Adam Brand is one of Australia’s most popular and successful recording artists. In a career spanning twenty years he has sold more than 600,000 albums, won innumerable awards and built a large and loyal following that any recording artist would envy.
Twenty years is a long time to sustain a successful recording career. It should be respected and celebrated. So on July 13, 2018, exactly twenty years to the day since the release of Brand’s self-titled debut, ABC Music released Milestones…20 Years, a carefully curated collection of Brand’s greatest hits plus two new songs recorded exclusively for the project.
It’s 1997 and Adam Brand is living in the suburbs of Perth running a small business by day and singing in a country covers band a few nights a week. He had been turned on to country music when he stumbled across Boy Howdy, an American country band featuring Jeffrey Steele.
He records a demo with Martin Jenner, the brilliant but underrated guitar player (Everly Brothers, Ralph McTell, Cliff Richard) and drives solo across the Nullarbor in his XF Falcon ute to the Tamworth Country Music Festival where he busks on Peel Street, sneaks into a Troy Cassar Daley concert and hands out his demo to unsuspecting passers by.
From Tamworth he heads to Sydney to track down Melinda Schneider, a childhood friend who introduces him to Graham Thompson, then Creative Manager at Rondor Music, the publishing arm of A&M Records.
“That was a significant fork in the road,” reflects Adam. “Who knows what would have happened if I’d gone straight home to Perth. Graham listened to my demo’s, told me I could be the next James Blundell and offered me a publishing deal with Rondor.”
Adam signed to Rondor and soon settled in Sydney. Songs were written, demo’s recorded and an offer of a recording contract eventuated from Warren Fahey at Festival Records.
“I’m convinced that Warren signed Adam to Festival because of FMO – fear of missing out,” remembers Graham. “ABC Music were the dominant country label and Warren wanted to get in on it. I happened to sit next to him at a CMAA event in Sydney in 1997. People were saying nice things about Adam at the time but no one was jumping to sign him. I bent the truth a little about interest from other labels and he became very excited. The following Monday he sent us an agreement.”
Adam Brand’s self-titled debut album was released by Festival Records on July 13, 1998. The first single from the album ‘Last Man Standing’ became an instant radio hit and CMT (Country Music Television), who were serendipitously launching in Australia around the same time, saw the newcomer as a perfect fit for their target demographic.
Dirt Track Cowboys followed. It sounded fresh on the radio… riff driven country rock that featured a race call by Wade Aunger from Parramatta Speedway in place of a guitar solo. And it opened the door to a whole new audience: Revheads.
Brand developed a reputation as the hardest working artist in country music. Not content to sit around waiting for the world to make him famous, he and Thompson, who had by this time become his manager, drove from Far North Queensland to Western Victoria playing at schools and record stores. They visited every radio station, country music club and event promoter along the way. Album sales built steadily and the hard work didn’t go unnoticed.
Adam’s big break came at the 1999 CMAA Country Music Awards when he won three Golden Guitars: New Talent of the Year, APRA Song of the Year (Last Man Standing) and Video of the Year. It was unprecedented for the winner of New Talent of the Year to win any other award in the same year, let alone the prestigious APRA Song of the Year.
The big ball was rolling. Appearances followed on Hey Hey it’s Saturday, Good Morning Australia and others. Tours sold out quickly. Major festivals offered prime time spots and decent money. The record company and booking agency had a bona fide star who was willing to work hard. By September 1999 the debut album was certified gold and Adam had become one of Festival Records’ highest selling artists.
So what was it about this debutant from the suburbs of Perth who created such a stir in an industry in need of a shot in the arm?
Adam Brand’s songs resonated as much with people from the suburbs as they did with those from regional and rural Australia. He was a supreme live entertainer. But the real key to Adam’s popularity was that he conjured up different feelings in different people that were not mutually exclusive and worked to his advantage.
