Adam Brand is one of Australia’s most popular and successful recording artists. In a career spanning twenty years he has sold more than 600,000 albums, won innumerable awards and built a large and loyal following that any recording artist would envy.
Twenty years is a long time to sustain a successful recording career. It should be respected and celebrated. So on July 13, 2018, exactly twenty years to the day since the release of Brand’s self-titled debut, ABC Music released Milestones…20 Years, a carefully curated collection of Brand’s greatest hits plus two new songs recorded exclusively for the project.
It’s 1997 and Adam Brand is living in the suburbs of Perth running a small business by day and singing in a country covers band a few nights a week. He had been turned on to country music when he stumbled across Boy Howdy, an American country band featuring Jeffrey Steele.
He records a demo with Martin Jenner, the brilliant but underrated guitar player (Everly Brothers, Ralph McTell, Cliff Richard) and drives solo across the Nullarbor in his XF Falcon ute to the Tamworth Country Music Festival where he busks on Peel Street, sneaks into a Troy Cassar Daley concert and hands out his demo to unsuspecting passers by.
From Tamworth he heads to Sydney to track down Melinda Schneider, a childhood friend who introduces him to Graham Thompson, then Creative Manager at Rondor Music, the publishing arm of A&M Records.
“That was a significant fork in the road,” reflects Adam. “Who knows what would have happened if I’d gone straight home to Perth. Graham listened to my demo’s, told me I could be the next James Blundell and offered me a publishing deal with Rondor.”
Adam signed to Rondor and soon settled in Sydney. Songs were written, demo’s recorded and an offer of a recording contract eventuated from Warren Fahey at Festival Records.
“I’m convinced that Warren signed Adam to Festival because of FMO – fear of missing out,” remembers Graham. “ABC Music were the dominant country label and Warren wanted to get in on it. I happened to sit next to him at a CMAA event in Sydney in 1997. People were saying nice things about Adam at the time but no one was jumping to sign him. I bent the truth a little about interest from other labels and he became very excited. The following Monday he sent us an agreement.”
Adam Brand’s self-titled debut album was released by Festival Records on July 13, 1998. The first single from the album ‘Last Man Standing’ became an instant radio hit and CMT (Country Music Television), who were serendipitously launching in Australia around the same time, saw the newcomer as a perfect fit for their target demographic.
Dirt Track Cowboys followed. It sounded fresh on the radio… riff driven country rock that featured a race call by Wade Aunger from Parramatta Speedway in place of a guitar solo. And it opened the door to a whole new audience: Revheads.
Brand developed a reputation as the hardest working artist in country music. Not content to sit around waiting for the world to make him famous, he and Thompson, who had by this time become his manager, drove from Far North Queensland to Western Victoria playing at schools and record stores. They visited every radio station, country music club and event promoter along the way. Album sales built steadily and the hard work didn’t go unnoticed.
Adam’s big break came at the 1999 CMAA Country Music Awards when he won three Golden Guitars: New Talent of the Year, APRA Song of the Year (Last Man Standing) and Video of the Year. It was unprecedented for the winner of New Talent of the Year to win any other award in the same year, let alone the prestigious APRA Song of the Year.
The big ball was rolling. Appearances followed on Hey Hey it’s Saturday, Good Morning Australia and others. Tours sold out quickly. Major festivals offered prime time spots and decent money. The record company and booking agency had a bona fide star who was willing to work hard. By September 1999 the debut album was certified gold and Adam had become one of Festival Records’ highest selling artists.
So what was it about this debutant from the suburbs of Perth who created such a stir in an industry in need of a shot in the arm?
Adam Brand’s songs resonated as much with people from the suburbs as they did with those from regional and rural Australia. He was a supreme live entertainer. But the real key to Adam’s popularity was that he conjured up different feelings in different people that were not mutually exclusive and worked to his advantage.
