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ABC Classics

ABC Music is one of Australia’s largest independent music labels and the most highly awarded and critically acclaimed in its key genres.

ABC Music operates under the commercial arm of the Australian Broadcasting Corporation, with all profits made going back into funding the great content the ABC is known for.

The roster features many of Australia’s top entertainers including The Audreys, Jeff Lang, Tim Rogers, Ben Salter, Melbourne Ska Orchestra, Mojo Juju , The Snowdroppers, Chris Lilley, Born Lion, Lee Kernaghan, Sara Storer, The Wiggles, Justine Clarke, Giggle and Hoot, Play School, Bananas In Pyjamas and many more.

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One of Australia’s best known and most performed composers, Ross Edwards has created a distinctive sound world based on deep ecology and an awareness of the need to reconnect music with elemental forces and restore its traditional association with ritual.Throughout a long and storied career, Ross has written music that celebrates Australia – its cultural diversity, its natural environment, and its connection to the vast and diverse Pacific Rim region. Perhaps nowhere is this better demonstrated than in his chamber music, which allows for rich, detailed musical textures as well as an intense, focussed intimacy.Incantationscelebrates Ross’s 75th birthday in December 2018 by presenting a collection of his chamber music performed by some of Australia’s finest musicians, many of whom commissioned or premiered the pieces included here. It contains four previously unreleased recordings and a number of others making their CD debut, as well as highlights from the ABC Classics catalogue.It features a tremendous array of Australian musicians, including the Goldner String Quartet, Riley Lee, Claire Edwardes, Karin Schaupp, New Sydney Wind Quintet, Apollo Trio, Enigma Quartet, Viney-Grinberg Piano Duo, Jason Noble, Melissa Doecke, Mark Isaacs, The Seymour Group, Alexandre Oguey, Bernadette Harvey,  and the Australia Ensemble @UNSW. TRACKLISTINGCD11-5     Animisms*         Australia Ensemble @UNSW6-7     Sea Star Fantasy         Bernadette Harvey piano8-11   String Quartet No. 2 ‘Shekina Fantasy’*         Goldner String Quartet12      Djanaba         Claire Edwardes marimba, Karin Schaupp guitar13-15  Incantations         New Sydney Wind Quintet16-18  Piano Trio         Apollo Trio CD21-5     The Laughing Moon         New Sydney Wind Quintet6        Voice of the Rain*         Riley Lee shakuhachi, Enigma Quartet7-9     Piano Sonata         Bernadette Harvey piano10      Water Spirit Song*         Alexandre Oguey cor anglais11-19  A Flight of Sunbirds         Viney-Grinberg Piano Duo20      Binyang         Jason Noble clarinet, Claire Edwardes claves21-23  Nura         Melissa Doecke flute, Mark Isaacs piano24-28  Laikan         The Seymour Group           *Previously unreleased recordings
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Celtic and Gaelic Sacred MelodiesCatherine Strutt piano with special guest Chris Duncan Scottish fiddleThere is a quality in the music of the Celtic and Gaelic people that touches something deep inside us. It could be the home-spun folk rhythms that speak of good times with close friends. It could be the sound of a people who have been defined by dispossession, a sense of yearning for a homeland that can never be theirs. Or perhaps it is purely musical, a tradition whose core notes resound with the sound of the human spirit.Catherine Struttexplores these themes on her new album No Wind at the Window. The tracks range from well-known pieces like ‘Amazing Grace’, ‘Abide With Me’ and ‘Morning Has Broken’, to obscure tunes from a small Gaelic hymnbook from 1935, called simply An Laoidheadair (The Hymnal), given to Catherine by a friend as she embarked on this incredibly personal journey.