Young men related to him because he was a knockabout kind of bloke - down to earth, good natured and sang about cars and partying. Families liked him because he was down to earth, good natured and sang about family and friends. And to young women he exuded a sexual energy that they were attracted to but it was not so blatant that their boyfriends hated him. In fact their boyfriends liked him too for all the other reasons.
The debut album was followed in February 2000 with Good Friends. It built on the themes of the debut album and spawned numerous career songs: Good Friends, The Good Things In Life, I Did What?, Beating Around The Bush and You’re A Revhead. The singles were hits and the album won three more Golden Guitars - this time the three most prestigious: Album of the Year, APRA Song of the Year (Good Things In Life) and Male Artist of the Year.
And the big ball kept on rolling.
These remarkable early achievements set the pattern for a career that hasn’t waned in twenty years. They are the first chapters in the story of a gifted and much loved artist and his twelve studio albums, five gold albums, three platinum albums, four ARIA nominations, seven CMC OZ Artist of the Year awards and twelve Golden Guitars to date.
Subsequent chapters include an American record deal, touring with Taylor Swift, winning Dancing with the Stars and more. And it’s still being written, and it’s still going strong.
Milestones…20 Years marks the celebration of an outstanding career. It’s a collection of Adam’s greatest work to date plus two new songs: the reflective title track ‘Milestones’ and a foot stomping party anthem ‘Party Down Under’. Both were written with his “Outlaw” buddies Drew McAlister and Mike Carr and produced by Graham Thompson. It also includes an out take from the ‘Built For Speed’ album – a previously unreleased version of the Randy Travis classic ‘Forever and Ever Amen’ as well as ‘Hold My Hand’ and ‘Hard Times’ from Adam’s first demo session with Martin Jenner. And Sherriff Bullfrog – a song that Adam has long considered a lost classic held under wraps for twenty years by doubters and naysayers - finally gets it’s day in the sun.
Adam Brand (1998)
Adam Brand (1998)
Good Friends (2000)
Built For Speed (2002)
Get Loud (2004)
What a Life (2006)
Blame It On Eve (2008)
Hell Of A Ride(2009)
It's Gonna Be Ok (2010)
There Will Be Love (2012)
Get Loud (2004)
What a Life (2006)
Blame It On Eve (2008)
Hell Of A Ride(2009)
It's Gonna Be Ok (2010)
There Will Be Love (2012)
My Acoustic Diary (2013)
My Side of the Street (2014)
Get On Your Feet (2017)
Milestones...20 Years (2018)
What did the early Australian colony sound like? Apart from ‘Bound for Botany Bay’, it’s not a question we ask ourselves very often. But it’s a question that Shane Lestideau has set about trying to answer. Having just completed a master’s degree on music in eighteenth-century Scotland, Shane was curious to know how much of this repertoire had been brought to Australia during the early years of European colonisation. The opportunity to research the topic was presented in the form of the 2019 National Folk Fellowship. It allowed her full access to the National Library of Australia’s music collection, and she spent several weeks digging out the oldest and most interesting examples of Scottish baroque, classical and folk music as played and cherished by European immigrants in Australia. The stylistic distinctions between these three genres of music are particularly blurred in Scotland where one commonly finds traditional Scottish airs used in chamber and orchestral music.When it came to recording these works, Shane needed a band of brilliant, versatile performers who could move seamlessly between styles and musical periods, who could play these works as they were intended to be played.And what a band it is, featuring the beautiful voice and harp playing of Claire Patti (The Velvetones), Shane Lestideau andBen Dollman (Australian Brandenburg