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Sime Nugent

In 1980, Sime Nugent found an old cassette recording of his Irish parent's last party with family in Dublin before immigrating to Australia in 1969.On the tape his father's five siblings all sang immaculate harmonies around the family piano.

The cassette answered a lot of questions. In 2000, Sime Nugent began playing and releasing music under his own name.

He'd spent the decade previous to this learning about singing and harmony singing with the much loved trio, Acapelicans, who had travelled extensively off the back of their four albums and a hefty international touring schedule. Sime had also spent the 90's learning about song writing via his Melbourne band ,Sedan , who's constant gigging and two albums had already shown Nugent the ropes and the way to becoming a formidable band leader and front man.

In 2000, with six albums already published, Sime Nugent was starting again. With release of 'More About the Benefits of Hindsight' and working under his own name for the first time, Sime Nugent was settling into his own voice as a musician and writer for the decade to come. The release of 'Ten Years at the Table' marks a decade since that first release under Sime's own name. There is a lot of water under the bridge, tens of thousands of kilometres, thousands of gigs, hundreds of songs and still Sime laughs, 'Maybe this album marks the end of my apprenticeship.' With four highly regarded albums to draw from, Sime Nugent has embarked on his first truly solo release.

'Songs have always been a kind of map for me. It's only with time that the enduring songs present themselves. You can never be sure where they are destined to end up when you are writing them. So it's an ongoing inquiry and it's really encouraging that people have drawn something from that journey.' The journey for Sime has been as wide as it has been enduring. He has performed solo in remote East Timor, Sung to thousands at Vienna Jazz Festival, Co-Founded the Castlemaine Music Festival, and more recently joined the Aria nominated bluegrass party band, The Wilson Pickers. 'A lot of my musical output in the last couple of years has been with The Wilson Pickers which has been a delight. There's plenty more to come from them, but in the interim I began talking to ABC Music who basically dared me to make this solo album a retrospective of sorts.

The truth is it could have been any one of about four albums just because of the weight of numbers of songs. I'd been thinking about making a solo album for a long time and after making 'Happy Hour' which was a very large and lengthy production, now seemed like time.' From the rambling opener,'Somewhere by Now' to contemplative closer, ‘Any Day’, Ten Years at the Table is as bare bones as it gets.' Only an x-ray would have less artifice than this album. I do a lot of solo shows. This album is that solo show.' 'It was more than just re-recording in the solo guise' Nugent explains of tracks like 'Gentle as She Goes', 'Only One water' and 'The Funeral'.'The arrangements have to be adjusted and the delivery you can get away with in a band situation is very different to what you can get away with when it's just you and a guitar. So some of them have been pulled back, some have been attacked a bit more, and so on.' As befits a songwriter of Nugent's proclivity and prowess there are a couple of new tracks on 'Ten Years at the Table' too - the very country, 'Slow Road' and the sublime 'The Company We Keep' along with live favourite, Irving Berlin’s,'My Walking Stick'.

The album is indicative not only of where Sime Nugent has been, but where he's likely to head next. 'I'm really looking forward to getting out on the road again with this album and enjoying the people and the travel and the playing. I remember my old man said 'don't get good at anything you don't enjoy. Thankfully I really love playing music.'