“For as long I can remember,” says Catherine, “My mother has played the harmonium at the local Anglican church. It was there that I encountered the great tunes of the Welsh and English hymn writers, and from this first early exposure, the hymns tunes have been stored deep inside my memory, and never forgotten.”Catherine is considered to be one of the finest piano players of traditional Scottish dance music in the world today. She is well respected as an innovative and sensitive natural dance and concert musician and is a grapheme synaesthete, an individual who experiences numbers and letters in colour.Using this phenomenon as a tool, Catherine plays and records entirely by ear. Her intuitive sense of rhythm and colour are incomparable and she continues to be an inspiration, teacher and mentor to many of Australia’s Scottish-style pianists. TRACKLISTING1     All Through the Night (Ar hyd y nos)2     I Heard the Voice of Jesus Say (Kingsfold)3     How Are Thy Servants Blest, O Lord (Kilmarnock)4     No Wind at the Window (Columcille)5     There Is Sweet Rejoicing on the Hill of Paradise (Bearnaraidh) /       Sion Sings with Sheer Sweetness (Sion)6     Oh, This is the Story That Will Gladden My Heart (So an sgeul)7     Lord, Hear My Praying (Lara)8     Country Carol (The Oxen)9     God Is Love, Let Heaven Adore Him (Abbot’s Leigh)10   Morning Has Broken (Bunessan)11   Hail the Day That Sees Him Rise (Llanfair)12   O Crucified Redeemer (Llangloffan)13   Christ Be My Leader by Night as by Day (Bonnie George Campbell)14   Abide with Me (Eventide)15   Sussex Carol16   Love Divine, All Loves Excelling (Blaenwern)17   Precious Is Your Grace to Us (Tigh-an-Easa)18   God of Jeremiah (Kelvin Grove)19   Amazing Grace (New Britain)20   O for a Closer Walk with God (Caithness) Catherine Strutt piano with special guest Chris Duncan Scottish fiddle(Tracks 5, 11, 15, 17)
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The Grigoryan Brothers return with an album of J.S. Bach’s best-loved concertos, newly arranged for two guitars and orchestra.The two great forces in J.S. Bach’s life were music and family - somewhat inevitably, for a man who had twenty children. Bach first wrote the concertos on this disc as a young composer finding his place in the world, seeking to establish both his musical and personal identity. But they stayed with him throughout his life: he adapted them for different instruments, performed them with his sons, and used them to pass down his musical and life experiences.So it is entirely fitting that two brothers, Slava and Leonard Grigoryan, have come together to play these works. The parallels are even more poignant considering their father, Edward, created the arrangements on this disc, and that early rehearsals of this material involved their parents (Edward on violin, Irina on viola) and Slava’s wife Sharon (on cello). The intimacy and eternity of Bach’s music could hardly be better illustrated.This album follows on from the brilliant success of Slava’s two recent albums of Bach cello suites arranged for solo guitar: albums that broke records for the longest time spent atop the ARIA Classical charts, and which both won the ARIA for Best Classical Album (2017 + 2018). It also continues the family tradition of their most recent album as a duo, 2017’s Songs Without Words, which featured beloved classical works arranged for guitar duo by their father Edward.Slava and Leonard are counted amongst the finest musicians of their generation, and between them have been awarded four ARIA awards and received an incredible further 24 nominations, confirming their status as Australia’s favourite guitarists. TRACKLISTINGJS BACH 1685–1750Concerto for Two Violins in D minor, BWV1043 (Arrangement for two guitars in A minor)I. VivaceII. Largo ma non tantoIII. Allegro Concerto for Keyboard in D minor, BWV1052 (Arrangement for two guitars in D minor)I. AllegroII. AdagioIII. Allegro Concerto for Violin and Oboe in C minor, BWV1060R (Arrangement for two guitars in G minor)I. AllegroII. AdagioIII. Allegro Arioso (Sinfonia: Adagio)        (from Cantata BWV156) All tracks arranged for two guitars and orchestra by Edward Grigoryan Slava Grigoryan guitarLeonard Grigoryan guitarAdelaide Symphony Orchestra Benjamin Northey conductor