Orchestra) on period violins, Rachel Johnston on cello (formerly of the Australian String Quartet), and Emily-Rose Šárkova (from the genre-blending ensemble Chaika) on piano and piano-accordion.The result is One Hundred Days Away, a haunting album focusing on songs and tunes that are linked to the sea, a nostalgia for ‘home’, or the struggle to settle in unfamiliar lands. Part classical, part folk, part Scottish, part Australian, this album captures the musical – and emotional – landscape of the early Australian settlement.Evergreen EnsembleClaire Patti soprano & Celtic harpEmily-Rose Šárkova piano accordion & pianoRachel Johnston celloShane Lestideau violin, violin d’amoreBen Dollman violin & viola
Music by Dr Allan Zavod | Words by Dr Alan FinkelNarrated by Sir Richard BransonMelbourne Symphony Orchestra conducted by Benjamin Northey“…delivering such an important message in a language that is as accessible as possible is key to The Environmental Symphony’spotential to communicate with a broad audience.” – Limelight (2015)ABC Classic presents The Environmental Symphony, an ambitious and epic work that spans five billion years, from the formation of the planet through to the devastation of our current age.Released on United Nations World Environment Day, Wednesday June 5, The Environmental Symphony sounds a warning of what will happen if we don’t act boldly and decisively to address our climate crisis, but ends with an optimistic vision of a greener, cleaner future.With music by the genre-bending Dr. Allan Zavod, words by Dr. Alan Finkel, narrated by Sir Richard Branson, and performed by the Melbourne Symphony Orchestra and conductor Benjamin Northey, this recording is a major international release that lends some musical muscle to the ongoing political and environmental fight against climate change. Known for his unique creative blend of improvised jazz and classical music, Dr. Allan Zavod wasone of Australia’s most exciting pioneers of fusion music – a pianist, composer, arranger, producer, and conductor, he broke down barriers between genres alongside international superstars such as Eric Clapton, Frank Zappa, Sting, Nigel Kennedy and many more. The Environmental Symphony was his last major work before his death in 2016.Dr Alan Finkel, a friend and admirer of Allan Zavod’s performance and creative prowess, was honoured when Zavod asked him to provide the storyline and the libretto for The Environmental Symphony. They shared the belief that music and science could unite to provide a fresh insight into the problem of global warming. Currently Australia’s Chief Scientist and a former Chancellor of Monash University and President of the Australian Academy of Technology and Engineering, Finkel has had a long and successful career in industry. He has received many accolades and awards, and is passionate about science education.Since starting youth culture magazine Student at aged 16, Sir Richard Branson has found entrepreneurial ways to drive positive change in the world. In 2004 Richard established Virgin Unite, the non-profit foundation of the Virgin Group, which unites people and entrepreneurial ideas to create opportunities for a better world. Most of his time is now spent building businesses that will make a positive difference in the world and working with Virgin Unite and organisations it has incubated, such as The Elders, The Carbon War Room, The B Team and Ocean Unite. He also serves on the Global Commission on Drug Policy and supports ocean conservation with the Ocean Elders.Australian conductor Benjamin Northey is the Chief Conductor of the Christchurch Symphony Orchestra and the Associate Conductor of the Melbourne Symphony Orchestra. Highly active in the performance of Australian orchestral music, Northey is an Honorary Fellow at the University of Melbourne Conservatorium of Music, his awards include the prestigious 2010 Melbourne Prize Outstanding Musician’s Award and the 2002 Brian Stacey