Release
“This was a superb concert. 5 stars.” Artshub“The idea of pairing Australia’s finest up and coming pianist with our finest contemporary conductor to perform and record a cycle is a great one.”LimelightABC Classic is thrilled to announce the release of the complete piano concertos by Beethoven, performed by pianist Jayson Gillham, with the Adelaide Symphony Orchestra conducted by Nicholas Carter.This cycle – the first in twenty years recorded with an Australian pianist, conductor and orchestra – is a major contribution to the ongoing celebrations of Beethoven’s 250th anniversary.Beethoven’s five piano concertos stand at the very pinnacle of classical music. Written between 1795 and 1809, they trace the evolution of Beethoven’s music from the inheritor of the Classical style perfected by Mozart and Haydn, to the inventor of a style that was entirely his own: dramatic, expressive, and revolutionary.Recorded in five concerts performed over 10 days at Adelaide’s Elder Hall in June 2019, these recordings capture a soloist, conductor and orchestra totally in synch with each other, with a shared vision for the sound world and rhetoric of these mighty works. Reviews of the concert remarked at the “chamber music-like intimacy” between the performers, with a “sense of balance and support… often never heard before within these well-known and much listened to works” (Limelight).Internationally praised for his compelling performances, Australian-British pianist Jayson Gillham is recognised as one of the finest pianists of his generation. His debut album, released in 2016, immediately reached the No. 1 spot in both the Core Classical and Classical Crossover ARIA charts, while his latest album, 2018’s Romantic Bach, was described as “exceptional” and “a supremely satisfying recital from start to finish” by Limelight, and Gramophone said that, “many of these performances must bear comparison with famous recordings of the past by Rachmaninov, Myra Hess and Dinu Lipatti. Gillham comes up trumps every time.”Nicholas Carter was appointed Principal Conductor of the Adelaide Symphony Orchestra in 2016 – the first Australian to be chosen as Principal Conductor of an Australian orchestra in over 30 years – and has established a reputation as a conductor of exceptional versatility, equally at home in the concert hall and opera house, and fluent in a diverse repertoire. Newly appointed as Chief Conductor of the Stadttheater Klagenfurt and the Kärntner Sinfonieorchester, Nicholas Carter will lead three new productions per season and appear regularly in the orchestra’s concert series.With a reputation for vitality and versatility, the much loved Adelaide Symphony Orchestra is South Australia’s largest performing arts organisation, established in 1936. For over 80 years, the ASO has been there to corroborate life and contribute to South Australia’s identity. Today the ASO plays a major role in Adelaide’s cultural and economic vibrancy, and enriches the community through a diverse program of world-class performances to more than 100,000 concertgoers each season.TRACKLISTING CD1Piano Concerto No. 1 in C major, Op. 15I. Allegro con brioII. LargoIII. Rondo: Allegro scherzandoPiano Concerto No. 2 in B-flat major, Op. 19I. Allegro con brioII. AdagioIII. Rondo: Molto allegroCD2Piano Concerto No. 3 in C minor, Op. 37I. Allegro con brioII. LargoIII. Rondo: AllegroPiano Concerto No. 4 in G major, Op. 58I. Allegro moderatoII. Andante con motoIII. Rondo: VivaceCD3Piano Concerto No. 5 in E-flat major, Op. 73 ‘Emperor’I. AllegroII. Adagio un poco mossoIII. Rondo: Allegro Jayson Gillham pianoAdelaide Symphony OrchestraNicholas Carter conductor
Release
       “250 years ago, Ludwig van Beethoven, the Grand Mogul from Bonn (as Haydn cheekily referred to him) was born. The German composer, whose own extraordinary story famously includes suffering from profound deafness from his late 20s, would become regarded as the great musical liberator, forging the course of the Romantic movement and beyond.” Richard TognettiIn 2020 the Australian Chamber Orchestra will celebrate two monumental anniversaries: 30 years of fearless leadership with ACO Artistic Director Richard Tognetti and 250 years since the birth of the great Ludwig van Beethoven.To celebrate both milestones, ABC Classic is releasing a collection of the ACO’s legendary Beethoven recordings – including never-before released recordings of two of his greatest works: Symphonies 5 and 6.These recordings represent some of the orchestra’s finest performances, including two #1 albums and three ARIA Award-nominees, and feature collaborations with some of Australia’s finest artists – soprano Nicole Car, and pianistsTamara Anna Cislowska andErin Helyard.Beethoven has endured for centuries as one of the most popular and beloved composers around the world, with his music found everywhere from concert halls, to film soundtracks, to disco-era chart-toppers. He was a true musical revolutionary and is credited with paving the transition between the Classical and Romantic eras. His music has always been a mainstay of the ACO’s core repertoire, but this marks the first time that they have recorded these two monumental symphonies.Since its establishment in November 1975, the Australian Chamber Orchestra has become one of the world’s most daring and exciting ensembles, renowned globally for its inspired programming, unrivalled virtuosity, energy and individuality, showcased through an extensive and ongoing program of international touring and recordings for many of the world’s top labels.