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Australian piano virtuoso Jayson Gillham presents his fourth album on ABC Classics, devoted to the keyboard works of Johann Sebastian Bach. Featuring 11 of Bach’s compositions transcribed and arranged, from Rachmaninoff’s arrangement of the Violin Partita in E major into a pianistic showpiece, to Myra Hess’s sublime ‘Jesu, Joy of Man’s Desiring’, Jayson Gillham’s latest release is a love letter to Bach from a who’s who of the great pianists and pianist-composers – Rachmaninoff, Percy Grainger, Hess, Busoni, Siloti and Petri.“The thing about Bach,” says Jayson, “is that it works so well on whatever instrument combination you put it on. It’s something to do with the way Bach thinks, and the way he writes the music – the content is more important than the timbre of the instrument that it’s played on. And so it’s really effective on all instruments – particularly the piano.”Born 333 years ago in Germany, Bach remains arguably the most important musician in the Western musical tradition. Nowhere does his outsized brilliance shine through more brightly than in his keyboard works, and the influence that they have had on centuries of composers and musicians. This celebrated repertoire allows the full extent of Jayson’s artistry to shine through, revealing the profound depth of his musicality, and a mind constantly interrogating his performance, his instrument, and the music.Born and brought up in rural Queensland, Jayson Gillham travelled for hours to piano lessons in Brisbane, before shooting to fame in a number of prestigious international competitions. He is now recognised as one of the finest pianists of his generation, performing across the globe with the world’s most prestigious orchestras, venues and festivals. ABC Classics signed Jayson for a three-album deal, and his debut record, an all-solo offering surveying music by Bach, Schubert and Chopin, reached No. 1 in the ARIA Charts on release.  Soon afterwards the great pianist Vladimir Ashkenazy, conducting the Sydney Symphony, chose to make his first-ever recording of a Beethoven concerto with Jayson Gillham at the keyboard. Jayson’s Medtner and Rachmaninoff album, recorded in 2017 with the Melbourne Symphony Orchestra and Benjamin Northey, received unanimous praise and was Recording of the Month in Limelight magazine. TRACKLISTINGJOHANN SEBASTIAN BACHFugue in E major, BWV878        from The Well-Tempered Clavier, arr. Percy Grainger       Suite from Violin Partita in E major, BWV1006       arr. Sergei RachmaninoffI. PreludeII. GavotteIII. Gigue       Fantasia and Fugue in A minor, BWV904I. FantasiaII. FugueSheep May Safely Graze        from Cantata BWV208, arr. Egon Petri       Capriccio on the Departure        of his Beloved Brother, BWV992I. Arioso: AdagioII. [Andante]III. AdagiosissimoIV. [Andante con moto]V. Aria del Postiglione: Allegro pocoVI. Fuga all’imitatione della postaSicilianofrom Flute Sonata No. 2        in E-flat major, BWV1031, arr. Wilhelm KempffJesu, Joy of Man’s Desiring        from Cantata BWV147,arr. Myra HessNun freut euch, lieben Christen g’mein, BWV734a        arr. Ferruccio BusoniChaconne from Violin Partita No. 2 in D minor, BWV1004        arr. Ferruccio BusoniOrgan Prelude in E minor, BWV555       arr. Alexander Siloti PERCY GRAINGER 1882–1961Blithe Bells: A free ramble on JS Bach’s        ‘Sheep May Safely Graze’ 