Memorial Scholarship, as well as multiple awards and nominations for his numerous CD recordings with ABC Classic.The Melbourne Symphony Orchestra is a leading cultural figure in the Australian arts landscape, bringing the best in orchestral music and passionate performance to a diverse audience across the nation and around the world. Each year the MSO engages with more than 5 million people through live concerts, TV, radio and online broadcasts, international and regional tours, recordings and education programs. From its home at Hamer Hall, Arts Centre Melbourne, to free summer concerts at Melbourne’s largest outdoor venue, the Sidney Myer Music Bowl, the MSO evolves and inspires a broad range of audiences with more than 160 concerts a year. Sir Richard Branson narratorMelbourne Symphony OrchestraBenjamin Northey conductor
ABC Jazz is proud to release a new album from Judy Bailey’s Jazz Connection. This iconic Sydney outfit has been led by award-winning pianist Judy Bailey oam – one of Australia’s most highly regarded jazz artists, composers, arrangers and educators – since the 1990s. Made up primarily of emerging artists, most of them studying at the Sydney Conservatorium of Music, Jazz Connection is an elite jazz orchestra that fosters talented young jazz musicians, giving them the opportunity to perform live at prestigious festivals and venues such as the Sound Lounge (Seymour Centre), Jazz Groove Association (Club 505) and the Sydney Opera House.Judy Bailey is one of Australia`s leading musical identities, with numerous awards, including the inaugural APRA award for Jazz Composition, an Australian Entertainment award for Jazz Performance, the Order of Australia Medal for services to Jazz and Education, and the Award for Distinguished Services to Australian Music. She continues to teach at the Sydney Conservatorium of Music.This studio album, recorded in December 2018 at Sydney’s Studio 301, showcases Bailey’s compositional talent, featuring both new works and new big band arrangements of some of her classics hits. Recorded in a single day, the album captures the energy and creative flair of the band - which features up-and-coming soloists including Tom Avgenicos, Lachy Hamilton and 2018 National Jazz Award winner Alex Hirlian.All tracks written and arranged by Judy BaileyJudy Bailey’s Jazz ConnectionSaxophones: Lachlan Hamilton Jack Stoneham Michael Avgenicos Chris Higgins Anthony TummilloTrumpets: James Power Tom Avgenicos James Sarno Tom ArblasterTrombones: Ellie Shearer Jacob Parks Lawson McGuinness Des CanningsRhythm Section: Matt Harris (piano) Yutaro Okuda (guitar) Sarah Evans (bass) Alex Hirlian (drums)
“Australia’s greatest composer” Limelight magazinePeter Sculthorpe created an Australian classical music that for the first time spoke directly of the land, the people and the spirit of this country.Released to coincide with what would have been his 90th birthday, The Best of Peter Sculthorpe brings together more than two hours of his best-loved and most iconic works, from solo piano works played by Tamara-Anna Cislowska, to orchestral works and concertos performed by great soloists William Barton, Karin Schaupp and Amy Dickson, and his 18th and final string quartet.Born in Launceston on 29 April 1929, Sculthorpe rose to international recognition by creating a uniquely Australian style of music. From the wet season of the Northern Territory in Kakadu to the brutality of the southern summer in Sun Music IV, from the seaside war memorial that inspired Small Town to the timeless connection between Indigenous people and their land represented in Earth Cry, Sculthorpe captured the extremes of the country’s natural landscape, and stirred the imagination of its people.Sculthorpe was made an officer of the Order of Australia in 1990, and an Australian National Living Treasure in 1998. He died in 2014, at the age of 85. TRACKLISTING PETER SCULTHORPE 1929–2014 CD11. Music for Bali2. Earth Cry William Barton didgeridoo Island Songs – Concerto for Saxophone3. I. Song of Home4. II. Lament and Yearning Amy Dickson saxophone5. Small Town6. Sun Music IV7. Djilile Tamara-Anna Cislowska piano8. On High Hills9. Irkanda IV Richard Tognetti violin10. New Norcia CD21. Left Bank Waltz Tamara-Anna Cislowska piano2. Nourlangie – Concerto for Guitar Karin Schaupp guitar3. Evocation Tamara-Anna Cislowska piano4. From Ubirr William Barton didgeridoo String Quartet No. 185. I. Prelude6. II. A Land Singing7. III. A Dying Land8. IV. A Lost Land9. V. Postlude Flinders Quartet10 Kakadu