★★★★★“The Australian Chamber Orchestra was splendid in its all-Beethoven concert… [achieving] revealing clarity that gleamed like the colours of an old master newly restored.” – Sydney Morning Herald“[Beethoven’s] Fifth is always a crowdpleaser, and the ACO made it exceptionally so. This was the stuff of dreams.” – LimelightTRACKLISTING  CD1Symphony No. 5 in C minor, Op. 67 *1   I.   Allegro con brio2   II.  Andante con moto3   III.Allegro –4   IV.AllegroSymphony No. 6 in F major, Op. 68 ‘Pastoral’ *5   I.   Awakening of cheerful feelings on arrival in the countryside6   II.  Scene by the brook7   III.Merry gathering of country folk –8   IV.Thunder, Storm –9   V.  Shepherd’s song. Cheerful and thankful feelings after the stormCD2String Quartet in B-flat major, Op. 130, with Grosse Fuge, Op. 133 (arr. for string orchestra by Richard Tognetti)1   I.   Adagio ma non troppo – Allegro2   II.  Presto3   III.Poco scherzoso4   IV.Alla Danza tedesca5   V.  Cavatina6   VI.Grosse Fuge7   Romance for Violin and Orchestra in F major, Op. 50      Satu Vänskä– violin8   Piano Concerto No. 5 in E-flat major, Op. 73 ‘Emperor’: II. Adagio un poco mosso     Tamara-Anna Cislowska– piano9   Ah! perfido ... Per pietà, non dirmi addio, Op. 65     Nicole Car – sopranoCD3Sonata for Violin and Piano in G major, Op. 30, No. 3 1   I.   Allegro assai2   II.  Tempo di Minuetto, ma molto moderato e grazioso3   III.Allegro vivaceSonata for Violin and Piano in A major, Op. 47 ‘Kreutzer’ 4   Ia.Adagio sostenuto –5   Ib.Presto6   II.  Andante con Variazioni7   III.Presto     Richard Tognetti – violin     Erin Helyard– fortepiano8   Violin Concerto in D major, Op. 61: I. Allegro ma non troppo     Richard Tognetti– violin* Never previously released
Release
The Huntington Estate Music Festival is one of the brightest stars in Australia’s musical firmament. For three decades, it has been bringing together top-flight musicians from around the country and around the world to present a breathtaking array of chamber music masterpieces, both iconic favourites and delicious new discoveries. Presented by the Huntington Estate Winery in association with Musica Viva Australia, and held in the winery’s Barrel Room, one of the most remarkable and surprising music venues in the world, the Festival is a delight to audiences and musicians alike.After 30 stellar years of exceptional music-making, however, the 2019 Festival will be the last, with Huntington Estate owners Tim and Nicky Stevens reluctantly deciding that their grapes – and their young family – must come first. To mark this significant occasion, ABC Classic is proud to delve into its broadcast archives to present this selection of some of the Festival’s most memorable performances across a typically diverse and intriguing range of repertoire: from Schubert and Dvořák to Bach’s astonishing eldest son Wilhelm Friedemann and Australian composers Ross Edwards and Ian Munro.It was Richard Tognetti and the Australian Chamber Orchestra who began the Festival and established it as a serious contender on the world stage – and the hottest concert tickets in the country! This album includes superb three recordings from those early years: music of Mendelssohn, Brahms and Percy Grainger.In 2006, the ACO passed the baton to Musica Viva and Artistic Director Carl Vine, opening up the Festival’s artist roster to an extraordinary range of musicians, both local and international. From among the literally hundreds of thrilling performances, this album features New York-based Australian pianist Andrea Lam, Russian-Armenian clarinettist Narek Arutyunian, the rich bass-baritone of Teddy Tahu Rhodes and Vienna’s acclaimed Eggner Trio, along with regular Festival guests the Goldner String Quartet and the rising stars of the Australian National Academy of Music (ANAM) Chamber Orchestra.…/2The CD of this compilation is available exclusively at the Festival itself, but for all those who can’t make the trip to Mudgee, ABC Classic is releasing the full album as a digital album, for download and streaming, so that audiences all around the world can share in the celebration. TRACKLISTING  1     MENDELSSOHN Symphony No. 3 ‘Scottish’: II. Vivace non troppo2     BRAHMS arr. ANGERER Chorale Prelude ‘O Gott, du frommer Gott’3     GRAINGER Blithe Bells       Australian Chamber Orchestra, Richard Tognetti director (2002 / 2004)        SCHUBERT4     An die Musik (To Music)5     Erlkönig (The Erl-King)6     Die Forelle (The Trout)7     Die Taubenpost (Pigeon Post) from Schwanengesang       Teddy Tahu Rhodes bass-baritone, Kristian Chong piano (2007)        WF BACH Sinfonia in F major ‘Dissonant’8     I. Vivace9     II. Andante10   III. Vivace11   IV. Menuetto I & II       ANAM Chamber Orchestra, Paul Wright violin / conductor (2010)      12   ROSS EDWARDS String Quartet No. 2 ‘Shekina Fantasy’:       I. Allegro moderato       Goldner String Quartet (2010)        MENDELSSOHN13   Song without Words Op. 67 No. 2 – Allegro leggiero14   Song without Words Op. 85 No. 4 – Andante sostenuto       Andrea Lam piano (2012) 15   WEBER Clarinet Quintet in B-flat major: II. Fantasia       Narek Arutyunian clarinet, Australian String Quartet (2012)        MUNRO Piano Trio No. 2 ‘Book of Lullabies’ – Excerpts16   II. Lullaby in Edo17   III. Kun Mun Kultani Tulisi18   IV. Skye Boat Song       Dimity Hall violin, Julian Smiles cello, Ian Munro piano (2013) 19   DVOŘÁK Piano Trio No. 1: II. Adagio molto e mesto       Eggner Trio (2015)