Young men related to him because he was a knockabout kind of bloke - down to earth, good natured and sang about cars and partying. Families liked him because he was down to earth, good natured and sang about family and friends. And to young women he exuded a sexual energy that they were attracted to but it was not so blatant that their boyfriends hated him. In fact their boyfriends liked him too for all the other reasons.
The debut album was followed in February 2000 with Good Friends. It built on the themes of the debut album and spawned numerous career songs: Good Friends, The Good Things In Life, I Did What?, Beating Around The Bush and You’re A Revhead. The singles were hits and the album won three more Golden Guitars - this time the three most prestigious: Album of the Year, APRA Song of the Year (Good Things In Life) and Male Artist of the Year.
And the big ball kept on rolling.
These remarkable early achievements set the pattern for a career that hasn’t waned in twenty years. They are the first chapters in the story of a gifted and much loved artist and his twelve studio albums, five gold albums, three platinum albums, four ARIA nominations, seven CMC OZ Artist of the Year awards and twelve Golden Guitars to date.
Subsequent chapters include an American record deal, touring with Taylor Swift, winning Dancing with the Stars and more. And it’s still being written, and it’s still going strong.
Milestones…20 Years marks the celebration of an outstanding career. It’s a collection of Adam’s greatest work to date plus two new songs: the reflective title track ‘Milestones’ and a foot stomping party anthem ‘Party Down Under’. Both were written with his “Outlaw” buddies Drew McAlister and Mike Carr and produced by Graham Thompson. It also includes an out take from the ‘Built For Speed’ album – a previously unreleased version of the Randy Travis classic ‘Forever and Ever Amen’ as well as ‘Hold My Hand’ and ‘Hard Times’ from Adam’s first demo session with Martin Jenner. And Sherriff Bullfrog – a song that Adam has long considered a lost classic held under wraps for twenty years by doubters and naysayers - finally gets it’s day in the sun.
Adam Brand (1998)
Adam Brand (1998)
Good Friends (2000)
Built For Speed (2002)
Get Loud (2004)
What a Life (2006)
Blame It On Eve (2008)
Hell Of A Ride(2009)
It's Gonna Be Ok (2010)
There Will Be Love (2012)
Get Loud (2004)
What a Life (2006)
Blame It On Eve (2008)
Hell Of A Ride(2009)
It's Gonna Be Ok (2010)
There Will Be Love (2012)
My Acoustic Diary (2013)
My Side of the Street (2014)
Get On Your Feet (2017)
Milestones...20 Years (2018)
Amy Dickson saxophonewith William Barton didgeridoo • Daniel de Borah pianoAdelaide Symphony Orchestra, cond. Nicholas Carter Grammy-nominated superstar saxophonist Amy Dickson returns with her most personal album yet, exploring connections between classical composers and the folk music of their homelands.From the red dirt of the Australian desert to the rolling green hills of the Scottish Highlands, In Circles unapologetically celebrates folk music and the tremendous influence it has had on music around the world and throughout history.As Dickson says, “Folk music breathes the very identity of a country, and in troubled times can be a source of solace, over and over again. At the core of folk music lies a beating heart of humanity to which we return again and again. The creation itself of this music requires personal, family and social connections – in a word: kinship.”This sense of community and togetherness is amplified by the collaborations on this album. With celebrated composer and didgeridoo virtuoso William Barton, Dickson explores music by Australian composers Ross Edwards, Peter Sculthorpe and Barton himself. With acclaimed pianist Daniel de Borah she traverses Europe, from Brahms to Falla, Pessard and Vaughan Williams. And Nicholas Carter and the Adelaide Symphony Orchestra explore archetypes of traditional Scottish music in a world premiere recording of Sir James MacMillan’s Saxophone Concerto, written specifically for Dickson.Dickson continues, “In today’s frenetic digital age, folk music offers us a refuge: the enduring simplicity and nostalgia embodied in this music provides timeless sanctuary from the relentless