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Flinders Quartet • Benjamin Martin pianoFour Australian works played by one of Australia’s best chamber groups.Flinders Quartetis one of Australia’s best-loved and most highly respected chamber music ensembles, acclaimed for dynamic and stirring performances of a full spectrum of repertoire. The quartet also have an ongoing mission to further the Australian tradition of chamber music by commissioning and premiering new works by Australian composers: all four pieces on this disc were commissioned or premiered by the quartet in service of this goal.Elena Kats-Chernin’sThe Offering is the composer’s first piece for piano quintet. A kaleidoscopic work, it draws on elements and forms from different musical eras; witness the Baroque elegance of the first movement, the ragtime rhythms of the third. Richard Mills’ quartet Glimpses from My Book of Dada is full of idiosyncratic observations of life and people, from neighbours dancing in the rain to the behaviour of wombats, from composer and educator Dulcie Holland’s aversion to fifths to a surreal dream of Graham Koehne’s mother, it is a piece vivid in imagination and vivid in its descriptions.Peter Sculthorpe’seighteenth and final string quartet is in many ways his most poignant, an evocative depiction of the Australian landscape that he loved so well and its suffering under a changing climate. Widely regarded as one of the greatest modern chamber works, it is by turns dramatic, heroic and filled with longing. Like the Sculthorpe, Tom Henry’sScenes From a Poet's Life pushes the possibilities of the string quartet form, though this is much more personal in scope, as the poet of the title struggles to attain the paradise tantalisingly glimpsed in the process of writing.TRACKLISTINGELENA KATS-CHERNIN The OfferingI.     Allegro con spiritoII.    AndanteIII.   Vivace scherzoIV.   TranquilloV.    Allegro energetico RICHARD MILLS String Quartet No. 4: Glimpses from My Book of Dada I.     The Circumspect IbisII.    The Rise of the Airheads in Public LifeIII.   Rêve circulaire du wombatIV.   Rare Umbrella Dance of Molly HouriganV.    Scheming and Latté DrinkingVI.   The Octopus QuadrilleVII.  Dulcie Holland Says NoVIII.Anti Tango from Berlin as               Premonition of Invasion by               Russian HerbalistsIX.   Prayer for Nonna Thora PETER SCULTHORPE String Quartet No. 18 I.     PreludeII.    A Land SingingIII.   A Dying LandIV.   A Lost LandV.    Postlude TOM HENRY20.   Scenes from a Poet’s Life Flinders QuartetShane Chen violinNicholas Waters violinHelen Ireland violaZoe Knighton cello withBenjamin Martin piano [tks 1-5]
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Soliloquy: An act of speaking your thoughts aloud, oblivious to any listenersFor acclaimed Australian recorder virtuoso Genevieve Lacey, Telemann’s twelve fantasias for solo flute have long had an intensely personal connection. As a teenager she was obsessed with a famous recording by the legendary Frans Brüggen, and performed the first fantasia of the set at her cousin’s funeral – the only thing she could think of to ease all that family pain.Genevieve never learned the other eleven; the first was too tightly wound with grief for her to imagine a relationship with any of the others. But years later when she was ready to return to this beloved music, inspiration struck, and she decided to devote herself to learning one fantasia a month throughout 2017.Over the course of that year, these fantasias became like a personal diary for Genevieve. An acutely personal and isolated process became a soliloquy – a series of moments out of time, out of earshot, diving ever deeper into sound, into memory, dream, and wonder.Georg Philipp Telemann(1681–1767) was acclaimed in his day as the best composer in Germany – greater even than his contemporary, JS Bach. An absolute master