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Australian Chamber Orchestra

Brahms Symphonies 3 & 4 (Richard Tognetti)

Epic. Magnificent. Generous. Flowing. Majestic. Surprising. Overwhelming. And above all – Joyous.

The two final symphonies of Johannes Brahms are undisputed masterpieces: passionate, intensely lyrical, a thrilling blend of grandeur and intimacy. In the hands of Richard Tognetti and the Australian Chamber Orchestra, these soaring yet deeply personal works spring to life, revealing new delights at every turn.

For these performances, the ACO has expanded to include the unique colours of wind instruments from Brahms’ own world. The resulting sound, in the words of the Sydney Morning Herald review, was ‘a revelation: superbly blended horns and trumpets without the bright blare of a modern symphonic sound, an agile, liquid tone from flutes and clarinets and a gorgeous warmth in the lower wind and brass, all matched with a string sound with a bold but never harsh attack.’

With a total size of around 50 players, these recordings show the ACO at its fullest strength, well beyond its usual compact forces, yet maintaining its trademark clarity and vitality. This is in line with the Brahms himself, who refused to allow the orchestra to be augmented beyond 48 players for the premiere of his Fourth Symphony.

Here we encounter the full flowering of Brahms’ symphonic genius: a composer profoundly aware of the richness of his own musical heritage, yet determined to push the boundaries into new realms of expressive power. A musician utterly at home with the wild fire of gypsy music, yet finding inspiration for the finale of his Fourth Symphony in a chorale of J.S. Bach.A master of orchestral sonority, an artist with an unmatched understanding of musical architecture, and a poet whose musical language encompasses the breadth of human experience.

‘Yet again, the ACO re-animated a glowing masterpiece that many of us thought held no more surprises.’ – Sydney Morning Herald

‘One of the masterpieces of late-19th century music…the ACO’s rendition was intelligent and courageous.’ – The Australian

Since its establishment in November 1975, the Australian Chamber Orchestra has become one of the world’s most daring and exciting ensembles, renowned globally for its inspired programming, unrivalled virtuosity, energy and individuality, showcased through an extensive and ongoing program of international touring and recordings for many of the world’s top labels.

                            TRACKLISTING

JOHANNES BRAHMS 1833–1897
Symphony No. 3 in F major, Op. 90             [39’29]

1  I.     Allegro con brio                                       13’49

2  II.    Andante                                                      9’55

3  III.   Poco allegretto                                           6’44

4  IV.   Allegro                                                        9’01

Recorded live in concert at Hamer Hall, Melbourne

Symphony No. 4 in E minor, Op. 98            [39’31]

