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Tim Chaisson

Refinement of capacity. Spirit. Creativity. While such terms endeavour to express the ultimate in marvel and ability, when it comes to performer/songwriter Tim Chaisson, these descriptive terms—which he is far too courteous to use on himself—perfectly befit the exceptional musical endowments of this Prince Edward Island native.

After all, Chaisson is no stranger to the spotlight. While initially entering the world of music in a family-based Celtic outfit, after years of touring and recording—before reaching driving age—Chaisson recognized a yearning to perform his own music.

With three solo albums under his belt and the recent release of Tim Chaisson and Morning Fold’s independent musical gem Broken Hearted Beat, Chaisson is on a fast rise to dominating his genre. A quick glimpse of the band's achievements over the past years reveals an enviable onslaught of accolades: winning Music PEI awards for Songwriter of the Year, Entertainer of the Year, Pop Recording of the Year and Group of the Year and more.

As for this enigmatic, energetic and enthralling release itself, Broken Hearted Beat has gleaned an honourable mention in Billboard's 17th Annual Song Contest, single “Broken Heated Beat” has snagged Number One on both the MuchMoreMusic Top 10 (numerous times over a six-week period) and East Coast Countdowns—with two more singles on the latter's charts—and nomination for the East Coast Music Awards' 2010 Pop Recording of the Year.

Bolstered by performances at the 2010 Winter Olympics, JunoFest, major festivals across the Great White North including NXNE, Canada Music Week, Burlington Sound of Music, Indie Music Week, East Coast Music Convention and feature play on television, it is no wonder that Broken Hearted Beat's debut eponymous single/video commanded attention via radio play on 40 stations across the nation. It's an achievement the band aspires for with the single/video “Slippin' Away” released October 2010 during their tour alongside respected brigade The Trews.

Such accomplishments are not surprising, given that Broken Hearted Beat is a compelling array of sultry, sinewy tunes intertwining exceptional musicianship with spirited delivery, unforgettable melodies and indelible sincerity;. It's a union of Chaisson's vocal, guitar, mandolin, fiddle and keyboard abilities with equally-talented spirits in Tian Wigmore (guitars and backing vocals), Brien McCarthy (bass and backing vocals) and Nat Lamoureux (drums and backing vocals).

“I'd been playing by myself for a number of years but I didn't want to start something brand new and confuse people,” Chaisson explains regarding the shift from performing solo to a full band. “Not to compare us to them but like Tom Petty And The Heartbreakers or Bruce Springsteen And The E Street Band, when people hear Tim Chaisson And Morning Fold, they know they're gonna get the whole show with all of the instruments.”

Chaisson needn't be so humble. With Broken Hearted Beat, Petty and Springsteen would be proud to keep such company. A tour-de-force in amalgamating diverse backgrounds and genres, the album unites the finite intricacies of folk, pop, country and even the Celtic inspiration that initially spurred Chaisson on in his youth; it is a wonderfully diverse beguilingly chameleon-esque experience.

While much of the album is spawned from his own seeds of creativity as primary songwriter, Chaisson notes that renowned Canadian-bred musicians Joel Plaskett (Thrush Hermit, Joel Plaskett Emergency) and Gordie Johnson (Big Sugar) were crucial in realizing Broken Hearted Beat's wide scope and boldness.

Co-penning material as a team and utilizing Johnson's invaluable experience as a musician and producer for Broken Hearted Beat, Chaisson, Johnson and crew captured the live essence of the band at Plaskett's studio before heading down to Willie Nelson's Austin-based Pedernales Studios in order apply finishing touches.

“Gordie and I started working together a few years ago and he introduced me to Joel,” Chaisson reflects. “We wrote about nine songs together almost immediately. I was a huge fan of both of them before any of this, so getting to work with them was just amazing. Joel's studio caught the grittiness while Pedernales was amazing at the finishing touches. With the piano, fiddle elements, different tones, shaping and breakdowns, I think this album is pretty broad.”

Ensuring Broken Hearted Beat is all-encompassing, Chaisson proudly notes that Plaskett and Johnson also impelled him to push harder at further refining his craft, resulting in a collection of songs that are infinitely stunning both musically and lyrically.

“On this record, those guys pushed me hard, making me give 125% to my lyrics where I think I used to just settle,” he laughs. “I wrote a lot about relationships. Not necessarily personally. I'm not a me-me-me songwriter. That gets old fast. I'd say I'm a storyteller, taking everyone's experiences and relating them from my perspective. They can be pretty personal but they're all about something that's affected me or I've observed. I love it when you can connect with people; when they feel like something you've written has truly hit home.”