of all the established musical forms of his day, both sacred and secular, Telemann was also a trailblazer with a seemingly inexhaustible imagination. His Fantasias for solo flute proved for the first time that this was an instrument able to weave from its single line of melody a vast harmonic tapestry, full of colour and emotion. Genevieve's performances reveal equally gorgeous and surprising colours on the recorder. TRACKLISTINGGEORG PHILIPP TELEMANN (1681–1757) Fantasias for solo flute, TWV 40:2–13Fantasia No 1 in A majorFantasia No 2 in A minorFantasia No 3 in B minorFantasia No 4 in B-flat majorFantasia No 5 in C majorFantasia No 6 in D minorFantasia No 7 in D majorFantasia No 8 in E minorFantasia No 9 in E majorFantasia No 10 in F-sharp minorFantasia No 11 in G majorFantasia No 12 in G minor  Genevieve Laceyrecorder
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Richard Tognetti • Satu Vänskä • Australian Chamber Orchestra"A wonderful Tatyana, among the best ever” – The Guardian (London)“Her luminous soprano proves ideal for Bizet’s soaring lines”– The Guardian (London)“As Marguerite, soprano Nicole Car was outstanding. Strong across her range, she displayed pealing clarity, excellent dynamic control and a strong sense of line.”– The Australian“You’d be hard pressed anywhere to hear more consistently satisfying singing” – Dallas Morning News“The young singer of the moment”– Limelight Magazine“A voice dripped in rich honey”– Herald SunStunning young Australian soprano Nicole Car is one of the brightest stars in international opera. In September 2018 she will make her debut at New York’s Metropolitan Opera opposite Vittorio Grigolo and Michael Fabiano, and November sees her debut at Bayerische Staatsoper. This follows hard on the heels of a Helpmann Award-winning performance as Violetta in Opera Australia’s production of Verdi’s La traviata earlier in the year. Nicole’s star status was confirmed by the huge success of her debut solo album, The Kiss, which reached #1 on the charts and was nominated for Best Classical Album at the 2016 ARIA Awards.In April 2018, Nicole joined the ACO, one of Australia’s most daring and exciting ensembles, for a series of unique live performances featuring arias sung by some of music’s most iconic female characters – including Mozart’s Dido and Verdi’s Desdemona. The album also showcases the artistry of the orchestra, featuring Mozart’s Symphony No.27 as well as a gorgeous performance of Beethoven’s Romance for Violin and Orchestra No.2 from Satu Vänskä, the ACO’s Principal Violin.Heroines is a brilliant recording of these extraordinary concerts, capturing one of the world’s most beautiful voices blending perfectly with one of the world’s great orchestras.“Here we present Nicole Car, a singer at the top of her game, to portray these heroines: courageous Queen Dido, wrathful Deidamia, the doomed Desdemona. These are characters who face the very depths of human expression – joy and hope, grief and despair – with resilience and strength. Do not underestimate these women; they are resolute in their conviction, and their voices demand to be heard.”– Richard Tognetti TRACKLISTING         HANDEL Overture and Dances from Alcina         Ouverture:1       I.   [Grave] –2             Allegro3        II.  Musette: Un peu lentement4        III.Menuet: Allegro         Dances:5        Gavotte6        Sarabande: Adagio7        Menuet8        Gavotte9        Tamburino10      MOZART Symphony No. 27 in G major: I. Allegro11     MOZART Basta, vincesti ... Ah non lasciarmi, no 12      BEETHOVEN Romance for Violin and Orchestra No. 2          in F major 13     BEETHOVEN Ah! perfido ... Per pietà, non dirmi addio 14     VERDI Ave Maria, plena di grazia from Otello15     PUCCINI Crisantemi (Chrysanthemums) 16      VERDI Act III Prelude from La traviata17      MOZART Misera, dove son! ... Ah! non son io che parlo          MOZART Symphony No. 27 in G major: 18     II.  Andantino grazioso19     III.Presto20     MOZART Chi sà, chi sà, qual sia 21     BEETHOVEN Ma tu tremi, o mio tesoro? Nicole Car soprano (Tracks 11, 13, 14, 17, 20, 21)Satu Vänskä violin (Track 12)Australian Chamber Orchestra Richard Tognetti Artistic Director & Lead Violin
