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ABC Classics

ABC Music is one of Australia’s largest independent music labels and the most highly awarded and critically acclaimed in its key genres.

ABC Music operates under the commercial arm of the Australian Broadcasting Corporation, with all profits made going back into funding the great content the ABC is known for.

The roster features many of Australia’s top entertainers including The Audreys, Jeff Lang, Tim Rogers, Ben Salter, Melbourne Ska Orchestra, Mojo Juju , The Snowdroppers, Chris Lilley, Born Lion, Lee Kernaghan, Sara Storer, The Wiggles, Justine Clarke, Giggle and Hoot, Play School, Bananas In Pyjamas and many more.

Release
Listen to the first single from the album here.Two of Australia’s hottest young guitarists take us on a trip through time and around the world of classical guitar.“Andrew Blanch and Ariel Nurhadi are the rockstars of Nylon-Acoustic Classical music. Whilst their technicality as musicians are immediately apparent, so also is their love for music and performing.” On SoundsAndrew Blanch and Ariel Nurhadi are “two stunning young guitarists” (Sydney Arts Guide) who have been performing together since 2014, touring as a duo as well as with baritone José Carbó in The José Carbó Trio. They have been described as “breathtaking” (Canberra Critics Circle), and praised for their “dazzling guitar playing” (ArtsHub).Alchemy, their debut recording, takes us on a journey through history and around the world, through beloved works by Debussy, Rameau, Piazzolla, Albéniz, Falla and Granados. The album also features the acclaimed ‘Three Duets’ by the late Australian guitarist and composer Phillip Houghton – including ‘Alchemy’, the first piece that Andrew and Ariel performed as a duo and the piece after which this album is named.This is a gorgeous album, full of classic pieces beautifully performed, and announces major new stars in the already-glittering galaxy of Australia’s classical guitar community.Amongst the exciting emergence of a new generation of classical musicians, guitarist Andrew Blanch stands out. Armed with formidable talent, passion, and conviction, Andrew has carved out his own path to much acclaim. His independently released album ‘Spanish Guitar Music’ (2015) which Jim McCutcheon of Soundboard Magazine (USA) noted as “one of the best debut albums I’ve ever heard” marked the auspicious beginnings to a busy and multifaceted musical career today.As a soloist, Andrew has been awarded numerous prizes in international competitions including first prize in the Adelaide International Guitar Competition (2019) and the Melbourne International Guitar Competition (2015). His collaborations are extensive and he is commissioning new works for the guitar from celebrated Australian composers Daniel Rojas, Felicity Wilcox, Jessica Wells and Robert Davidson.Andrew, based in Sydney, Australia, is managed by Tier 1 Arts and plays a 2014 Greg Smallman and Sons guitar. Andrew graduated with First Class Honours from the Australian National University in 2013 where he studied with Timothy Kain and Minh Le Hoang.Ariel Nurhadi is a Sydney-based guitarist, active on the performing circuit having toured extensively through Australia and New Zealand. Ariel has performed with some of Australia’s leading musicians and singers and his love of collaborative projects continues with The Jose Carbo Trio, his guitar duo with Andrew Blanch and a forthcoming project called The Great Acceleration with Ensemble Offspring and Topology.Ariel is a graduate of Timothy Kain’s renowned guitar class at the ANU, which he completed with first-class honours. During his studies, he developed a keen interest in historical performance practice, with a focus on the interpretive style of Andrés Segovia.TRACKLISTING Jean-Philippe Rameau: Pièces de Clavecin (1724) (arr. Sergio & Eduardo Abreu)1. Le Rappel des Oiseaux2. Musette en Rondeau3. Rigaudons 1 & 24. Allemande5. Les CyclopesClaude Debussy6. Clair de Lune from Suite Bergamasque (arr. Ariel Nurhadi & Andrew Blanch)7. Cakewalk from Children's Corner (arr. Julian Bream & John Williams)8. Peter Madlem Monte Carlo9. Isaac Albéniz (arr. Miguel Llobet) Evocación from Iberia10. Manuel de Falla (arr. Emilio Pujol) Danza from La Vida Breve11. Enrique Granados (arr. Emilio Pujol) Intermezzo from Goyescas12. Radamés Gnattali: Suite Retratos13. iii. Anacleto de Medeiros (Schottisch)
Release