Camerata – Queensland’s Chamber Orchestrafeaturing Katie Noonan vocals ABC Classic invites you on a magical journey into a world of fairies, dreams and enchanted trees, where love and music are more powerful than anything. Join us on The Little Green Road to Fairyland.Two small children, Maykin and her brother Robin, are being settled in their beds by their mother, who is reading their favourite book, The Little Green Road to Fairyland. Slowly they fall asleep, when a Fairy appears through their bedroom window, sprinkles her magic fairy dust over the sleeping children, and takes them on a magical journey!Based on the beloved children’s book by author Annie R. Rentoul and illustrator Ida Rentoul Outhwaite, this album features gorgeous music by composer Elena Kats-Chernin performed by one of Australia’s greatest singers, five-time ARIA Award-winner Katie Noonan, and Camerata - Queensland’s acclaimed chamber orchestra.This timeless tale and beautiful music will spark the imagination of audiences young and old with a tale of love, hope, compassion and a touch of fairy magic.Originally commissioned by the Queensland Music Festival in 2011, The Little Green Road to Fairyland was recommissioned in 2019 as a co-production between Queensland Music Festival and Queensland Ballet. The Little Green Road to Fairyland will be performed at the Playhouse, QPAC and will tour regional Queensland throughout June and July 2019. TRACKLISTING The Little Green Road to FairylandOriginal ballet score by Elena Kats-Chernin, orchestrated by Steve Newcomb1 ‘Long Ago’2 Fairy3 The Dream Begins4 Robin and Maykin in the Magic Forest5 Mary6 Tree of Love7 Hopscotch Frolicking8 Travelling9 Meeting Jasper10 Fairy’s Flute11 Jasper’s Flute12 Mesmerised13 Travelling14 Tree of Music15 Flute Travel16 Meeting Sylvie17 ‘Hush-a-Bye Possum’18 Travelling19 Tree of Compassion20 Sylvie’s New Dress21 Tree of Magic: ‘Fairy Child’22 Time to Depart23 Butterfly and the Little Green Road24 The Door to Fairyland25 ‘Beyond the Little Door’26 Fairyland27 Waking from the Dream
On his new album, Australia’s ‘Prince of the Violin’, Patrick Roberts pays tribute to the beloved music of soft rock legends Air Supply, alongside Graham Russell and Russell Hitchcock of Air Supply and the Prague Symphony Orchestra.All Out of Lovereimagines Air Supply’s timeless songs on classical violin – sometimes with orchestra, sometimes with piano, but always with an outpouring of emotion. Iconic hits ‘Even the Nights Are Better’, ‘All Out of Love’ and ‘Making Love Out of Nothing at All’, plus covers of beloved favourites ‘Unchained Melody’ and ‘Without You’ (made famous by Mariah Carey) make this an album packed full of beautiful new versions of classic tunes.In 2018 Patrick was invited to record on Air Supply’s new orchestral album alongside Tommy Emmanuel, Secret Garden, The Carpenters, Joshua Bell and many more. Following these sessions, Graham and Russell offered to appear on Patrick’s next album, recording the serene, intimate versions of ‘All Out of Love’ and ‘Lost in Love’that you hear on this record. Air Supply also invited Patrick to perform with them on their 2019 Australian Tour.Formed in Australia in 1975 by Graham Russell and Russell Hitchcock, Air Supply had a string of worldwide smash hits in the late 70s and early 80s. A string of singles reached the very top of the charts in America, Australia and