surge of modernity.” We invite you to take a deep, relaxing breath and join us at our table, our fireplace, and with our family. Twice nominated for a Grammy™ award, Amy Dickson made history by becoming the first saxophonist to win a Classic BRIT Award, as Breakthrough Artist of the Year. In January 2016 she was named Young Australian of the Year in the UK; she has since been acknowledged by BBC Music Magazine as one of the world’s six best classical saxophonists, both past and present. Recognised for her remarkable, distinctive tone and exceptional musicality, Amy Dickson has performed throughout the world in such prestigious venues as The Wigmore Hall, Sydney Opera House, Royal Albert Hall, the Konzerthaus in Vienna and theBerliner Philharmonie. TRACKLISTING 1 PESSARD Andalouse2 SCULTHORPE Djilile3 FALLA Jota4 MACMILLAN From Galloway5 TRADITIONAL She Moved through the Fair MACMILLAN Saxophone Concerto 6 I. March, Strathspey and Reel 7 II. Gaelic Psalm 8 III. Jigs with Adelaide Symphony Orchestra conducted by Nicholas Carter (Live Recording)9 GRAINGER Shepherd’s Hey10 BRAHMS Hungarian Dance No. 411 ANONYMOUS Discovery12 FALLANana13 BARTON Kalkadunga Yurdu VAUGHAN WILLIAMS Six Studies in English Folk-Song 14 I. Adagio 15 II. Andante sostenuto 16 III. Larghetto 17 IV. Lento 18 V. Andante tranquillo 19 VI. Allegro vivace20 EDWARDS Yanada
Out in early 2019, Jenny Queen’s new album Baby it Was Real and We Were the Best, is her first studio album since 2014 and does not disappoint, bursting with tales of the unloved and uncertain. Lead single, 50 Dollars $ilver, is available October 5 and is a study in the profound tension that comes from the push and pull between fatalism and the idea that humans can change their own future. Produced by the ARIA award-winning Shane Nicholson, Baby it Was Real and We Were the Best showcases Queen’s celebrated poetic lyricism and versatile vocal powers as never before, commanding attention from the get go.
Omega Ensemble • Paul Meyer A magical journey through some of Mozart’s most memorable musical moments.Under the direction of renowned French clarinettist and conductor Paul Meyer, the Omega Ensemble, appearing for the first time in an expanded chamber orchestra configuration, delivers a glowing rendition of three Mozart masterpieces, beginning with his exquisite Clarinet Concerto – the last instrumental piece written by this musical genius before his death in 1791, at the age of just 35. Meyer as soloist blends grace and elegance with quicksilver virtuosity in a sparkling yet sensitive performance.New Zealand bassoonist Ben Hoadley brings Mozart’s youthful Bassoon Concerto to life, beautifully capturing the sonorous tones of this too often neglected instrument. Mozart’s Symphony No. 40 brings the disc to a triumphant close, amply justifying the Omega Ensemble’s reputation as ‘Sydney’s chamber music all-stars’. This live recording, direct from the superb acoustic of Sydney’s City Recital Hall, captures the thrill of a unique performance experience. TRACKLISTING WOLFGANG AMADEUS MOZARTClarinet Concerto in A major, KV6221 I. Allegro2 II. Adagio3 III. Rondo (Allegro) Bassoon Concerto in B-flat major, KV1914 I. Allegro5 II. Andante ma adagio6 III. Rondo (Tempo di menuetto) Symphony No. 40 in G minor, KV5507 I. Molto allegro8 II. Andante9 III. Menuetto (Allegretto)10 IV. Allegro assai Omega Ensemble Ben Hoadley bassoonPaul Meyer clarinet and director Recorded live in City Recital Hall, Sydney
Richard Strauss: Violin Concerto | Don QuixoteJames Ehnes violin | Daniel Müller-Schott cello | Christopher Moore violaMelbourne Symphony Orchestra conducted by Sir Andrew Davis The Melbourne Symphony Orchestra and their Chief Conductor Sir Andrew Davis continue their acclaimed survey of the orchestral music of Richard Strauss, with this latest volume featuring three world-class soloists – James Ehnes, Daniel Müller-Schott and Christopher Moore – performing two of his finest early works: the Violin Concerto, and the tone poem Don Quixote.Performed here by dual Grammy Award-winning Canadian violinist James Ehnes, Strauss’s Violin Concerto is a beautiful and inventive work, remarkably mature considering Strauss wrote it when he was still a teenager. Strangely seldom performed