Listen to the first single from the album here.Be transported back in time to the salons of 19th-century Paris by one of Australia’s finest historically inspired ensembles.Acclaimed period-instrument ensemble Ironwood revive the sounds of the French Romantic through works by Louise Farrenc and Camille Saint-Saëns. These wonderful piano quintets provide contrasting glimpses of the rapidly changing tastes of mid-19th-century Paris, from the Schubertian Classicism in Farrenc’s piece to Saint-Saëns’ incredible work that seems to move from the Baroque to Blondie (yes, really!) via cabaret and the shimmering sounds of early Hollywood.Ironwood’s novel interpretation of these works reflects the ensemble’s research into historical performance practices, informed by very early acoustic, electrical and piano roll recordings – including some by Saint-Saëns himself – and by contemporaneous written texts by French and Belgian musicians. Through this research, coupled with the sounds of gut-strung stringed instruments and an original Érard concert grand piano from 1869, this recording re-imagines the expressive sound world that these composers envisaged for their sumptuous music.Louise Farrenc is a remarkable figure, a composer, pianist and teacher who was incredibly influential in her own lifetime – especially unusual for a woman in the early 1800s. In 1842 she became the first female professor to be appointed at the Paris Conservatoire, where she taught piano for thirty years and was successful in fighting for pay equal to her male colleagues. A star during her lifetime, her music was largely forgotten during the 20th century, but the resurgence in interest in female composers in recent years has seen herworks restored to prominence. This is the first recording of her work released on ABC Classic, and possibly the first-ever Australian recording.Camille Saint-Saëns is far better-known today, with works such as Carnival of the Animals and his Third (‘Organ’) Symphony frequently recorded and performed. Though these works have assured his place in the mainstream of classical music, during his lifetime he was a progressive and ground-breaking composer, foreshadowing elements of composers in the French group known as Les Six and even Stravinsky.Ironwood is a renowned Australian period-instrument ensemble admired for its historically informed exploration of repertoire from the late Renaissance to the late Romantic eras, as well as its support of newly commissioned works. Established in 2006, the ensemble draws on a wealth of experience and expertise, bringing together specialist leaders in the field. Ironwood has presented at the major festivals and concert series around Australia and has toured Europe and America. With several innovative recordings on the ABC Classic and Vexations840 labels, Ironwood is regularly broadcast nationally on ABC Classic and around the world. Ironwood has partnered with Musica Viva and has collaborated with The Song Company, Ensemble Offspring and a broad spectrum of Australian composers, exploring both old and new music in wide-ranging contexts.  TRACKLISTING LOUISE FARRENC 1804–1875Quintet for piano and strings No. 1 in A minor, Op. 30[31’10]1 I. Allegro 12’502 II. Adagio non troppo 6’173 III. Scherzo (Presto) 3’544 IV. Finale (Allegro) 8’17 CAMILLE SAINT-SAËNS 1835–1921Quintet for piano and strings in A minor, Op. 14 [32’25]5 I. Allegro moderato e maestoso 11’216 II. Andante sostenuto 6’247 III. Presto 5’398 IV. Allegro assai, ma tranquillo 8’58
Release
Australia has voted Ludwig van Beethoven’s epic Ninth Symphony featuring the “Ode to Joy” as their number one in the Classic 100: Beethoven.ABC Classic’s annual Classic 100 countdown was set amidst the global backdrop of coronavirus lockdowns, with the Ninth Symphony a fitting choice for top spot as people have sought to connect through music across the world.This 8CD set contains music from all 100 of the best-loved works by Australia’s favourite composer, Ludwig van Beethoven: the easy grace and charm of his youth, his groundbreaking symphonies and string quartets, the anguish and triumph of his struggles with deafness, and the visionary genius of his final years.It includes a brand new recording of the famous ‘Für Elise’ by Tamara-Anna Cislowska, ABC Classic presenter and internationally-celebrated pianist. She joins a Who’s Who of Australian performers, including Jayson Gillham, Nicole Car, Gerard Willems, Richard Tognetti and the Australian Chamber Orchestra, Anna Goldsworthy, the Goldner String Quartet, the Seraphim Trio and more.In 2019, Beethoven was revealed as Australia’s favourite composer, topping the