challenges of these three Suites are considerable. In the Fourth and Fifth, Bach’s musical writing is often dense and detailed, requiring astonishing dexterity, particularly when played on the guitar; there are also moments of deep emotion, most notably the incredible Sarabande of Suite No.5. In the Sixth, the music emerges into sheer joy, with cadenza-like moments which revel in exuberant virtuosity.To record Volume II, Grigoryan returned to the UKARIA Cultural Centre in the Adelaide Hills. Reflecting on his experience of living with and recording this defining music, Grigoryan said:‘What can I say that hasn’t been said about the Cello Suites before? I’m constantly staggered by the universe of ideas in each movement of every Suite. The simplicity, the elegance, the structure and the spirit are simply breathtaking. It’s been such an honour to play this music. I know that, over time, there will be many changes as I continue to play them in live performances, but I also know that that’s kind of the point: there will never be a perfect version, just a long-term relationship with notes on a page that trigger feelings and emotions on a deeply profound level for the musician attempting to communicate through them.’PRAISE FOR BACH CELLO SUITES VOLUME IWinner – ARIA Award for Best Classical Album, 2017Winner – AIR Award for Best Independent Classical Album, 2017‘Grigoryan’s Bach has been well-worth the wait. Thank goodness the second instalment is being recorded this year’ ★★★★½ – Limelight Magazine‘An absorbing new angle on some of the greatest music-as-music our culture has.’★★★★ performance | ★★★★★ recording quality – BBC Music Magazine (UK)13 weeks at number one, ARIA Classical Chart – the record for an Australian albumTRACKLISTINGJOHANN SEBASTIAN BACHCello Suites · Volume II 1–6. Cello Suite No. 4 in E-flat major 7–12. Cello Suite No. 5 in C minor 13–18. Cello Suite No. 6 in D major Slava Grigoryan baritone and classical guitars
To celebrate AusMusic Month, ABC Jazz presents a collection of the finest jazz performances of the past 18 months, as recorded by the ABC in live performances and in the studio.The recordings span the length and breadth of the country, and showcase a who’s who of the Australian jazz scene at the moment, from established names like vocalist Trish Delaney-Brown, bassist Sam Anning and pianist Mark Fitzgibbon, to rising stars Joe O’Connor, Matthew Nicholls and Olivia Chindamo.ABC Jazz has long supported the development of new talent, and this album showcases some of the recordings made as celebrations of significant award wins. The Jazzgroove Mothership Orchestra perform Kelly Ottaway’s Donald English, the winning piece from the 2016 National Big Band Composition Competition; Matthew Nicholls celebrates his James Morrison Scholarship with two studio tracks; Emma Stephenson records hot on the heels of her Jann Rutherford Memorial Award; and Sam Anning can be heard celebrating his National Jazz Awards win.
WINNER: Best Jazz Album – 2011 ARIA AwardsElixir is a trio of friends and musicians -- multi-platinum selling songstress Katie Noonan, outstanding saxophonist Zac Hurren and the highly-regarded jazz guitarist Stephen Magnusson. Each artist brings to the project an individual style and potency. The result is an improvised folk and jazz-inspired blend of music. Drawing inspiration from the likes of Nick Drake and Joni Mitchell, Elixir has always been about poetry, set to music. On this album, the works of celebrated poet Thomas Shapcott are Elixir’s key ingredient.“Our aim,” explains Katie, “is to make gentle, intimate music.”Elixir will cast a spell on you…“like a samurai sword through silk….this enchanting, honest, intimate album can’t fail” – The Mercury“Serenely ethereal” – The AustralianKatie Noonan | vocalsStephen Magnusson | electric, steel and nylon string guitarsZac Hurren | soprano and tenor saxophonesSee Elixir live in concert with the Sydney Symphony Orchestra: 2 – 4 November 2017Visit www.sydneysymphony.com for more information.
‘Vibrant and seductive’ – The Guardian‘Magical’ – Berliner Morgenpost‘Kats-Chernin’s characteristic imaginative space might be likened to an old dance, heard in a surreal dream, interrupted by outbursts of outrageousness.’ – Sydney Morning HeraldABC Classics celebrates the 60th birthday of pre-eminent Australian composer Elena Kats-Chernin with a 10CD boxset, bringing together iconic works with pieces recorded especially for this collection.Kats-Chernin is one of the most cosmopolitan composers working today, with a prolific catalogue of works for theatre, ballet, orchestra, chamber ensemble and piano. Her dramatically vivid, brilliantly scored and often propulsive music communicates a mixture of lightheartedness and lingering melancholy, combining strong rhythmic figures with elements of cabaret, tango, ragtime and klezmer.This 10CD collection celebrates more than two decades of iconic recordings, starting with Elena Kats-Chernin’s first album of the ABC Classics label, released in 1996.Tracks include:Wild Swans · Prelude and Cube · Butterflying · Unsent Love Letters · Blue Silence · Variation in a Serious Black Dress · Piano Concerto No. 2 · Mythic · Torque · Re-inventions · Clocks · Cadences, Deviations & Scarlatti · Russian RagPreviously unreleased and newly recorded works include:Displaced Dances · Zoom and Zip · Big Rhap · The Witching Hour · Heaven is Closed · Golden Kitsch · The Three Dancers · The Sunshine Journal · Fleeting Moments · DivaFeaturing the Australian Chamber Orchestra, the Sydney, Adelaide, Melbourne and Tasmanian Symphony Orchestras, Australian Brandenburg Orchestra, Australian World Orchestra, The Idea of North, Gondwana Voices, Tamara-Anna Cislowska, Donna Coleman, Amelia Farrugia and many more.The set will be officially launced at Elena Kats-Chernin’s ‘Birthday Bash’, City Recital Hall, Sydney, 4 November 2017. www.cityrecitalhall.com
Wiggly, Wiggly Christmas! is sure to get everybody in the festive spirit with songs and carols that will have the whole family singing, dancing, laughing or just plain enjoying! There is a carol medley sing along, some lovely songs about the very first Christmas and some fun numbers all about Santa Claus! Greg Wiggle stops by in Wiggle Town to duet on the old Wiggly classic “Go Santa Go”. There is ballet dancing, reindeer prancing, mistletoe and elves dancing, fast and slow!