today, it is full of melody and of virtuoso fireworks, very much of its Romantic time but hinting at the recent Classical masters Beethoven and Mozart.Don Quixoteis inspired by Cervantes’s iconic novel, and Strauss demonstrates every bit of his flair for the dramatic (which would be fully realised in his great operasDer Rosenkavalier, Elektra, Die Frau ohne Schatten andSalome). With Daniel Müller-Schott’s cello representing the famous man of La Mancha, and Christopher Moore’s viola cast as his trusty sidekick Sancho Panza, Strauss takes us on an incredible journey into the mind of this deluded nobleman, and across the rustic landscape of the Don’s native Spain.The MSO’s Strauss series was launched in 2014 with a major European tour including the BBC Proms and the Concertgebouw, and has so far included Four Last Songs with Erin Wall, Ein Heldenleben, Four Symphonic Interludes, Also sprach Zarathustra, Don Juan, Till Eulenspiegel’s Merry Pranks and An Alpine Symphony. The recordings have won significant acclaim from the international press, with BBC Music Magazine describing Also sprach Zarathustra as ‘a benchmark recording’.TRACKLISTING RICHARD STRAUSS Violin Concerto in D minor, Op. 8 1 I. Allegro2 II. Lento ma non troppo3 III. Rondo (Prestissimo) Don Quixote – Fantastic Variations on a Knightly Theme, Op. 354 Introduction: Don Quixote Loses His Sanity after Reading Novels about Knights, and Decides to Become a Knight-Errant5 Theme: Don Quixote, Knight of the Sorrowful Countenance6 Theme: Sancho Panza7 Variation I: Adventure at the Windmills8 Variation II: The Victorious Struggle against the Army of the Great Emperor Alifanfaron9 Variation III: Dialogue between Knight and Squire10 Variation IV: Unhappy Adventure with a Procession of Pilgrims11 Variation V: The Knight’s Vigil12 Variation VI: Meeting with Dulcinea13 Variation VII: The Ride through the Air14 Variation VIII: The Unhappy Voyage in the Enchanted Boat15 Variation IX: Battle with the Magicians16 Variation X: Duel with the Knight of the Bright Moon17 Finale: Coming to His Senses Again James Ehnes violinDaniel Müller-Schott cello Christopher Moore violaMelbourne Symphony Orchestra Sir Andrew Davis conductorRecorded live in concert at Hamer Hall, Arts Centre Melbourne
ABC Classic and the West Australian Symphony Orchestra today announce the launch of WASO LIVE!, a new series of digital albums that will showcase the very best of this powerhouse ensemble’s live concerts, vividly recorded by ABC Classic’s team of live music engineers.The series will launch with Anton Bruckner’s monumental Symphony No. 8, conducted by WASO’s Principal Conductor and Artistic Adviser Asher Fisch. A renowned conductor in both the operatic and symphonic worlds, Fisch is especially celebrated for his interpretative command of core German and Italian repertoire of the Romantic and post-Romantic era. Mahler, Richard Strauss, Wagner and Verdi all feature among the plans for future volumes.“Asher is one of the world’s finest conductors – almost unsurpassed in this repertoire – and the sound that he elicits from this orchestra is incredibly powerful,” says Hugh Robertson, Label Manager of ABC Classic. “I’m so excited that these scintillating live performances are now going to be available for everyone in the world to hear at any time.””WASO LIVE! is an exciting new collaboration and we are delighted to partner with ABC Classic to capture WASO’s exceptional performances,” says Mark Coughlan, WASO’s Chief Executive. “I am especially thrilled that the initial release showcases the outstanding artistic relationship that exists between Asher Fisch and his orchestra and the exhilarating music making that results.”The WASO LIVE! series artwork will feature bright, bold and iconic images of the unique natural landscapes of WASO’s home, Western Australia.Having celebrated its 90th year in 2018, WASO is already looking forward to its centenary. ABC Classic and WASO LIVE! will be there to bring you the very best from one of Australia’s great orchestras. The final symphony completed during Bruckner’s lifetime, the 8th is quite simply one of the most thrilling orchestral works ever written.Mahler once famously said, ‘My symphonies represent the contents of my entire life’; Bruckner