Classic 100: Composer countdown. And so in 2020, to celebrate his 250th birthday, we dedicated the Classic 100 to Beethoven.Beethoven epitomises the hope and humanity at the core of music’s purpose, from the inspiring story of the deaf man who became the greatest composer of all time, to the moments when Beethoven has provided a soundtrack to the great events of history, to the comfort and joy of his music in our everyday lives.Classic 100: Beethoven by the numbersFavourite Forms 26 Sonatas 13 String Quartets 10 Concertos 9 Symphonies 4 Overtures • Trios 3 Romances • Sets of variations 2 Fantasias • Fugues • Sets of incidental music Masses • Quintets • Rondos 1 Adagio • Allegro and minuet • Bagatelle Ballet score • Battle piece • Concert aria Set of dances • Octet • Opera • Oratorio Septet • Serenade • Sextet • Sonatina Song • Song cycle Dark horses The highest-placed works making their Classic 100 debuts: · Egmont Overture (#13) · Romance for Violin and Orchestra No. 2 (#24) · Coriolan Overture (#30) Earliest piece: Fugue in D major for organ (1782 – aged 12) Latest piece: String Quartet Op.130: Finale (1826 – aged 56) 22 Solo pieces (1 musician) 41 Chamber works (2–7 musicians) 37 Orchestral works 51 pieces featured a piano Beethoven in previous Classic 100 countdowns 48 unique works across 13 countdowns The Choral Symphony has featured 7 times; the Emperor Concerto 6 times Five #1s: · Classic 100 Piano (2004): Moonlight Sonata · Classic 100 Concerto (2007): Emperor Concerto · Classic 100 Ten Years On (2010): Choral Symphony · Classic 100 Voice (2016): Choral Symphony Classic 100 Composer (2019): BeethovenCan’t get enough Beethoven? ABC Classic have also made a playlist featuring all the movements of all the works in the Top 100 – every single note from Australia’s favourite Beethoven pieces! Head here to listen.Classic 100 Beethoven – Track ListCD11 Symphony No. 9 ‘Choral’: IV. Finale (Ode to Joy)2 Piano Concerto No. 5 ‘Emperor’: II. Adagio un poco mosso3 Symphony No. 6 ‘Pastoral’: I. Pleasant, cheerful sensations awakened on arrival in the countryside4 Symphony No. 7: II. Allegretto5 Symphony No. 5: I. Allegro con brio6 Piano Sonata No. 14 ‘Moonlight’: I. Adagio sostenuto7 Violin Concerto in D major: III. Rondo8 Symphony No. 3 ‘Eroica’: III. Scherzo CD29 Piano Sonata No. 8 ‘Pathétique’: II. Adagio cantabile10 Piano Concerto No. 4: II. Andante con moto11 Triple Concerto: III. Rondo alla Polacca12 Piano Sonata No. 23 ‘Appassionata’: I. Allegro assai13 Egmont Overture14 Für Elise15 Missa Solemnis: I. Kyrie16 Piano Sonata No. 21 ‘Waldstein’: I. Allegro con brio17 Piano Concerto No. 3: III. Rondo18 Choral Fantasy: Excerpt CD319 Piano Trio No. 7 ‘Archduke’: II. Scherzo20 Fidelio: Prisoners’ Chorus21 Violin Sonata No. 5 ‘Spring’: IV. Rondo22 Violin Sonata No. 9 ‘Kreutzer’: III. Finale23 Symphony No. 8: I. Allegro vivace e con brio24 Violin Romance No. 225 String Quartet No. 15: III. Heiliger Dankgesang: Excerpt26 Symphony No. 4: III. Allegro vivace27 Piano Concerto No. 1: III. Rondo28 String Quartet No. 13: V. Cavatina29 Mass in C major: I. KyrieCD430 Coriolan Overture31 String Quartet No. 14: I. Adagio ma non troppo e molto espressivo32 Piano Sonata No. 17 ‘The Tempest’: III. Allegretto33 Piano Sonata No. 15 ‘Pastoral’: IV. Rondo34 Piano Concerto No. 2: III. Rondo35 Piano Sonata No. 29 ‘Hammerklavier’: I. Allegro36 Symphony No.1: III. Menuetto37 Rondo a capriccio ‘Rage over a Lost Penny’38 Violin Romance No. 139 Wellington’s Victory: II. Victory Symphony40 Piano Sonata No. 32: I. Maestoso – Allegro con brio ed appassionato CD541 Leonore Overture No. 342 Große Fuge43 Violin Concerto in C major (Fragment)44 Symphony No. 2: III. Scherzo45 Cello Sonata No. 3: II. Scherzo46 String Quartet No. 16: II. Vivace47 The Ruins of Athens: Turkish March48 String Quartet No. 7 ‘Rasumovsky No. 1’: IV. Thème russe49 Septet: III. Tempo di Menuetto50 Piano Trio No. 5 ‘Ghost’: I. Allegro vivace e con brio51 Cello Sonata No. 2: I. Adagio sostenuto ed espressivo52 Piano Sonata No. 31: I. Moderato cantabile molto espressivo53 String Quartet No. 9 ‘Rasumovsky No. 3’: IV. Allegro molto CD654 The Creatures of Prometheus Overture55 Piano Sonata No. 26 ‘Les Adieux’: I. Das Lebewohl56 Diabelli Variations: Excerpts57 Piano Sonata No. 30: I. Vivace, ma non troppo – Adagio espressivo58 String Quartet No. 8 ‘Razumovsky No. 2’: IV. Finale59 Oboe Concerto (Fragment: Largo)60 Octet: IV. Finale61 String Quartet No. 12: I. Maestoso – Allegro62 Rondo for Piano and Orchestra63 Horn Sonata: III. Rondo64 Mandolin