5  I.     Allegro non troppo                                   12’51

6  II.    Andante moderato                                  11’12

7  III.   Allegro giocoso                                          5’55

8  IV.   Allegro energico e passionato                  9’33

Recorded live in concert at the Sydney Opera House

Total Playing Time                                              79’00

Australian Chamber Orchestra

Richard Tognetti Artistic Director and Lead Violin

Release
The Huntington Estate Music Festival is one of the brightest stars in Australia’s musical firmament. For three decades, it has been bringing together top-flight musicians from around the country and around the world to present a breathtaking array of chamber music masterpieces, both iconic favourites and delicious new discoveries. Presented by the Huntington Estate Winery in association with Musica Viva Australia, and held in the winery’s Barrel Room, one of the most remarkable and surprising music venues in the world, the Festival is a delight to audiences and musicians alike.After 30 stellar years of exceptional music-making, however, the 2019 Festival will be the last, with Huntington Estate owners Tim and Nicky Stevens reluctantly deciding that their grapes – and their young family – must come first. To mark this significant occasion, ABC Classic is proud to delve into its broadcast archives to present this selection of some of the Festival’s most memorable performances across a typically diverse and intriguing range of repertoire: from Schubert and Dvořák to Bach’s astonishing eldest son Wilhelm Friedemann and Australian composers Ross Edwards and Ian Munro.It was Richard Tognetti and the Australian Chamber Orchestra who began the Festival and established it as a serious contender on the world stage – and the hottest concert tickets in the country! This album includes superb three recordings from those early years: music of Mendelssohn, Brahms and Percy Grainger.In 2006, the ACO passed the baton to Musica Viva and Artistic Director Carl Vine, opening up the Festival’s artist roster to an extraordinary range of musicians, both local and international. From among the literally hundreds of thrilling performances, this album features New York-based Australian pianist Andrea Lam, Russian-Armenian clarinettist Narek Arutyunian, the rich bass-baritone of Teddy Tahu Rhodes and Vienna’s acclaimed Eggner Trio, along with regular Festival guests the Goldner String Quartet and the rising stars of the Australian National Academy of Music (ANAM) Chamber Orchestra.…/2The CD of this compilation is available exclusively at the Festival itself, but for all those who can’t make the trip to Mudgee, ABC Classic is releasing the full album as a digital album, for download and streaming, so that audiences all around the world can share in the celebration. TRACKLISTING  1     MENDELSSOHN Symphony No. 3 ‘Scottish’: II. Vivace non troppo2     BRAHMS arr. ANGERER Chorale Prelude ‘O Gott, du frommer Gott’3     GRAINGER Blithe Bells       Australian Chamber Orchestra, Richard Tognetti director (2002 / 2004)        SCHUBERT4     An die Musik (To Music)5     Erlkönig (The Erl-King)6     Die Forelle (The Trout)7     Die Taubenpost (Pigeon Post) from Schwanengesang       Teddy Tahu Rhodes bass-baritone, Kristian Chong piano (2007)        WF BACH Sinfonia in F major ‘Dissonant’8     I. Vivace9     II. Andante10   III. Vivace11   IV. Menuetto I & II       ANAM Chamber Orchestra, Paul Wright violin / conductor (2010)      12   ROSS EDWARDS String Quartet No. 2 ‘Shekina Fantasy’:       I. Allegro moderato       Goldner String Quartet (2010)        MENDELSSOHN13   Song without Words Op. 67 No. 2 – Allegro leggiero14   Song without Words Op. 85 No. 4 – Andante sostenuto       Andrea Lam piano (2012) 15   WEBER Clarinet Quintet in B-flat major: II. Fantasia       Narek Arutyunian clarinet, Australian String Quartet (2012)        MUNRO Piano Trio No. 2 ‘Book of Lullabies’ – Excerpts16   II. Lullaby in Edo17   III. Kun Mun Kultani Tulisi18   IV. Skye Boat Song       Dimity Hall violin, Julian Smiles cello, Ian Munro piano (2013) 19   DVOŘÁK Piano Trio No. 1: II. Adagio molto e mesto       Eggner Trio (2015)
Release
Music can change lives. For almost 20 years, the Hush Foundation has been working with renowned Australian artists to create music of joy and calm – originally to support children in hospital, and now enjoyed everywhere from concert halls to living rooms. In this latest offering from the Hush series, pianist Tony Gould and guitarist Peter Petrucci present music that can bring optimism even in the toughest times.The Hush Foundation, under the inspirational leadership of physician Professor Catherine Crock AM, transforms the healthcare experience for patients, families and staff through music and the performing arts. It has produced 17 albums, bringing some of Australia’s finest performers and composers together in collaborative partnerships that engage with the lived experience of people in the health system and other stressful environments. Hush albums are played not only in hospitals, but also in aged care, palliative care and childcare facilities to reduce stress and anxiety. Community and international orchestras also play music composed for Hush. In 2014, Hush’s contribution to Australian music was acknowledged with the APRA/AMCOS Award for Excellence.Gathering of Kindness recognises the power of the small acts of kindness and respect that build trust and create a sense of safety and security in difficult and challenging situations. ‘When we ask patients, their families and those working in healthcare “What matters to you?”’ says Professor Crock, ‘the single word at the top of the list is kindness.’Tony Gould and Peter Petrucci wrote the music on this album with the Hush ‘family’ firmly in mind. ‘We hope they serve at least one of music’s purposes in life, and that is to help calm our fellow humans in times when things aren’t going so well. Music can do this superbly. It can also give us joy, can foster kindness and a sense that, ultimately, everything will be all right.’ This latest album has been named after the healthcare events Hush has hosted since 2016. The Gathering of Kindness bring people working in health and aged care together to talk about ways kindness can flourish in their organisations and services. These events are being hosted throughout November at metro, regional and rural healthcare organisations across Victoria, and include live performances of Hush plays and music, healthcare book launches and panels, narrative and a range of self-care workshops, as well as updates on new research being undertaken. Hush is also hosting a ticketed event at KPMG in Melbourne on Thursday 14 November.›Pianist / composer / critic / author / academic / educator Tony Gould has been involved in music in Australia for over half a century. A prolific performer, composer and recording artist across several musical genres of art music, Tony has composed and performed alongside other renowned musicians Australia-wide and internationally. His numerous accolades include membership of the Order of Australia (AM) in recognition of his contribution to music.Peter Petrucci is one of Australia’s leading jazz guitarists, recognised for his virtuosity and lyricism in improvisations and artful compositions. He has released eight albums – the latest, They Know That We Know, in August 2019. Peter has performed locally and internationally supporting distinguished musicians and has appeared at numerous international jazz festivals, in the US, Canada, Germany, Italy, the Melbourne International Jazz Festival and the Wangaratta, Stonnington and Queensland Jazz Festivals. TRACKLISTING 1 All Things Good2 Anthem3 Calm4 Autumn Lullaby5 Quiet6 Spring Town7 It’s Up to You8 A Little Folk Song9 Essence10 Truth and Beauty11 The Softness of Air12 The Smile Peter Petrucci guitar – Tony Gould piano Tks 1-3, 5, 8, 10-12 composed by Tony Gould.Tks 4, 6, 7 and 9 composed by Peter Petrucci.