seems to go one step further, as if fitting the entire sweep of the universe into his epic orchestral works. His Eighth Symphony is the ultimate example of this: the hellish, dissonant nightmare of the first movement, the counterpoint of that sublime, radiant adagio before – finally – we reach a state of cosmic bliss and serenity as motifs from all four movements are brought together in one perfect C major chord. TRACKLISTINGANTON BRUCKNER 1824–1896 Symphony No. 8 in C minor (1890 version) Allegro moderatoScherzo (Allegro moderato) – Trio (Solemnly)Adagio (Solemnly slow, but without dragging)Finale (Solemnly, not fast) West Australian Symphony Orchestra Asher Fisch conductor Recorded live at the Perth Concert Hall
Sydney-based rockin’ soul and funky pop band, The Soul Movers, are readying the release of their new album, Bona Fide, out March 15 through ABC Music/Universal. Fans will get a taste of the new album with the first single ‘You Better Believe It!’ released this Friday-January 25. The Soul Movers features soul singer Lizzie Mack on lead vocals, ex-Red Wiggle and ARIA Hall of Famer Murray Cook on lead guitar, bass player Andy Newman (The Visitors), Marko Simec (Waiting For Guiness) on keys, and drummer Stuart Wilson (Loose Pills). Last year, the band traversed the US to record the tracks for Bona Fide at seven historic studios including FAME Studios, Royal Studios, Muscle Shoals Sound Studios and Sun Studio to name a few. Not only did they record in these hallowed studios, they were also lucky enough to play with some of the greatest session players. Bona Fidecrackles with the intensity of a band at the peak of their powers and is sure to wow audiences with its powerful, upbeatand memorable tracks. A highlight of their US recording odyssey was their two days at Muscle Shoals Sound Studio when The Soul Movers recorded with the legendary Swampers, Spooner Oldham and David Hood. The Swampers were part of the in-house band playing on over 500 recordings. These include 75 gold and platinum worldwide hits like Mustang Sally for Wilson Pickett, Respect for Aretha Franklin, Mainstreet for Bob Seger and Tell Mama for Etta James, just to name a few. “For me, the most amazing and surreal moment was playing guitar on our song, If I Could Ever, looking over and seeing two giants of modern music, Spooner Oldham and David Hood grooving along” says Murray Cook. “Here were two men who have played on many of my favourite records and some of the greatest music ever recorded - and they were playing keyboards and bass on OUR record!” Here’s a current EPK of The Soul Movers live shows plus a peek behind the scenes while touring and recording in the US. Bona Fide is The Soul Movers’ third album. It exemplifies soul music as seen through the Australian experience. The remarkable collaborations they had with their American musicians and singers, the hallowed studios they recorded in are all powerfully present in the resulting musical experiment. Studio imagery and jovial banter from the recording process bring the experience to life for the listener - Bona Fide - listen for yourself - it’s the real deal.
ARIA Award winning Melbourne Ska Orchestra never do anything by half measures! Not only does the band perform with up to 35 members on stage, but they also record and release material at break neck speed. So in 2018, paying respect to the Jamaican Sound System phenomenon, where artists would record and release new tracks on a weekly basis, MSO committed to doing the same. For one whole year, 52 new songs, over 52 weeks! We are not sure if any other band has done this before. It sure seems like a record of some kind has been broken. The final tally of the years recording of 52 songs, worked out as 4 x 13 track albums. Album 1 - The bands rendition of 13 ‘Ska Classics’, that had inspired the bands inception.Album 2 – Presented the bands renditions of TV & Movie themes (a tradition in the Ska genre),Album 3 + 4 – The band focused it’s full attention on original material, writing new songs for the project on practically a weekly basis. As a result two albums ‘Read All About It’ and ‘Transmission Friday’s’, totaling 26 songs shows the maturity and dedication to putting a unique and relevant stamp on the Ska genre.