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Kamil Ellis narrator & singer • Ensemble Offspring“The perfect adventure to start your mini musicians on a lifetime of classical music.” – ArtsplorersDiscover how sound can tell stories and create atmosphere in Music for The Dreaming. With new compositions by Indigenous composer, Yuin woman Brenda Gifford, and performed by Ensemble Offspring, Music for The Dreaming is inspired by the seasons and the natural environment around Wreck Bay, NSW south coast.Through Aunty Brenda's music, and the stories and cultural teachings of Budawang Elder from the Yuin Nation Noel Butler, kids will learn about the ‘old ways’ of life and the changing seasons in Yuin Country.Little ones can learn the sounds and meanings of words in the Dhurga language and listen to music which evokes the seasons and landscape of Yuin Country. Children will develop sensory perception, musical literacy and awareness of instrument sounds, perfect for ages 2 – 5.Classic Kids: Music for The Dreaming is an ABC KIDS listen and ABC Classic FM co-production. It was produced in collaboration with composer and Yuin woman Brenda Gifford and Yuin Elder and Educator Noel Butler, and the Sydney Opera House Children’s Families and Creative Learning program.Classic Kids: Music for The Dreaming is the follow-up to Classic Kids: Sounds Like Australia, released in July 2018. TRACKLISTINGEPISODES1 Galaa (Summer)2 Dhagarwara (Winter)3 Gambambara (Spring)4 Dhawara (Moon)5 Gambambarawaraga (Seasons) MUSIC6 Galaa underscore7 Rompy Stompy Crab8 Galaa song9 Dhugawara A underscore10 Dhugawara B song11 Plover Bird12 Gambambara13 Ghadu (Sea) underscore14 Ghadu15 Bardju (Footprints)16 Gambambarawaraga Kamil Ellis narrator and singerEnsemble OffspringClaire Edwardes Director, vibraphone & percussionVéronique Serret violinZubin Kanga pianoLamorna Nightingale flute & alto fluteJason Noble clarinet & bass clarinet
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This collection is inspired by ABC Classic FM’s 2018 Getaway broadcast, which asked audiences to share the best place in Australia to wake up, and which spurred a flood of responses about the most meaningful, the most exhilarating and the most evocative places in their lives.Where’s your favourite place to wake up? Maybe you yearn for a beachside retreat, with the gulls wheeling and the salt air to greet you. Or the serenity of the bush, in that moment of tranquillity before the heat of the day. Perhaps it’s home, and you’re lucky enough to always wake to your ideal scene.Every morning, ABC Classic FM takes listeners to that favourite place, wherever they are. But it’s not just about escape. Use the music to get you into your day, as well as giving you a moment out of it.This album draws together some of the most sublime music ever written, from old favourites to new discoveries. Often inspired by the natural world, this music isn’t just for those early hours: reach for it whenever you need a dose of pure bliss.TRACKLISTINGCD1 1      EDWARDS Dawn Mantras 2      WESTLAKE Ocean Sunfish 3      GRIEG Morning Moodfrom Peer Gynt 4      SCULTHORPE Morning Songfrom Four Little Pieces for Piano Duet 5      BENJAMIN The Quiet Garden 6      BEETHOVEN Symphony No. 6 ‘Pastoral’: First movement 7      RODRIGO Concierto madrigal:VI. Pastoral 8      TCHAIKOVSKY The Lark’s Song 9      TRAD. TORRES STRAIT Morning Tide from Island Songs 10    OSBORNE Late Harvest II 11    MUSSORGSKY Dawn on theMoscow River from Khovanshchina 12    DEBUSSY