Sonatina in C major65 Fantasia in G minor66 Mandolin Adagio67 String Quartet No. 10 ‘Harp’: IV. Allegretto con variazioni CD768 Leonore Overture No. 269 Leonore Overture No. 170 An die ferne Geliebte: VI. Nimm die hin denn, diese Lieder71 Piano Sonata No. 12: III. Funeral March72 Cello Sonata No. 1: III. Allegro vivace73 Christ on the Mount of Olives: Wir haben ihn gesehen74 Romance Cantabile (Fragment)75 String Quartet No. 2: IV. Allegro molto quasi presto76 Adelaide77 Wind Quintet: III. Minuetto78 Piano Sonata No. 1: III. Menuetto79 String Quartet No. 11 ‘Serioso’: IV. Larghetto espressivo – Allegretto agitato80 Serenade for Flute, Violin and Viola: V. Allegro scherzando e vivace81 Andante and Variations for Mandolin82 Organ Fugue CD883 Trio for Two Oboes and Cor Anglais: III. Menuetto84 German Dances, WoO 8: No. 1 in C major85 Andante favori86 Cello Sonata No. 4: I. Andante87 Quintet for Piano and Winds: III. Rondo88 String Quartet No. 4: III. Menuetto89 Sonata for Piano Four Hands: I. Allegro molto90 Cello Sonata No. 5: III. Allegro fugato91 Piano Sonata No. 18 ‘The Hunt’: III. Menuetto92 Piano Sonata No. 5: III. Finale93 Piano Trio No. 4 ‘Gassenhauer’: II. Adagio94 String Quartet No. 6: III. Scherzo95 Piano Concerto No. 0: III. Rondo allegretto96 Piano Sonata No. 13: II. Allegro molto e vivace97 Flute Duo: I. Allegro98 See the Conqu’ring Hero Comes: Variation No. 1299 Wind Sextet: III. Menuetto quasi allegretto100 Ah! perfido
Release
Australia has voted Ludwig van Beethoven’s epic Ninth Symphony featuring the “Ode to Joy” as their number one in the Classic 100: Beethoven.ABC Classic’s annual Classic 100 countdown was set amidst the global backdrop of coronavirus lockdowns, with the Ninth Symphony a fitting choice for top spot as people have sought to connect through music across the world.This 8CD set contains music from all 100 of the best-loved works by Australia’s favourite composer, Ludwig van Beethoven: the easy grace and charm of his youth, his groundbreaking symphonies and string quartets, the anguish and triumph of his struggles with deafness, and the visionary genius of his final years.It includes a brand new recording of the famous ‘Für Elise’ by Tamara-Anna Cislowska, ABC Classic presenter and internationally-celebrated pianist. She joins a Who’s Who of Australian performers, including Jayson Gillham, Nicole Car, Gerard Willems, Richard Tognetti and the Australian Chamber Orchestra, Anna Goldsworthy, the Goldner String Quartet, the Seraphim Trio and more.In 2019, Beethoven was revealed as Australia’s favourite composer, topping the Classic 100: Composer countdown. And so in 2020, to celebrate his 250th birthday, we dedicated the Classic 100 to Beethoven.Beethoven epitomises the hope and humanity at the core of music’s purpose, from the inspiring story of the deaf man who became the greatest composer of all time, to the moments when Beethoven has provided a soundtrack to the great events of history, to the comfort and joy of his music in our everyday lives.Classic 100 Beethoven – Track ListCD11 Symphony No. 9 ‘Choral’: IV. Finale (Ode to Joy)2 Piano Concerto No. 5 ‘Emperor’: II. Adagio un poco mosso3 Symphony No. 6 ‘Pastoral’: I. Pleasant, cheerful sensations awakened on arrival in the countryside4 Symphony No. 7: II. Allegretto5 Symphony No. 5: I. Allegro con brio6 Piano Sonata No. 14 ‘Moonlight’: I. Adagio sostenuto7 Violin Concerto in D major: III. Rondo8 Symphony No. 3 ‘Eroica’: III. Scherzo CD29 Piano Sonata No. 8 ‘Pathétique’: II. Adagio cantabile10 Piano Concerto No. 4: II. Andante con moto11 Triple Concerto: III. Rondo alla Polacca12 Piano Sonata No. 23 ‘Appassionata’: I. Allegro assai13 Egmont Overture14 Für Elise15 Missa Solemnis: I. Kyrie16 Piano Sonata No. 21 ‘Waldstein’: I. Allegro con brio17 Piano Concerto No. 3: III. Rondo18 Choral Fantasy: Excerpt CD319 Piano Trio No. 7 ‘Archduke’: II. Scherzo20 Fidelio: Prisoners’ Chorus21 Violin Sonata No. 5 ‘Spring’: IV. Rondo22 Violin Sonata No. 9 ‘Kreutzer’: III. Finale23 Symphony No. 8: I. Allegro vivace e con brio24 Violin Romance No. 225 String Quartet No. 15: III. Heiliger Dankgesang: Excerpt26 Symphony No. 4: III. Allegro vivace27 Piano Concerto No. 1: III. Rondo28 String Quartet No. 13: V. Cavatina29 Mass in C major: I. KyrieCD430 Coriolan Overture31 String Quartet No. 14: I. Adagio ma non troppo e molto espressivo32 Piano Sonata No. 17 ‘The Tempest’: III. Allegretto33 Piano Sonata No. 15 ‘Pastoral’: IV. Rondo34 Piano Concerto No. 2: III. Rondo35 Piano Sonata No. 29 ‘Hammerklavier’: I. Allegro36 Symphony