This International Women’s Day (March 8), ABC Classic is releasing Women of Note: A Century of Australian Composers – the first in a new series celebrating Australian female composers.Australia has always punched above our weight musically, our female musicians especially – Nellie Melba, Joan Sutherland and Eileen Joyce in particular loom large among the finest musicians of the twentieth century. But beyond these celebrated performers, the history of Australia’s female composers is equally outstanding.Miriam Hyde,Dulcie Holland and Margaret Sutherland were hugely influential in the early years of Australia’s musical development. Peggy Glanville-Hicks and Anne Boydlooked beyond our borders to the musical traditions of other cultures, and sought to find a place for Australia among the community of musical nations.Elena Kats-Cherninis a phenomenon unto herself, arguably Australia’s most popular and best known composer. Yuin woman Brenda Gifford brings insights from her Indigenous culture to the Western classical tradition. And composers such as Sally Whitwell, Maria Grenfell,Kate Moore,Nicole Murphy andOlivia Bettina Davies represent the myriad ways in which classical music is developing in the 21st century.This compilation is a fascinating journey through the history of Australian composition, highlighting just how much of that history has been written by women. TRACKLISTING CD 1MIRIAM HYDE 1913–2005Piano Concerto No. 1 in E-flat minor (1934)1 I. Allegro 2 II. Lento 3 III. Allegro scherzando Miriam Hyde piano, West Australian Symphony Orchestra, Geoffrey Simon conductorDULCIE HOLLAND 1913–2000Piano Trio (1944)live recording 4 I. Allegro non troppo 5 II. Fast 6 III. Allegro maestoso Eggner TrioPEGGY GLANVILLE-HICKS 1912–1990Etruscan Concerto (1954)7 I. Promenade 8 II. Meditation 9 III. Scherzo Caroline Almonte piano, Tasmanian Symphony Orchestra, Richard Mills conductor CD2MARGARET SUTHERLAND 1897–1984Concerto for Violin and Orchestra (1960)1 I. Allegro 2 II. Adagio 3 III. Allegro Leonard Dommett violin, Melbourne Symphony Orchestra, Patrick Thomas conductorANNE BOYD b. 19464 As I Crossed a Bridge of Dreams (1975)The Contemporary Singers, Antony Walker conductorELENA KATS-CHERNIN b. 19575 Russian Rag (1995 / 1996)Sydney Alpha Ensemble, David Stanhope conductorMARIA GRENFELL b. 1969Di Primavera (Of Spring) (1998 / 2001)6 I. Lively and steadily 7 II. Rubato, espressivo 8 III. With energy and bounce Claire Edwardes marimba, Karin Schaupp guitarSALLY WHITWELL b. 19749 Road Trip (2012)Sally Walker flute, Sally Whitwell pianoKATE MOORE b. 197910 Fern (2012)Ensemble OffspringNICOLE MURPHY b. 198311 Spinning Top (2016)Benaud TrioBRENDA GIFFORD b. 1965arr. Jessica Wells12 Bardju (Footprints) (2017)Ensemble OffspringOLIVIA BETTINA DAVIES b. 198813 Crystalline (2018)ACO Collective
Birgit Nilsson – soprano Sydney Symphony Orchestra Sir Charles Mackerras – conductor Australia’s musical landscape changed forever on the evening of 29 September 1973, when the brand-new Sydney Opera House opened the doors of its Concert Hall to the public for the first time. In front of a packed, emotion-charged house, the great Australian conductor Sir Charles Mackerras made a triumphant homecoming in an all-Wagner concert that sent the critics searching for superlatives.ABC Classics is proud to release on DVD the original television footage of highlights from the concert, accompanied by the complete audio from the occasion on CD. Featuring the greatest Wagnerian soprano of the 20th century, Birgit Nilsson, as soloist, this was an electrifying opening for the iconic building. Forty-six years on, the excitement of that magic night is still palpable, and Mackerras’ ability to bring the best out of the Orchestra of which he himself had once been a member remains awe-inspiring. A priceless memento