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Genre: Indie / Alternative

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Custard - Come Back, All Is Forgiven

Having formed in Brisbane in 1990, Custard released 5 albums that decade, (Buttercup/Bedford, Wahooti Fandango, Wisenheimer, We Have the Technology and Loverama). The band developed a cult following, playing countless shows around the country and touring overseas, as well as producing a parade of memorable singles and videos before disbanding in 1999.

The members have all remained active in the intervening, playing in groups including The Go-Betweens, The Titanics, The Polaroids, The Lost Gospel, The Purple Hearts and Beachfield.

Track Listing:

  • 1. Orchids In Water
  • 2. We Are The Parents (Our Parents Warned Us About)
  • 3. Warren Rd
  • 4. Record Machine
  • 5. If You Would Like To
  • 6. 1990’s
  • 7. Contemporary Art
  • 8. Queensland University
  • 9. Rice & Beans
  • 10. Factual
  • 11. Get In Your Car
For decades Australia’s own "sorceress of percussion” Claire Edwardes has been collaborating with Australia’s top instrumentalists and commissioning chamber works by Australia’s foremost composers.Kammerbox brings together a high quality collection of sparkling Australian chamber music written for and championed by Claire throughout her career. These musical gems showcase the very best of Australian percussion music with works by legendary Australian composers including Ross Edwards, Peter Sculthorpe, Elena Kats-Chernin, and Gerard Brophy; and performed by Claire alongside Australia’s foremost chamber performers including Karin Schaupp (guitar), Julian Smiles (cello), and Bernadette Harvey (piano).1. COLE Glocken Blocken (Claire Edwardes marimba & almglocken) 2. EDWARDS Djanaba (Claire Edwardes marimba, Karin Schaupp guitar) 3. ABBOTT Re-Echo (Claire Edwardes vibraphone, Julian Smiles cello) 4. EDWARDS Binyang (Claire Edwardes claves, Jason Noble clarinet) 5. PSATHAS Fragment (Claire Edwardes vibraphone, Bernadette Harvey piano) 6. BROPHY We Bop (Claire Edwardes vibraphone, Christina Leonard alto saxophone) 7. KATS-CHERNIN Blue Silence (Claire Edwardes marimba, Jason Noble bass clarinet) 8-10. GRENFELL Di Primavera (Claire Edwardes marimba, Karin Schaupp guitar) 11. ORD War and Peace: II. No Man’s Land (Claire Edwardes percussion, Anna McMichael violin) 12. SCULTHORPE Djilile (Claire Edwardes marimba, Julian Smiles cello) 13. CHARLTON Carpentaria: II. Distant Shores (Claire Edwardes vibraphone, Karin Schaupp guitar) 14. DARGAVILLE Invisible Dance (Claire Edwardes marimba, Christina Leonard soprano saxophone) 15-16. GREENBAUM Two Interludes in Space (Claire Edwardes vibraphone, Bernadette Harvey piano, Anna McMichael violin)
What do you get when you combine Australia’s finest classical musicians with the pop hits from the 70s to the 90s? The best kind of Mixtape!Alongside their acclaimed performances of standard and contemporary chamber music repertoire, the Benaud Trio have gained international fame for their encore performances of pop covers. Beginning in 2007, a long term collaboration between the Benaud Trio and composer / arranger Nicholas Buc has resulted in a string of hits covering some of the 20th century’s greatest popular music. Youtube footage of their live performance of Stairway to Heaven by Led Zeppelin has been viewed more than 500,000 times.Whilst the fusion of popular music with classical ensembles is not new, such a comprehensive undertaking has never been made by a piano trio. The combination of strings and pianos established by Joseph Haydn in the 18th century lends itself remarkably well to contemporary popular music – and particularly to those songs which have been crafted by the great song-writers of our times, the Haydns of the 20th century. Without backing tracks, the Benauds acoustically recreate all the power, intimacy and optimism of the mixtape era.The album is a survey of ‘top shelf’ popular music made famous by Simon and Garfunkel, ABBA, Billy Joel, The Buggles and Michael Jackson among others. It demands to be heard – as a trip down memory lane, but also as a realisation of the inherent musical brilliance of these songs, brought to life by some of Australia’s best-regarded classical musicians.'Giving a mixtape was a ritual for a generation' said Lachlan Bramble, violinist with the Benaud Trio. 'We wanted to capture that sense of generosity and fun in the album'. BENAUD TRIOAmir Farid pianoLachlan Bramble violinEwen Bramble cello Arrangements by Nicholas Buc