No.1: III. Menuetto37 Rondo a capriccio ‘Rage over a Lost Penny’38 Violin Romance No. 139 Wellington’s Victory: II. Victory Symphony40 Piano Sonata No. 32: I. Maestoso – Allegro con brio ed appassionato CD541 Leonore Overture No. 342 Große Fuge43 Violin Concerto in C major (Fragment)44 Symphony No. 2: III. Scherzo45 Cello Sonata No. 3: II. Scherzo46 String Quartet No. 16: II. Vivace47 The Ruins of Athens: Turkish March48 String Quartet No. 7 ‘Rasumovsky No. 1’: IV. Thème russe49 Septet: III. Tempo di Menuetto50 Piano Trio No. 5 ‘Ghost’: I. Allegro vivace e con brio51 Cello Sonata No. 2: I. Adagio sostenuto ed espressivo52 Piano Sonata No. 31: I. Moderato cantabile molto espressivo53 String Quartet No. 9 ‘Rasumovsky No. 3’: IV. Allegro molto CD654 The Creatures of Prometheus Overture55 Piano Sonata No. 26 ‘Les Adieux’: I. Das Lebewohl56 Diabelli Variations: Excerpts57 Piano Sonata No. 30: I. Vivace, ma non troppo – Adagio espressivo58 String Quartet No. 8 ‘Razumovsky No. 2’: IV. Finale59 Oboe Concerto (Fragment: Largo)60 Octet: IV. Finale61 String Quartet No. 12: I. Maestoso – Allegro62 Rondo for Piano and Orchestra63 Horn Sonata: III. Rondo64 Mandolin Sonatina in C major65 Fantasia in G minor66 Mandolin Adagio67 String Quartet No. 10 ‘Harp’: IV. Allegretto con variazioni CD768 Leonore Overture No. 269 Leonore Overture No. 170 An die ferne Geliebte: VI. Nimm die hin denn, diese Lieder71 Piano Sonata No. 12: III. Funeral March72 Cello Sonata No. 1: III. Allegro vivace73 Christ on the Mount of Olives: Wir haben ihn gesehen74 Romance Cantabile (Fragment)75 String Quartet No. 2: IV. Allegro molto quasi presto76 Adelaide77 Wind Quintet: III. Minuetto78 Piano Sonata No. 1: III. Menuetto79 String Quartet No. 11 ‘Serioso’: IV. Larghetto espressivo – Allegretto agitato80 Serenade for Flute, Violin and Viola: V. Allegro scherzando e vivace81 Andante and Variations for Mandolin82 Organ Fugue CD883 Trio for Two Oboes and Cor Anglais: III. Menuetto84 German Dances, WoO 8: No. 1 in C major85 Andante favori86 Cello Sonata No. 4: I. Andante87 Quintet for Piano and Winds: III. Rondo88 String Quartet No. 4: III. Menuetto89 Sonata for Piano Four Hands: I. Allegro molto90 Cello Sonata No. 5: III. Allegro fugato91 Piano Sonata No. 18 ‘The Hunt’: III. Menuetto92 Piano Sonata No. 5: III. Finale93 Piano Trio No. 4 ‘Gassenhauer’: II. Adagio94 String Quartet No. 6: III. Scherzo95 Piano Concerto No. 0: III. Rondo allegretto96 Piano Sonata No. 13: II. Allegro molto e vivace97 Flute Duo: I. Allegro98 See the Conqu’ring Hero Comes: Variation No. 1299 Wind Sextet: III. Menuetto quasi allegretto100 Ah! perfido
Release
‘This is your one chance. You have your secret dreams. Follow them! Make them come true!’Using words and music, The Peasant Prince tells the inspiring story of Li Cunxin, better known as ‘Mao’s Last Dancer’: his childhood and his journey to become one of the world’s greatest ballet dancers.With music by composer Katy Abbott setting the scene, Li tells his life’s story in eight episodes over half an hour - from his humble beginnings in rural China to his triumphs as principal ballet dancer of the Houston Ballet. It is a story that will inspire the young and the young-at-heart, with reflections on a family living in hardship, inspiring teachers, and the joy of finding that one thing that you love most in the world.Based on Li’s best-selling memoir Mao’s Last Dancer and children’s book The Peasant Prince, this is a heart-warming tale for anyone who ever dared to dream.The Peasant Prince is being released in three different versions. A CD, which contains two versions of the work – one narrated in English and one narrated in Chinese. And the English and Chinese versions are being released individually on digital and streaming platforms.TRACKLISTINGEnglish version/Mandarin version1 Introduction 9 序章 (Introduction)2 Kite Themes –Hopes and Wishes 10 风筝——希望与心愿 (Kite Themes – Hopes and Wishes)3 Frog in the Well 11 井里的蛙 (Frog in the Well)4 Home and School 12 家里,学校 (Home and School)5 Leaving Home, Arriving Beijing 13 离家到北京 (Leaving Home, Arriving Beijing)6 By the Light of a Single Candle 14 烛光之中 (By the Light of a Single Candle)7 USA 15 美国 (USA)8 Dance of My Life 16 一生最重要的舞蹈 (Dance of My Life)
Release