Piano Trio in G major:III. Andante espressivo 13    COOMAN Sunrisefrom Night Songs 14    EDWARDS Yanada 15    DEBUSSY Prelude to ‘The Afternoon of a Faun’   CD2 1      RAMEAU Naïs: Overture 2      HAYDN Nocturne No. 3: II. Andante 3      RAVEL Pavane of the Sleeping Beautyfrom Mother Goose 4      DOHNÁNYI Ruralia Hungarica:III. Allegro grazioso 5      VIVALDI The Four Seasons: Spring:III. Allegro 6      MAHLER Songs of a Wayfarer:I went out this morning across the field 7      JS BACH Brandenburg Concerto No. 4:I. Allegro 8      CPE BACH Trio Sonata in A major:I. Allegretto 9      BRITTEN Dawnfrom Four Sea Interludes from ‘Peter Grimes’ 10    EDWARDS A Flight of Sunbirds:IV. Poco lento 11    VIVALDI Flute Concerto ‘The Goldfinch’:II. Larghetto cantabile 12    GRIMSLEY Rebecca’s Dream 13    GREENBAUM The Rotation of the Earth 14    HANDEL Waft Her, Angels, through the Skies from Jephtha 15    VAUGHAN WILLIAMS The Lark Ascending Artists include: Simon Tedeschi • Roger WoodwardSlava & Leonard Grigoryan • Diana Doherty • Jane RutterGondwana Voices • Ensemble OffspringLondon Philharmonic OrchestraOrchestra of the Antipodes • Australian Brandenburg Orchestraand the Adelaide, Melbourne, Queensland, Sydney, Tasmanian & West Australian Symphony Orchestras 
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David Greco and Erin Helyard present the first Australian recording of Schubert’s masterpiece on period instrumentsSchubert’s Winterreise is one of the greatest song cycles ever written. Completed shortly before his death at just 33, Schubert’s masterpiece follows a young man spurned by his beloved who then wanders through a frozen landscape in ever-increasing states of existential angst, terror, and paranoia.Erin Helyard and David Greco present a Winterreise that’s different from any you have heard before. This is how the work might have sounded to Schubert, a recording informed by scholarship around 19th-century performance techniques, and the different vocal traditions and pianos that existed then.But far from a dry, academic exercise, David and Erin strip away the stuffy, canonised aura of this famous work, presenting a Winterreise sung by a young man in the full fervour of love and an all-consuming passion. This is a performancethat captures every moment of Schubert’s terror and mortality, a vital and utterly engrossing performance that takes you inside a work you’ve listened to many times before – but never truly heard.TRACKLISTINGFRANZ SCHUBERT 1797–1828 Winterreise (Winter Journey), D9111 Gute Nacht (Good Night)2 Die Wetterfahne (The Weather Vane)3 Gefror’ne Tränen (Frozen Tears)4 Erstarrung (Frozen)5 Der Lindenbaum (The Linden Tree)6 Wasserflut (Deluge)7 Auf dem Flusse (On the Stream)8 Rückblick (Backward Glance)9 Irrlicht (Will o’ the Wisp)10 Rast (Rest)11 Frühlingstraum (A Dream about Spring)12 Einsamkeit (Loneliness)13 Die Post (The Post)14 Der greise Kopf (The Aged Head)15 Die Krähe (The Crow)16 Letzte Hoffnung (Last Hope)17 Im Dorfe (In the Village)18 Der stürmische Morgen (The Stormy Morning)19 Täuschung (Illusion)20 Der Wegweiser (The Signpost)21 Das Wirtshaus (The Inn)22 Mut! (Courage!)23 Die Nebensonnen (Mock Suns)24 Der Leiermann (The Organ-Grinder) David Greco baritoneErin Helyard piano 1817 Anton Graf piano (replica by Chris Maene, 2016)