Moreover, Chaisson concludes that with the influence of his mentors, the abilities of Morning Fold and his penchant for entwining the plethora of influences a large family has bestowed up on him into a distinct sound, Broken Hearted Beat is easily his most cultivated, proficient effort to date. But, he alludes, there are still many more to come.

“My East Coast roots are elemental to making this album unique,” he waxes philosophically. “I was lucky to have such a large family that introduced me to so many diverse forms of music. I think they all come out on this album. The same thing applies with the rest of the band. They have that influx of inspiration from their families and they're fantastic multi-instrumentalists. As for me, well, I've been doing this since I can remember...I'm gonna be in it for the long haul.”

Larry Adler was a musical phenomenon – a harmonica virtuoso with a 70-year career, the highest-paid entertainer in America during the 1930s and 40s, and a collaborator with George Gershwin, Billie Holiday, Elton John and many more.Recorded live in 1997 (and released here on the 15th anniversary of his death), this live recording showcases some of Adler’s signature tunes, alongside delightful anecdotes from an astonishing life.Also featuring appearances ‘from beyond the grave’ by Adler’s friends Ingrid Bergman and George Gershwin.1 SummertimeGeorge Gershwin, from Porgy and Bess2 Interlude: Larry makes it at last!3 Our Love Is Here to StayCole Porter4 My Funny ValentineRichard Rodgers5 Interlude: Duke Ellington and Guy Lombardo6 Sophisticated LadyDuke Ellington7 Interlude: Billie Holiday8 Begin the BeguineCole Porter9 Interlude: Introduction to Bess, You Is My Woman Now10 Bess, You Is My Woman NowGeorge Gershwin, from Porgy and Bess11 Interlude: Hollywood and the Blacklist12 GenevieveLarry Adler
The Royal Edinburgh Military Tattoo marched into Melbourne’s Etihad Stadium for the first time ever in February 2016. Over 1200 military and civilian performers from around the globe made their way to Melbourne for a breathtaking performance that defines spectacular.Acts from the United Kingdom, Switzerland, Norway, Tonga, Fiji, New Zealand and Australia performed in front of an extraordinary, life-size replica of the Edinburgh Castle façade. At the heart of The Royal Edinburgh Military Tattoo was the stirring sight and sound of the magnificent Massed Pipes and Drums of Scotland’s famous regiments.This production, themed ‘Fanfare for the Future’, has been staged against the story of a last rifle shot being fired on the Gallipoli Peninsula, as Allied and ANZAC forces were withdrawn from Anzac Cove and Suvla Bay. Throughout the show, the storyline is rich in our collective history, a sense of common values and a shared purpose to contribute to a better world.The grand finale drew together the entire cast of more than 1200 for that international song of love and friendship, Auld Lang Syne. The Lone Piper, standing high on the castle ramparts, brought the event to a poignant conclusion, leaving memories that will be treasured forever.The Melbourne 2016 event is only the fourth time that the Royal Edinburgh Military Tattoo has left Edinburgh. The DVD of the Melbourne production was released on ABC Classics in April 2016, instantly skyrocketing to platinum sales levels. This special deluxe edition presents the platinum-release DVD and live soundtrack CD together in one unique gift pack.
The violin might be one of the smallest instruments – but in the hands of a brilliant player it can sing beautiful tunes, make us dance joyfully, or soar above a whole orchestra. On this album we explore the wonderful world of the violin, with a series of highlights all carefully selected to delight younger listeners and start a journey through the wonderful world of classical music.
Johann Sebastian Bach wrote magnificent music for everyone to enjoy, from princes in palaces to beginners just learning to play – including 20 children of his own! His life was full of music, and his music is full of life. This album is the perfect introduction to Bach’s music, all carefully selected to delight younger listeners and start a journey through the wonderful world of classical music.
It’s what’s become vintage Rumjacks; it’s out the gate and straight down to business.Recorded at Bomba Studios in regional Victoria, Sleepin’ Rough, the Sydney quintet’s third album, picks up where 2015’s Sober & Godless left off. Booming from the get-go with ‘Patron Saint Of Thieves’, a thundering punk aesthetic intertwined through the group’s Irish and Scottish musical heritage, this album is full throttle, all spit and bile, raucous and real.