“This was a superb concert. 5 stars.” Artshub“The idea of pairing Australia’s finest up and coming pianist with our finest contemporary conductor to perform and record a cycle is a great one.”LimelightABC Classic is thrilled to announce the release of the complete piano concertos by Beethoven, performed by pianist Jayson Gillham, with the Adelaide Symphony Orchestra conducted by Nicholas Carter.This cycle – the first in twenty years recorded with an Australian pianist, conductor and orchestra – is a major contribution to the ongoing celebrations of Beethoven’s 250th anniversary.Beethoven’s five piano concertos stand at the very pinnacle of classical music. Written between 1795 and 1809, they trace the evolution of Beethoven’s music from the inheritor of the Classical style perfected by Mozart and Haydn, to the inventor of a style that was entirely his own: dramatic, expressive, and revolutionary.Recorded in five concerts performed over 10 days at Adelaide’s Elder Hall in June 2019, these recordings capture a soloist, conductor and orchestra totally in synch with each other, with a shared vision for the sound world and rhetoric of these mighty works. Reviews of the concert remarked at the “chamber music-like intimacy” between the performers, with a “sense of balance and support… often never heard before within these well-known and much listened to works” (Limelight).Internationally praised for his compelling performances, Australian-British pianist Jayson Gillham is recognised as one of the finest pianists of his generation. His debut album, released in 2016, immediately reached the No. 1 spot in both the Core Classical and Classical Crossover ARIA charts, while his latest album, 2018’s Romantic Bach, was described as “exceptional” and “a supremely satisfying recital from start to finish” by Limelight, and Gramophone said that, “many of these performances must bear comparison with famous recordings of the past by Rachmaninov, Myra Hess and Dinu Lipatti. Gillham comes up trumps every time.”Nicholas Carter was appointed Principal Conductor of the Adelaide Symphony Orchestra in 2016 – the first Australian to be chosen as Principal Conductor of an Australian orchestra in over 30 years – and has established a reputation as a conductor of exceptional versatility, equally at home in the concert hall and opera house, and fluent in a diverse repertoire. Newly appointed as Chief Conductor of the Stadttheater Klagenfurt and the Kärntner Sinfonieorchester, Nicholas Carter will lead three new productions per season and appear regularly in the orchestra’s concert series.With a reputation for vitality and versatility, the much loved Adelaide Symphony Orchestra is South Australia’s largest performing arts organisation, established in 1936. For over 80 years, the ASO has been there to corroborate life and contribute to South Australia’s identity. Today the ASO plays a major role in Adelaide’s cultural and economic vibrancy, and enriches the community through a diverse program of world-class performances to more than 100,000 concertgoers each season.TRACKLISTING LUDWIG VAN BEETHOVEN CD1Piano Concerto No. 1 in C major, Op. 151 I. Allegro con brio2 II. Largo3 III. Rondo: Allegro scherzandoPiano Concerto No. 2 in B-flat major, Op. 194 I. Allegro con brio5 II. Adagio6 III. Rondo: Molto allegroCD2Piano Concerto No. 3 in C minor, Op. 371 I. Allegro con brio2 II. Largo3 III. Rondo: AllegroPiano Concerto No. 4 in G major, Op. 584 I. Allegro moderato5 II. Andante con moto6 III. Rondo: VivaceCD3Piano Concerto No. 5 in E-flat major, Op. 73 ‘Emperor’1 I. Allegro2 II. Adagio un poco mosso3 III. Rondo: AllegroJayson Gillham pianoAdelaide Symphony OrchestraNicholas Carter conductor
Release
Omega Ensemble are one of Australia’s top chamber music ensembles, champions of new works but also enthusiastic interpreters of the legends of the past.  They also have a rich history with ABC Classic, regularly invited into the studio for radio broadcasts in addition to having released three critically acclaimed albums since 2016.  So when their 2020 concert season was cancelled due to COVID, ABC Classic dove into our archives to revive those studio recordings, never before released to the public. Thus, the Master Series was born.  This series of digital releases takes listeners on a journey through the rich history of chamber music, exploring landmark works by Mozart, Beethoven, Faure, Nielsen and Hindemith.  Released fortnightly from May 29, these recordings will go some way to keeping audiences in touch with the wonderful musicians of the Omega Ensemble – until the next time we can see them in the concert hall.  Omega Ensemble Master Series: Beethoven: Quintet in E-flat major for Piano and Winds, Op. 16 – released May 29Hindemith: Kleine Kammermusik, Op. 24 No. 2 – released June 12Nielsen: Wind Quintet, Op. 43 – released June 26Fauré: Piano Trio, Op. 120 – released July 10Mozart: Kegelstatt Trio, K. 498 – released July 24