Canada, establishing Air Supply as household names. The band were inducted into the ARIA Hall of Fame in 2013.Patrick Robertshas been entertaining audiences for over 25 years. Picking up the violin at the tender age of five, he has been classified as a true violin genius and has transformed some of the much-loved classics into contemporary masterpieces. Best known to audiences through his appearances on Carols By Candlelight and on Channel 7’s Good Friday Appeal for the Royal Children’s Hospital, Melbourne. His recent album, Pink, debuted at #1 on the ARIA Classical chart. TRACKLISTING 1 All Out Of Love2 Even The Nights Are Better3 Love And Other Bruises4 The One That You Love 5 Lost In Love6 Without You7 Here I Am11 Unchained Melody12 Making Love Out Of Nothing At All13 The Power Of Love (You Are My Lady)14 Two Less Lonely People In The World Patrick Roberts violin withGraham Russell and Russell Hitchcockvocals (tks 1, 5)Prague Symphony Orchestra(tks 2, 3)
Experience ultimate relaxation with Classical Chill.These albums feature some of the most beautiful and peaceful music ever written, perfect for concentration or relaxation. Be swept away by 500 years of gorgeous, calming music, from Bach to Beyoncé, hand-picked by the team at ABC Classic.With over two hours of music in each collection, you can hit ‘play’ on the Classical Chill series and float away with the most beautiful music ever written. These albums will put you at ease and help you focus on what’s at hand – whether that’s studying for exams, racing towards a work deadline, or simply curling up on the couch with your favourite book.Classical Chill: Guitar offers over two hours of acoustic, resonant beauty: from classical favourites to timeless folk tunes, South American flavours to beloved Beatles songs. With a who’s who of Australian guitarists including the Grigoryan Brothers, Tim Kain, Matt Withers, Karin Schaupp andGareth Koch, this album will carry you away with beautiful music. TRACKLISTING CD1 MYERS Cavatina from The Deer HunterLOVELADY Incantation No. 2BACH Sinfonia from Cantata No. 156CHARLTON The Beauties of the World Are Revealed for the First Time from The Rainbow SerpentKOCH The Unveiled QueenORFFAmor volat undique (Love flits everywhere) from Carmina buranaSCHUBERT In Praise of TearsGREENBAUM Sonata for Guitar: II. ElatedTRAD. Wild Mountain ThymeBACH Cello Suite No. 6: II. AllemandeMcLEAN Vincent (Starry, Starry Night)LENNON–McCARTNEY YesterdayRACHMANINOFF VocaliseCHARLTON ReverieTRAD. Banana Boat SongALBÉNIZ TangoMONTES Preludio de AdiosRODRIGO Concierto de Aranjuez: II. AdagioCD2 BACH Cello Suite No. 1: I. PreludeVIVALDI Lute Concerto in D major: II. LargoGRIGORYAN DistanceBREL Chanson des vieux amantsMOZART Divertimento in D major: II.AndanteBRAHMS Intermezzo, Op. 118 No. 2DEBUSSY Clair de lune (Moonlight)PIAZZOLLA Tango Suite: II. AndanteSOR L’Encouragement: I. CantabileRIGNEY Two Swings in the Heart-Shaped GardenTRAD. Slow, Slow, Slow Your BoatHOUGHTON DriftTRAD. The Salley GardensISAACS AngelFALLA AsturianaFALLA NanaPONCE EstrellitaBACARISSE Romanza Artists include:Slava & Leonard GrigoryanKen Murray • Matt Withers • Karin SchauppGareth Koch • Guitar Trek
Experience ultimate relaxation with Classical Chill.These albums feature some of the most beautiful and peaceful music ever written, perfect for concentration or relaxation. Be swept away by 500 years of gorgeous, calming music, from Bach to Beyoncé, hand-picked by the team at ABC Classic.With over two hours of music in each collection, you can hit ‘play’ on the Classical Chill series and float away with the most beautiful music ever written. These albums will put you at ease and help you focus on what’s at hand – whether that’s studying for exams, racing towards a work deadline, or simply curling up on the couch with your favourite book.Classical Chill: Pianofeatures the most famous works from across the history of classical music, from legendary composers (Bach, Beethoven) to modern