triple j’s weekly Saturday Night party mix House Party is one of the most popular alternative dance radio shows nationally. Kristy Lee Peters (KLP) is at the helm again mixing Saturday night’s greatest party every Saturday from 6pm, jammed with all your triple j faves and mash-up mayhem.This collection is seamlessly mixed by KLP and a noteworthy addition to any music lover’s library.Track ListingCD 1:Kaytranada – Lite SpotsRiton – Rinse & Repeat (ft. Kah-Lo) {Preditah Remix}Anne-Marie – Do It Right {M.A.X Remix}Dro Carey – Queensberry Rules (ft. Kucka)Art vs Science – Chosen OneEats Everything – Big DiscsRÜFÜS – Be With You {Booka Shade Remix}Kllo – BolideBaro – wdubi (ft. Nasty Mars and Marcus)Santigold – BansheeSACHI – No More (ft. Zoe & SYSYI)Drapht – All LoveThandi Phoenix – Tell Me Where The Lovers Have GoneSkepta – ManJust A Gent – Heavy As A Heartbreak (ft. LANKS) {PLS&TY Remix}Ladyhawke – Let It RollAlex Lahey – You Don’t Think You Like People Like MeThe Temper Trap – Fall Together {The Very Best Remix}Miike Snow – Genghis Khan {Louis The Child Remix}Elizabeth Rose – Playing With Fire (ft. Remi)E^ST – Get Money! (ft. Mallrat)Surahn – Into The Distance {Wealth remix}CD 2:Flume – Lose It (ft. Vic Mensa)A-Trak – Parallel Lines (ft. Phantogram) {Chris Lorenzo Remix}Junior Sanchez – MoveMotez – Down Like This (ft. Tkay Maidza)Vanilla Ace & Mario Cruz – Jet SetterClient Liaison – World Of Our LoveHayden James – Just A LoverWafia – Heartburn {Felix Cartal Remix}Nina Las Vegas – Substitute (ft. Swick)Foals – Birch TreePaces – No Chill (1993) (ft. Jess Kent) {jackLDN Remix}Young Franco – Drop Your Love (ft. Dirty Radio)Jax Jones – House Work (ft. Mike Dunn & MNEK)NO ZU – Spirit BeatKlangKuenstler – Jam Master Jack {Original Mix}The Aston Shuffle – Only 1 (ft. Nathaniel S Lewis)HÆLOS – Separate LivesBUOY – Clouds & RainDisclosure – Nocturnal (ft. The Weeknd) {Disclosure V.I.P.}
Since its initial broadcast on July 18, 1966, Play School has been entertaining preschoolers, providing them with new experiences and learning opportunities through music, crafts, stories, games and ideas. Play School aims to encourage a child to wonder, to think, to feel and to imagine. The program strives to reflect a modern diverse Australian society and is constantly evolving to ensure that it remains relevant to contemporary audiences, introducing new presenters, new episodes and expanding upon its digital offerings. Now, as Play School celebrates its 50th Birthday, we’ve gathered together a bunch of our closest friends to help us celebrate, now featured on this special ABC Music release.Featuring a stellar cast of Australian personalities, Famous Friends presents all your much cherished nursery rhymes and stories performed as part of ABC TV’s Play School anniversary series. Old favourites such as Benita Collings, John Hamblin and Don Spencer are joined by a wealth of Aussie talent including You Am I, Dan Sultan, Emma Wiggle, Carrie Bickmore, Katie Noonan, Missy Higgins, Josh Thomas and many more.Track Listing:CD 1:There’s A Bear in There – Emma WiggleThere’s a Hole in my Bucket – Hamish & AndyNursery Rhyme News – Molly Meldrum & Charlie PickeringThree Little Fishies – Missy HigginsNing Nang Nong – Josh ThomasLittle Peter Rabbit – Benita Collings & Don SpencerThe Bunyip of Berkeley’s Creek – Tim MinchinOld Mother Hubbard – Magda SzubanskiOld MacDonald – John HamblinThe Wheels on the bus – Dan SultanI can sing a rainbow – Katie NoonanFive Cheeky Monkeys – Jeremy FernandezFairytale story – Umbilical BrothersGoing on a Bear Hunt – Kurt Fearnley & Rachael CoopesRhythm – Tim OmajiCounting Aussie Animals – Adam GoodesCD 2:I’m a little Tea Cup – John HamblinWorm at the end of my garden/Wiggerley Woo – CostaI Like peace I like quite – Kate & Gypsy CeberanoFamily Forest – Carrie BickmoreBig Bass Drum – Architecture in HelsinkiWhen You’re Happy and you Know it – The MatildasThe Owl and the Pussycat – Kate Miller-HeidkeSinging in the Kitchen – Leigh Sales and Annabel CrabbOne Potato, two potato – You Am IMorningtown Rode – Bernard FanningThe Emperor’s New Clothes – Lee Lin Chin & Takaya HondaTeddy Bears Picnic – Benita Collings & Don SpencerThere’s A Bear In There (Play SchoolTheme Song) – Remixed by KLPThere’s A Bear In There (Play SchoolTheme Song)– Remixed by CopycattThere’s A Bear In There (Play SchoolTheme Song)– Remixed by Jondrette Den