Release
Building on the success of our first Women of Note album last year, ABC Classic is thrilled to be releasing the second volume in our now annual celebration of Australia’s female composers.This 2CD album, released in time for International Women’s Day (8 March), begins with music from pioneers of Australia’s musical heritage: Margaret Sutherland, Miriam Hyde, Dulcie Holland, and introducing Linda Phillips, whose work as a critic and as chief adjudicator of the prestigious Sun Aria competition across three decades helped to shape this country’s musical landscape, but whose compositions – prized by such artists as Dame Joan Sutherland – have been unjustly neglected in Australia’s recorded music catalogue. Her quartet Exaltation, a swirling mixture of melancholy and exuberance, shows the composer exploring the musical legacy of her family’s Jewish background.Five other world premiere recordings feature on the album. Multiple award-winning composer Mary Finsterer is represented by a live concert recording of her double bass concerto Lake Ice, an exploration of music as storytelling and as journey, guided by the beautiful yet rarely heard sonorities of the bass as solo instrument. From Miriama Young we have a re-imagination of the historical soundworld of Sydney Harbour in Time and Tide, blending field recordings ancient and modern with brass and percussion instruments. We are also delighted to be presenting the first commercial recording of music by rising star Ella Macens: her soaring orchestral work The Space Between Stars.The other two world premiere recordings are by Indigenous Australian composers. From Yorta Yorta woman, opera singer, composer and educator Deborah Cheetham comes Eumeralla, a war requiem for peace: a powerful and poignant response to the resistance war fought by the Gunditjmara people in southwest Victoria and to the troubled spirits of all who fell in those battles, on both sides. And Yuwaalaraay composer Nardi Simpson gives us Wilga’s Last Dance, honouring the only traditional melody from her people that was ever recorded.Moya Henderson takes us to the Tasmanian wilderness with her transcendent string quartet Kudikynah Cave, evoking moments of ecstatic stillness during the raft journey to the cave’s entrance, along the Franklin River. Katia Tiutiunnik draws inspiration from the moment a mother first feels her baby move inside her womb for her flute and piano duet The Quickening. Katy Abbott, always alert to the quirks and foibles of humanexistence, applies wit and humour to the multiple meanings of the word Punch in a work for brass ensemble. Amanda Cole marries marimba and cowbells in her energetic percussion solo Glocken Blocken. Rachel Bruerville (Dancing on Tiptoes) and Natalie Nicolas (We Won’t Let You Down) worked with teenagers in hospital mental health wards to create music of joy and profound optimism. And Elena Kats-Chernin’s beloved Eliza Aria is presented in its original version for quizzical soprano solo over delicately plucked stringsTRACKLISTINGCD 1DULCIE HOLLAND 1913–2000 Sonata for violin and piano 1 I. Quasi recitativo – Andante – Vivo 2 II. Slow and somewhat rubato 3 III. AllegroAsmira Woodward-Page violin, Scott Davie pianoLINDA PHILLIPS 1899–2002 4 Exaltation (Chassidic Air and Dance)*Anne Gilby oboe, Isin Cakmakcioglu violin, Rachel Atkinson cello, Robert Chamberlain piano LIVE RECORDINGMIRIAM HYDE 1913–2005 5 Village FairSydney Symphony Orchestra, Dobbs Franks conductorMARGARET SUTHERLAND 1897–1984 6 Haunted HillsMelbourne Symphony Orchestra, John Hopkins conductorMOYA HENDERSON born 1941 7 Kudikynah CaveAcacia QuartetKATIA TIUTIUNNIK born 1967 8 The QuickeningLaura Chislett flute, Stephanie McCallum pianoELENA KATS-CHERNIN born 1957 9 Eliza Aria from Wild Swans – Concert SuiteJane Sheldon soprano, Tasmanian Symphony Orchestra, Ola Rudner conductorCD2KATY ABBOTT born 1971 1 PunchBrass ensembleMARY FINSTERER born 1962 2 Lake Ice: Missed Tales No. 1*Kees Boersma double bass, Sydney Symphony Orchestra, Jessica Cottis conductor LIVE RECORDINGAMANDA COLE born 1979 3 Glocken BlockenClaire Edwardes marimba and Almglocken (cowbells)MIRIAMA YOUNG born 1975 4 Time and Tide*2018 Sydney Symphony FellowsRACHEL BRUERVILLE born 1991 5 Dancing on TiptoesACO CollectiveNATALIE NICOLAS born 1992 6 We Won’t Let You DownACO CollectiveELLA MACENS born 1991 7 The Space Between Stars*Sydney Symphony Orchestra, Jessica Cottis conductor LIVE RECORDINGDEBORAH CHEETHAM born 1964 Eumeralla, a war requiem for peace* – excerpts 8 IV. Kooyeen-wanoong (Liber scriptus) 9 V. Tyookooyong-ee (Agnus Dei)Libretto by Deborah Cheetham, translated into Gunditjmara dialects by Gunditjmara language custodian Vicki Couzens and linguist Travers Eira.Deborah Cheetham soprano (Yorta Yorta), Linda Barcan mezzo-soprano, Don Bemrose baritone (Gungarri), Melbourne Symphony Orchestra Chorus, The Consort of Melbourne, Dhungala Children’s Choir, Melbourne Symphony Orchestra, Benjamin Northey conductor LIVE RECORDINGNARDI SIMPSON born 1975 10 Wilga’s Last Dance*Royal Australian Navy Band* World premiere recording