Discover the sparkling musical treasures of old-time Naples, as the new Australian baroque orchestra Van Diemen’s Band presents its debut album – connecting the pristine wilderness and Antarctic gateway of present-day Tasmania with one of eighteenth-century Europe’s greatest sea ports.Recorded in the beautiful acoustics of Government House in Hobart, this album unveils a rich and much-neglected artistic culture, where music flourished in churches, courts and academies. At the centre of the album stands Nicola Fiorenza, a composer and violinist with a famously eccentric and hot-blooded temperament, who played for many years in the Orchestra of the Neapolitan Royal Chapel. His Cello Concertos, four of which are presented here, are by turns urgently virtuosic, stunningly rhapsodic, and almost completely unrepresented in recordings – until now.Musicians from leading early-music orchestras throughout the world gathered in Hobart for these sessions, reflecting the sea-faring cosmopolitanism of Hobart and Naples. Julia Fredersdorff, returned to Australia after many years performing and studying in Europe, is the orchestra’s Artistic Director. The Lake Como-based soloist, Catherine Jones, is one of the most in-demand baroque cellists on the international stage. And the orchestra itself is hand-picked from the most promising players of the new generation as well as the cream of the established crop.Alongside music by Fiorenza, the album features works by other Neapolitan luminaries: a Sinfonia by Alessandro Scarlatti (another by his son, Domenico, is available as a digital bonus), and a Concerto Grosso by Francesco Geminiani, all of which show the irresistible influence of the art form that was popular in Naples at the time – opera.TRACKLISTINGNICOLA FIORENZA (1700–1764)1–4. Cello Concerto in F majorALESSANDRO SCARLATTI (1660–1725)5–8. Sinfonia to ‘Clori, Dorino e Amore’NICOLA FIORENZA9–12. Cello Concerto in B-flat majorFRANCESCO GEMINIANI (1687–1762)13–15. Concerto grosso in E minor, Op. 3 No. 3NICOLA FIORENZA16–19. Cello Concerto in D major (with violetta)20–23. Trio Sonata in B minor24–27. Cello Concerto in D majorCatherine Jones celloVan Diemen’s BandRecorded in Government House, Hobart, 9–13 March 2017
Classical music opens up a whole new world of imagination and delight. From the majesty of the orchestra to the delicacy of the piano, music helps us to sing, dance and dream. This album is the perfect introduction to the timeless tunes of the great composers, all carefully selected to delight younger listeners and start a journey through the wonderful world of classical music.MP3 READY: The convenience of fewer discs – 10 hours and 160 tracks on just 2 discs! Load them onto your iPod. Play them on your PC. Or enjoy them on your home or car CD player, provided it’s MP3 friendly.Over 10 hours of music and 160 tracks on two MP3 CDs, including the very best of:OrchestraBalletViolinPianoMozartBachBeethovenLullaby
Four of Australia’s finest singers together on the stage of the Sydney Opera House, in a soaring program that blends the exuberance of the great stage musicals with the passion of grand opera.From Puccini to Rodgers & Hammerstein, from Bizet to Gershwin and from Verdi to Cole Porter, From Broadway to La Scala is a unique concert experience showcasing many of the greatest songs, arias and duets of the last two centuries.Renowned for their charisma, stagecraft and musical versatility, tenor David Hobson and bass baritone Teddy Tahu Rhodes join musical theatre star Lisa McCune and the breathtaking soprano Greta Bradman in seamless blend of classical elegance and theatrical glamour.This deluxe edition also includes a special CD album of highlights from the show, recorded in the studio along with three additional tracks: Bring Him Home, Oh What a Beautiful Morning and Nella fantasia.Featuring favourite tunes from:West Side StoryMy Fair LadyCarmenThe Barber of SevilleThe Sound of MusicSouth PacificThe Phantom of the OperaThe Pearl FishersKiss Me KateCrazy for YouCarouselThe King and IGRETA BRADMAN | DAVID HOBSON | LISA McCUNE | TEDDY TAHU RHODESOpera Australia OrchestraVanessa Scammell Musical DirectorTyran Parke Stage DirectorPhil Bathols and Andrew McKinnon ProducersLive show touring nationally November to December 2017 | frombroadwaytolascala.com.au
Gorgeous tunes and orchestral thrills for the young and young at heart: with a twinkle in her eye, the warm, whimsical and occasionally wicked Miriam Margolyes leads us through an orchestral story-telling extravaganza: matching instruments to their animal counterparts in Prokofiev's timeless classic, Peter and the Wolf; exploring witty vignettes and a dazzling fugue in Benjamin Britten’s The Young Person’s Guide to the Orchestra; and magical tales of love and fantasy in Borodin’s Polovstian Dances from Prince Igor.Margolyes is joined by the Adelaide Symphony Orchestra with Principal Conductor Nicholas Carter in a captivating program filmed live in concert at the 2017 Adelaide Festival – a sell-out performance season that was a crowd-pleaser for young and old. ★★★★☆ “Miriam Margolyes and the ASO are a dream team,their respect and love for orchestral music is infectious.”– Limelight Magazine“Miriam Margolyes was the perfect choice as narrator...She was, as always, utterly captivating.”– Adelaide Now“A fresh and thrilling experience.”– Stage Whispers