The Australian Voices, known globally for vibrant performances that reflect on contemporary themes, present their tenth album: Reverie.Reverie is a collection of twelve works that bring together themes both banal and transcendent, juxtaposing music that is by turns deeply lyrical and ecstatically ludicrous. A highlight of the album is a setting by the group’s conductor, Gordon Hamilton, of the Elegy – In memoriam Rupert Brooke, written by Australian soldier Frederick Septimus Kelly on the battlefields of Gallipoli and set here to words by Kelly’s close friend Rupert Brooke.Total Political Correctness fast-forwards to politics of the 21st century, presenting Donald Trump’s statements on women set to music by Robert Davidson – which sits alongside Not Now, Not Ever!, a setting of then Australian Prime Minister Julia Gillard’s Misogny Speech – a parliamentary condemnation of sexism.The absurd becomes even more literal than Trump himself in Isabella Gerometta’s Words That Turn Into Other Words – a list of words and phrases linked by sound alone. But pure sound is also pure beauty, and in the album’s title track, the choir take on the tradition of konnakol – a South Indian art of singing single syllables.Jazz trumpeter James Morrison is the first of two guest artists, in his own composition Underwater Basket Weaving; percussionist Claire Edwardes features in Graham Lack’s titular A Reverie of Bone.Reverie is a deeply engrossing journey through a kaleidoscope of contemporary culture, politics and sensibility; it’s also a celebration of the humour, nuance and sheer beauty of the human voice.About The Australian VoicesFounded in 1993, The Australian Voices is dedicated to championing new Australian vocal music. The ensemble tours internationally every year, and is also known to millions across the globe through its programme of new works intended specifically for performance on YouTube. The group’s self-titled debut album was received extensive critical praise, and Edition Peters has released a songbook featuring some of the group’s best-loved repertoire. Gordon Hamilton – a leading light in the new generation of composers and conductors – was appointed Artistic Director in 2009. Find out more and watch the choir in action at 
Leading early music expert Winsome Evans presents the final chapter in her ground-breaking project to transcribe and record Bach’s solo instrumental works for the harpsichord, with the Six Cello Suites and Partita for Solo Flute.Evans’ project, some 30 years in the making, is based on evidence that Bach himself played his solo instrumental works on the keyboard – including the statement of a former student that Bach often played the solo violin and cello works ‘on the clavier, adding as much in the nature of harmony as he found necessary’. The harmonies added by Evans to the solo works are inspired by methods from Bach’s own time.Quite apart from the historical justification, Evans was also motivated by a purely musical desire: ‘It was such a temptation to expand the repertoire of Bach, and make more of his music available for keyboard players.’The first volume of transcriptions to be released – the Sonatas and Partitas for Solo Violin – have been described as ‘a musical masterpiece’ by German critical magazine Klassik.About Winsome EvansWinsome Evans is one of Australia’s foremost early music academics and musicians, and has made numerous acclaimed recordings with her pioneering group the Renaissance Players. She was an Associate Professor at the University of Sydney, received a British Empire Medal in the Queen’s Birthday Honours List in 1980, and in 1986 was awarded the Medal of the Order of Australia for services to music.
Turanga (time) and lila (love) come together in this epic symphony by a modern master – complete with the mysterious sounds of the Ondes Martenot, one of the earliest electronic instruments of the 20th century.This album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website;
A tortured Romantic genius – destined to die young – celebrates the beauty of nature and the majesty of a medieval cathedral.This album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website;
Schoenberg stretched the bounds of Romantic harmony to their limit to express the ecstasy of Pelleas and Melisande and their tragic tale of forbidden love.This album is part of 1000 Years of Classical Music – a series of 100 volumes charting the history of music to be released on ABC Classics. More information can be found at the project’s website;