masters (Philip Glass, Arvo Pärt), plus new recordings of iconic pop songs including Beyoncé’s Halo, Flume’s Never Be Like You, The Knife’s Heartbeats, and Miley Cyrus’ Wrecking Ball.Featuring beloved Australian pianists such as Jayson Gillham, Simon Tedeschi, Sally Whitwell, Tamara-Anna Cislowska, Stephanie McCallum, Gerard Willems and Roger Woodward, this album is both a beautiful, relaxing compilation and also the perfect introduction to the world of the piano, whether you’re a classical aficionado or a pop enthusiast. TRACKLISTING CD1 DEBUSSY Clair de luneGRIEG Morning MoodROWLAND The Man from Snowy River: Jessica’s ThemeTRAD. Amazing GraceFLUME Never Be Like YouMILEY CYRUS Wrecking BallEDWARDS A Flight of Sunbirds:IV. Poco lentoVIII. Andante con motoTIERSEN Amélie: La DisputeROTA Romeo and Juliet: Love ThemeCHAPLIN Mandolin SerenadeVINE Love Me SweetBARTSCH Here I Am, Just for YouKATS-CHERNIN ButterflyingBACH / HESS Jesu, Joy of Man’s DesiringJUSTIN BIEBER SorryTHE KNIFE HeartbeatsBARTSCH RockabyeISAAC BarcarolleGERSHWIN Prelude No. 2 CD2 BEYONCÉ HaloNYMAN The Piano: Big My SecretBEETHOVEN ‘Moonlight’ SonataDEBUSSY The Girl with the Flaxen HairTIERSEN Amélie: Comptine d’un autre été: L’Après-midiLISZT Consolation No. 3 GLASS OpeningTHE XX IslandsDUDLEY Poldark: ThemeCHOPIN Nocturne in E-flat majorKATS-CHERNIN The Rain PuzzleROWLAND The Man from Snowy River: Tom Fool’s KnotVANGELIS Missing: Main ThemeBRAHMS Intermezzo, Op. 118 No. 2SCULTHORPE Left Bank WaltzPÄRT Spiegel im SpiegelKATS-CHERNIN All Things ConspireROSENMAN East of Eden: Main ThemeSATIE Gymnopédie No. 1MORRICONE Cinema Paradiso: Main ThemeArtists include:Jayson Gillham • Tamara-Anna CislowskaSimon Tedeschi • Stephanie McCallum • Gerard WillemsRoger Woodward • Sally Whitwell • Duncan Gifford • Ewa Kupiec
ARIA Award-winning musician Dan Sultan has today announced Nali & Friends, a new album of children’s music and stories to be released April 12. Nali & Friendsis a tale about unconventional, oddball animals from different parts of the world. Co-written with longtime friend and collaborator, filmmaker Rhys Graham, the stories were inspired by the pair’s journey through Uganda and Kenya working with The Thin Green Line Foundation - an international organization that provides welfare and support to Wildlife Rangers. It was during this trip that Dan & Rhys had the opportunity to get up close with baby animals and observe their quirky personalities. The resulting album is bursting with playful, upbeat songs, interwoven with heart-warming stories about growing up, protecting our natural world, and learning to accept difference. Whilst Nali & Friends is Dan’s first full-length kids album, he is no stranger to the genre - having previously collaborated with children’s music icons The Wiggles and Play School.
Amy Dickson saxophonewith William Barton didgeridoo • Daniel de Borah pianoAdelaide Symphony Orchestra, cond. Nicholas Carter Grammy-nominated superstar saxophonist Amy Dickson returns with her most personal album yet, exploring connections between classical composers and the folk music of their homelands.From the red dirt of the Australian desert to the rolling green hills of the Scottish Highlands, In Circles unapologetically celebrates folk music and the tremendous influence it has had on music around the world and throughout history.As Dickson says, “Folk music breathes the very identity of a country, and in troubled times can be a source of solace, over and over again. At the core of folk music lies a beating heart of humanity to which we return again and again. The creation itself of this music requires personal, family and social connections – in a word: kinship.”This sense of community and togetherness is amplified by the collaborations on this album. With celebrated composer and didgeridoo virtuoso William Barton, Dickson explores music by Australian composers Ross Edwards, Peter Sculthorpe and Barton himself. With acclaimed pianist