From the Palace of Versailles grew one of the richest cultures the world has ever known. Music was at the centre of this extraordinary artistic flowering, as the finest composers in the land gathered to celebrate the splendour of Louis XIV, the Sun King.This album takes in the composers who worked in Versailles, from Jean-Baptiste Lully – the son of an Italian miller who became the Sun King’s favourite composer – to Pierre-Danican Philidor, who performed for the King every Sunday in the intimate surrounds of his royal apartments. It also surveys music by composers associated with the court, including Mozart, who visited as a young boy. From grand choral works of the French high baroque to intricate chamber music for two or three instruments, Versailles: Music from the Palace brings alive the music that rang out in the halls of one of the world’s most astonishing cultures.A musical companion to the National Gallery of Australia’s exhibition Versailles: Treasures from the Palace, which runs 9 December 2016 to 17 April 2017.Performers include Richard Tognetti, Taryn Fiebig, Fiona Campbell, Rosalind Halton, Benjamin Northey, Ensemble Battistin, and the Australian Chamber Orchestra, Australian Brandenburg Orchestra and the Adelaide, Tasmanian and West Australian Symphony Orchestras.
World-class opera in a spectacular setting: Opera Australia’s Handa Opera on Sydney Harbour returns with Turandot, in a lavish production that draws on contemporary cinema and traditional Chinese acrobatics to present a world of splendour and passion.With Sydney Harbour, the Opera House and the Harbour Bridge as a backdrop, and brilliant fireworks lighting up the night sky, Puccini’s sublime music rings out in glory and cuts straight to the heart. This is ‘Nessun dorma’ as never heard before – and so much more.Dragana Radakovic stars as Turandot, the beautiful Chinese princess with a heart of ice. Riccardo Massi is Calaf, the mysterious prince who watches the princess behead a rival suitor and falls instantly in love. Hyeseoung Kwon is Liù, the slave girl in love with Calaf, who knows the secret that will destroy him. In a land of executioners, riddles and fear, can love conquer death?PRODUCTION CREDITSTurandot Dragana RadakovicCalaf Riccardo MassiLiù Hyeseoung KwonTimur Conal CoadPong John LongmuirPang Benjamin RasheedPing Luke GabbedyEmperor David LewisMandarin Gennadi DubinskyPrince of Persia Jin Tea KimOpera Australia ChorusChorus Master Anthony HuntAssistant Chorus Master Thomas JohnsonAustralian Opera and Ballet OrchestraGuest Concertmaster and Leader Sun YiConductor Brian Castles-OnionStage Director Chen Shi-ZhengDesigner Dan PotraLighting Designer Scott ZielinskiChoreographer Chen Shi-ZhengSound Designer Tony David CrayVideo Designer Leigh Sachwitz / flora&faunavisionsSite Designer Adrienn Lord
Music by Stuart GreenbaumJessica Fotinos Artists of the Australian National Academy of MusicMondrian Interiors showcases the wonderful talents of seven young musicians from the Australian National Academy of Music under the mentorship of its Artistic Director, Paul Dean. Harpist Jessica Fotinos is featured throughout, joined by mezzo-soprano Lotte Betts-Dean for the song cycle. These three works were presented in concert at the Melbourne Recital Centre on 8 May 2014 as part of ANAM’s Australian Voices series.The Stuart Greenbaum sound has overt connections to jazz, pop and minimalism but goes beyond these important influences: “I often conceive of music in terms of journeys, but I also believe that music should be appreciable as pure, abstract sound in time. Either way, my music aims to evoke an atmosphere apart from the routine of modern life. I believe in the need to cultivate space in a world increasingly filled with commercialism, light and noise pollution and 24/7 thinking. At times, I think we lose a sense of wonderment at our earthly surrounds. Therefore, when I write, I seek an experience in sound to take me beyond mundane imperatives.” TRACKLISTINGSTUART GREENBAUM b.1966 Mondrian Interiors 1 I. The Red Tree2 II. Tree3 III. Church at Domburg4 IV. Oval with Colour Planes5 V. Chequerboard, Dark Colours6 VI. Red, Yellow and Blue #17 VII. Yellow Lines8 VIII. Red, Yellow and Blue #2 Four Finalities9 I. Footsteps 10 II. The Thread 11 III. Unbroken Snow 12 IV. An Empty Room13 9 Candles for Dark Nights ANAM MUSICIANS Jessica Fotinos harpLotte Betts-Dean mezzo-sopranoAidan Boase pianoDafydd Camp cor anglaisPaul Dean clarinetChristopher Haycroft bassoonCinzia Posega hornDavid Reichelt oboe
James Morrison, long established as a legend of jazz, introduces the new generation of Australia’s finest musicians. Performing with his hand-picked Academy Jazz Orchestra, Morrison presents both the thrill of a live set and the intimacy of a studio session – all released for the first time on this album.Morrison is a jewel in Australia’s musical crown, and his astonishing virtuosity and musicianship has been witnessed globally through performances at the world’s great concert halls and jazz venues (he also recently played at the White House through the invitation of Barack Obama). In addition to his performing schedule, Morrison is a committed music educator, and his Academy of Music in Mount Gambier is regarded as a world-beating jazz school. The musicians in his Academy Jazz Orchestra were all completing their Bachelor of Music at the time of recording, and had worked closely with Morrison. They are, in his words, ‘amongst the finest young musicians in the country’.The live set was recorded at Hamer Hall, Melbourne, at a packed concert in June 2016; the studio tracks were put down later in the same year. Reflecting on the recordings, Morrison comments: ‘With the exception of Gordon Rytmeister on drums (on the live gig), the band is a collection of students from the James Morrison Academy of Music. Of particular note are the writers in the band, Scott van Gemert, William Morrison and Jake Barden, who penned some of the wonderful arrangements and compositions. There are many soloists featured throughout the disc with stunning and individual sounds. You can hear that the jazz tradition has been well and truly embraced by a new generation of players.’  