Release
ABC Jazz presents Kiri, an exquisite and ravishing new album from Australian trumpeter Niran Dasika and Japanese pianist Sumire Kuribayashi.Recorded live at the Wangaratta Festival of Jazz in 2018, Kiri captures two exciting young artists utterly in synch with each other, demonstrating the sort of chemistry that only comes from a deep musical connection.Dasika met Kuribayashi met in Tokyo in 2015, shortly after he moved to Japan, and over the following years they played together in various combinations. Says Dasika, “As with all good musical collaborations it started from an unlikely chance meeting and was sustained by a combination of friendship and shared musical vision.”The compositions on this album are inspired by the ‘nihonga’ paintings of renowned Japanese author and painter Kaii Higashiyama, which occupy a special place in Dasika and Kuribayashi’s relationship.“When I moved back to Australia at the end of 2017,” Dasika recalls, “Sumire gave me a book of Higashiyama prints as a parting gift. This book remained open on my piano music stand in Perth for about three months, during which I would sporadically open to a page that caught my interest and improvise, playing the piano and singing melodies, until it started to sound like how the painting feltto me. I don’t consider myself at all knowledgeable about art, but Higashiyama’s paintings seem to me, with only some simple colours and geometric shapes, to really capture the feeling of being in nature.“The first sketch I wrote was for the painting ‘Kiri’ (Mist) which forms the cover artwork for the album. ‘Kiri’ depicts just a few tree trunks fading into the distance, but there’s something about the textures that conveys the feeling of cool, damp mist on my skin. ’Evening Tide’ shows a shoreline at night with barely anything visible yet I can hear the sounds of the waves crashing unseen on the shore.”Most of the compositions on the album fill no more than a single page when written out, but such is the connection between these two that these outlines can become over ten minutes of music in a performance.“Both Sumire and I approach improvising in this project from a very compositional angle. By playing together over several years we’ve been able to develop enough trust and mutual understanding that we anticipate each other’s reactions and can create longer spontaneous forms in the moment.”Born in Canada and raised in Melbourne with Indian and German heritage, Niran Dasika is a trumpeter gaining increasing attention around Australia and abroad for his distinctive, ethereal trumpet sound and compositions. Niran’s virtuosic trumpet playing has placed him in high demand both in Australia and in Japan, where he spent some years performing and recording on albums from Blue Note Records, Sony Music, Diskunion Records and more. Awarded 2nd place at the 2017 National Jazz Awards, in 2019 Niran was the recipient of the APRA AMCOS Professional Development Award and the Jazz Bell Awards Young Australian Jazz Artist of the Year, in addition to being nominated for the Freedman Jazz Fellowship.Sumire Kuribayashi is a Japanese pianist and composer gaining increasing renown within Japan and overseas. She has performed with Japanese jazz legends Hino Terumasa, Hideaki Kanazawa, Naoko Terai and has released four critically acclaimed albums under her own name. Jazzconvention.net said of Sumire, ”Belonging to the young generation of Japanese jazz scene, Kuribayashi has become in the last few years one of the most appreciated pianists both for her noteworthy creative qualities and the remarkable storytelling that crosses the textures of her music.”TRACKLISTING1. Kiri (Mist) 11’572. Seikyou (Green Echoes) 7’133. Wildflower / Iku Haru (Passing Spring) 12’464. Hana Akari (Bright Cherry Blossoms) 7’155. Bochou (Evening Tide) 9’576. Spring Hymn 5’08Niran Dasika trumpetSumire Kuribayashi piano