Daniel de Borah she traverses Europe, from Brahms to Falla, Pessard and Vaughan Williams. And Nicholas Carter and the Adelaide Symphony Orchestra explore archetypes of traditional Scottish music in a world premiere recording of Sir James MacMillan’s Saxophone Concerto, written specifically for Dickson.Dickson continues, “In today’s frenetic digital age, folk music offers us a refuge: the enduring simplicity and nostalgia embodied in this music provides timeless sanctuary from the relentless surge of modernity.” We invite you to take a deep, relaxing breath and join us at our table, our fireplace, and with our family. Twice nominated for a Grammy™ award, Amy Dickson made history by becoming the first saxophonist to win a Classic BRIT Award, as Breakthrough Artist of the Year. In January 2016 she was named Young Australian of the Year in the UK; she has since been acknowledged by BBC Music Magazine as one of the world’s six best classical saxophonists, both past and present. Recognised for her remarkable, distinctive tone and exceptional musicality, Amy Dickson has performed throughout the world in such prestigious venues as The Wigmore Hall, Sydney Opera House, Royal Albert Hall, the Konzerthaus in Vienna and theBerliner Philharmonie. TRACKLISTING 1 PESSARD Andalouse2 SCULTHORPE Djilile3 FALLA Jota4 MACMILLAN From Galloway5 TRADITIONAL She Moved through the Fair MACMILLAN Saxophone Concerto 6 I. March, Strathspey and Reel 7 II. Gaelic Psalm 8 III. Jigs with Adelaide Symphony Orchestra conducted by Nicholas Carter (Live Recording)9 GRAINGER Shepherd’s Hey10 BRAHMS Hungarian Dance No. 411 ANONYMOUS Discovery12 FALLANana13 BARTON Kalkadunga Yurdu VAUGHAN WILLIAMS Six Studies in English Folk-Song 14 I. Adagio 15 II. Andante sostenuto 16 III. Larghetto 17 IV. Lento 18 V. Andante tranquillo 19 VI. Allegro vivace20 EDWARDS Yanada
Out in early 2019, Jenny Queen’s new album Baby it Was Real and We Were the Best, is her first studio album since 2014 and does not disappoint, bursting with tales of the unloved and uncertain. Lead single, 50 Dollars $ilver, is available October 5 and is a study in the profound tension that comes from the push and pull between fatalism and the idea that humans can change their own future. Produced by the ARIA award-winning Shane Nicholson, Baby it Was Real and We Were the Best showcases Queen’s celebrated poetic lyricism and versatile vocal powers as never before, commanding attention from the get go.
Omega Ensemble • Paul Meyer A magical journey through some of Mozart’s most memorable musical moments.Under the direction of renowned French clarinettist and conductor Paul Meyer, the Omega Ensemble, appearing for the first time in an expanded chamber orchestra configuration, delivers a glowing rendition of three Mozart masterpieces, beginning with his exquisite Clarinet Concerto – the last instrumental piece written by this musical genius before his death in 1791, at the age of just 35. Meyer as soloist blends grace and elegance with quicksilver virtuosity in a sparkling yet sensitive performance.New Zealand bassoonist Ben Hoadley brings Mozart’s youthful Bassoon Concerto to life, beautifully capturing the sonorous tones of this too often neglected instrument. Mozart’s Symphony No. 40 brings the disc to a triumphant close, amply justifying the Omega Ensemble’s reputation as ‘Sydney’s chamber music all-stars’. This live recording, direct from the superb acoustic of Sydney’s City Recital Hall, captures the thrill of a unique performance experience. TRACKLISTING WOLFGANG AMADEUS MOZARTClarinet Concerto in A major, KV6221 I. Allegro2 II. Adagio3 III. Rondo (Allegro) Bassoon Concerto in B-flat major, KV1914 I. Allegro5 II. Andante ma adagio6 III. Rondo (Tempo di menuetto) Symphony No. 40 in G minor, KV5507 I. Molto allegro8 II. Andante9 III. Menuetto (Allegretto)10 IV. Allegro assai Omega Ensemble Ben Hoadley bassoonPaul Meyer clarinet and director Recorded live in City Recital Hall, Sydney