LIVE IN CONCERT1 Georgia On My Mind2 Second Time Around3 What A Wonderful World4 You’re Always There5 Yesterdays  IN THE STUDIO6 (Back Home Again In) Indiana7 Modus Operandi8 JC's Groove9 Tenderly10 Who Pushed Me In11 You’re Always There  James Morrison Academy Jazz OrchestraJames Morrison director
Take the majesty of a symphony orchestra, add a 100-voice choir, stir in your favourite festive tunes and sprinkle over a large pinch of musical magic. The result? The very finest kind of Symphonic Christmas.Recorded live at Hamer Hall, Arts Centre Melbourne, and featuring conductor, arranger and pianist Bramwell Tovey, this is a truly delightful album that captures the Christmas spirit with an incredible range of music – from a tear-jerking and intimate I’ll Be Home for Christmas (with violin and piano), to the rousing chorus in God Rest Ye, Merry Gentlemen – with an expected twist! Melbourne Symphony Orchestra ChorusMelbourne Symphony OrchestraBramwell Tovey conductor & piano
Magical melodies and swirling rhythms from the golden age of the Viennese waltz: the Tasmanian Symphony Orchestra present a new recording of the dazzling music of Johann Strauss, father and son.Vienna in the 19th century was a city obsessed by music and dancing. By 1825, the adult population was about 200,000, and the capacity of the ballrooms about 50,000. Both Johann Strauss and his son Johann Strauss II were, in turn, known as ‘the waltz king’, and their music turned them into household names across Europe. On this album, the older Strauss is represented by his ‘Music of the Spheres’, while the attention turns firmly to the output to his son, including his infamous waltz ‘On the Beautiful Blue Danube’ and the ‘Thunder and Lightning Polka’.Strauss II also took inspiration from Vienna’s obsession with foreign musical influences, and we hear strains of Turkey in the ‘Persian March’, and of gypsy music in ‘The Gypsy Baron Overture’ and the Czárdás – a kind of folk dance – from the opera Ritter Pásmán. Soprano Lorina Gore joins the orchestra for the vocal waltz ‘Frühlingsstimmen’ (‘Voices of Spring’), as well as arias by Strauss II (‘Adele’s Laughing Song’ from Die Fledermaus) and Lehár (‘Meine Lippen, sie küssen so heiß’ (‘My Lips Kiss So Hotly’) from Giuditta).The album is conducted by the TSO’s Chief Conductor and Artistic Director Marko Letonja, whose experience with the Vienna Symphony, Vienna State Opera and a host of other European and international orchestras brings new depth to this much-loved music.FRANZ von SUPPÉ1 Light Cavalry: OvertureJOSEF STRAUSS2 Sphärenklange (Music of the Spheres) – WaltzJOHANN STRAUSS II3 Unter Donner und Blitz (Thunder and Lightning) – Quick Polka4 Frühlingsstimmen (Voices of Spring) – Waltz5 Persischer Marsch (Persian March)6 The Gypsy Baron: OvertureFRANZ LEHÁR7 Meine Lippen, sie küssen so heiß (My Lips Kiss So Hotly) from GiudittaJOHANN STRAUSS II8 Czárdás – Ballet Music No. 3 from Ritter Pásmán9 Seid umschlungen, Millionen! (Be Embraced, Ye Millions!) – Waltz10 Mein Herr Marquis (Adele’s Laughing Song) from Die Fledermaus11 An der schönen, blauen Donau (On the Beautiful Blue Danube) – WaltzLorina Gore sopranoTasmanian Symphony OrchestraMarko Letonja conductor
Dvořák’s ‘New World’ Symphony is a musical portrait of a vibrant young nation, and a love letter to a homeland far away.This album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website;ÍN DVOŘÁK 1841–1904Symphony No. 9 in E minor ‘From the New World’1 I. Adagio – Allegro molto2 II. Largo3 III. Scherzo: Molto vivace          4 IV. Allegro con fuoco 5Overture – Carnival Melbourne Symphony OrchestraTadaaki Otaka conductor
Soaring beauty, spectacular, vocal fireworks and delicately coloured musical pictures: soprano arias from Haydn’s greatest operas and oratorios, including The Creation and The Seasons.This album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website;
A single, sensual melody that slowly builds from the merest whisper to a triumphant shout: Ravel’s Boléro shows how much can be achieved with orchestral colour.This album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website; RAVEL 1875–19371 Le Tombeau de Couperin: Menuet2 Daphnis et Chloé: Suite No. 23 Pavane pour une infante défunte (Pavane for a Dead Princess)4-8 Ma Mère l’Oye (Mother Goose) – Suite9 Tzigane10 Boléro
‘I did think I did see all Heaven before me, and the great God Himself.’ George Frideric HandelThis album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website;