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All of Slava and Leonard’s recordings as a duo, available together for the first time!Guitarists Slava and Leonard Grigoryan are counted amongst the finest musicians of their generation, enthralling audiences with the energy of their performances and the breadth of their repertoire – embracing disparate genres such as classical, jazz and contemporary music from around the world.Slava and Leonard are blessed with an uncanny ability to perform so seamlessly as a duo that they play and ‘breathe’ as one. This sibling collaboration, which commenced in the family home when Leonard was four and Slava 13, has been developing ever since. Growing up and performing together does not guarantee a symbiotic relationship, but what does create the perfect storm is the mutual respect and admiration the brothers have for each other. Perhaps this is the intangible quality that creates their ability to connect with listeners.This box set brings together all eight of their albums recorded as a duo, from 2003’s Play to 2017’s Songs Without Words, and encompasses every element of the artistry of the these extraordinarily talented brothers. Between them, they have received three ARIA awards and an incredible 24 ARIA Award nominations, and have cemented their status as Australia’s favourite guitarists.TRACKLISTINGCD1RODRIGO GUITAR CONCERTOS1-3 RODRIGO Concierto de Aranjuez4-7 RODRIGO Fantasía para un gentilhombre8-17 RODRIGO Concierto madrigal CD2BAROQUE GUITAR CONCERTOS1-3 VIVALDI Concerto in G major for two guitars, RV5324-6 VIVALDI Concerto in A major, RV827-9 VIVALDI Concerto in D major, RV9310-12 HANDEL Concerto in B-flat major for two guitars, HWV29413-17 WEISS Concerto in D minor18-20 FASCH Concerto in D minor CD3IMPRESSIONS1-4 DEBUSSY Suite bergamasque5-8 FALLA Four Spanish Pieces9 MOMPOU Prélude No. 510-23 MOMPOU Variations on a theme of Chopin24 MOMPOU Cançons i danses: No. 725 DEBUSSY Rêverie CD4PLAY1-3 PIAZZOLLA Tango Suite4 E. GRIGORYAN Kolobok5-8 GNATTALI Retratos9 YORK Evening Dance10 E. GRIGORYAN Day Dreams CD5DISTANCE1 BELLINATI Jongo2 L. GRIGORYAN Distance3 TOWNER From a Dream4 LOVELADY Nartuby River5 MUTHSPIEL Everything Happens to That Dog6 WESTLAKE Shards of Jaisalmer7 E. GRIGORYAN Tian Shan8 ALSOP Mandalay to Melbourne9 RIGNEY Prayer Flags in Bright Wind CD6THIS TIME1 L. GRIGORYAN This Time2 TOWNER Duende3 RIGNEY Two Swings in the Heart Shaped Garden4 HOWARD Longplay5-10 WESTLAKE Mosstrooper Peak11 TOWNER Sarabande12 LOVELADY Incantation No. 213 L. GRIGORYAN After Dark14 HOUGHTON Wave Radiance CD7THE SEASONS1-12 TCHAIKOVSKY The Seasons CD8SONGS WITHOUT WORDS1 BACH Arioso, from Cantata BWV1562 DVOŘAK Songs My Mother Taught Me3 FAURÉ Après un rêve4 TCHAIKOVSKY None but the Lonely Heart5 ELGAR Chanson de matin6 TCHAIKOVSKY Chanson triste7-13 FALLA Seven Spanish Folk Songs14 RACHMANINOFF Vocalise15 ELGAR Chanson de nuit16 TCHAIKOVSKY Song Without Words17 PONCE Estrellita (Little Star)
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Celebrating the 100th birthday of the 20th century’s greatest musician.Leonard Bernstein is one of the towering figures of twentieth-century music. A brilliant and versatile composer, a revolutionary and thought-provoking conductor, and a personable and insightful educator, ‘Lenny’ broke down barriers between genres and brought classical music to the world – and the world to classical music.Released to coincide with his centenary on 25 August 2018, the West Australian Symphony Orchestra and conductor Benjamin Northey celebrate the life of this towering talent with an album showcasing his work for Broadway, film and concert stage.Featuring symphonic dances from his ground-breaking musical West Side Story and his score to the legendary Marlon Brando film On The Waterfront, as well as the sizzling overture to his opera Candide and dance episodes from On The Town, this release presents a musical portrait of one of the most important and best-loved musicians of our time.  TRACKLISTINGLEONARD BERNSTEIN 1918–19901. Candide: OvertureOn The Town: Three Dance Episodes2. The Great Lover Displays Himself3. Lonely Town: Pas de deux4. Times Square: 19445. On the Waterfront: SuiteWest Side Story: Symphonic Dances6. Prelude7. Somewhere8. Scherzo9. Mambo10. Cha-Cha11. Cool, Fugue12. Rumble13. Finale West Australian Symphony Orchestra Benjamin Northey conductor Recorded live in the Perth Concert Hall