of one of the greatest days in Australian music, this DVD+CD package captures two master-artists at the height of their creative powers with an orchestra playing at its peak. TRACKLISTING DVD1 IntroductionGötterdämmerung (Twilight of the Gods)2 Siegfrieds Rheinfahrt (Siegfried’s Journey to the Rhine)3 Trauermarsch (Siegfried’s Funeral March)4 Schlussgesang der Brünnhilde (Brünnhilde’s Immolation Scene) CDDie Meistersinger von Nürnberg (The Mastersingers of Nuremberg)1 PreludeTannhäuser2 Elizabeth’s Greeting: Dich, teure Halle (Dear Hall of Song)Tristan und Isolde3 Prelude4 Liebestod (Love–Death)Götterdämmerung (Twilight of the Gods)5 Siegfrieds Rheinfahrt (Siegfried’s Journey to the Rhine)6 Trauermarsch (Siegfried’s Funeral March)7 Schlussgesang der Brünnhilde (Brünnhilde’s Immolation Scene)
Renowned Brisbane mashup rock/electro/punk/poppin’ funtime outfit Regurgitator have cooked up a sugar-soaked record written especially for kids! Having performed at a number of children’s events in recent years, the inimitable band have developed the kids music project Regurgitator’s Pogogo Show - a typically manic playground that careers between punk, hiphop, funk, electro-pop and everything in between. The new collection of songs - The Really Really Really Really Boring Album - is about as silly and cheeky as a record can get, whilst still offering a G-rating suitable for the tiny folk. Featuring instant-ear wriggles such as ‘The Box’ and ‘Games On My Computer’, it’s sure to bring a smile to long-terms fans as well as the young ones in their life. The band have never been more excited: “We’ve got our tiny amplifiers warmed up, our teeny drum kits tuned and plenty of soap for our filthy little mouths. We’re ready to shout till our voices are wrecked, if you’re ready to scream till your parents are deaf!” Keep all eyes out for Regurgitator’s Pogogo Show kids concerts throughout 2019.
Homegrown country songsmith, Felicity Urquhart, has announced the release of her first studio album, Frozen Rabbit, to be released on April 26, through ABC Music. The album will be her first solo release in over a decade and the lead single, Chain Of Joy, is available today. As any rabbit will tell you, a lot can happen in a decade. For Felicity, the past ten years have held all manner of changes: from marriage, to motherhood, to the increasing demands of a busy radio and television schedule. “The gathering and the song-collecting for this album has taken a few years,” says Felicity. “It comes with ten years of life experience. It’s about finding out that there needs to be truth in everything you do.” Frozen Rabbit reaffirms Felicity’s status as one of the nation’s best-loved and most respected singer-songwriters, showcasing her celebrated vocal poise, captivating lyricism, and reverence for country music tradition as never before. Produced by Felicity’s husband and long-time collaborator, Glen Hannah (Kasey Chambers), the album is one that radiates the warmth of family life.The lead single, Chain Of Joy, was co-written with Kim Richey and is an irresistible jaunt and a timely reminder to draw on our personal reserves of joy in the face of adversity. “There are many crazy things happening in the world and when you have little faces looking to you for guidance, I think it’s important to bring positivity and ideas they can understand. For them to know happiness and how to access that in their hearts when things aren’t so grand,” Felicity relates. Felicity, the host of ABC’s ‘Saturday Night Country’, has solidified herself as one of the most popular and recognisable country music artists in Australia. She has also accumulated an extensive list of accolades to her name. A seven-time Golden Guitar winner with seven studio albums behind her, she has also been nominated for an ARIA, won the CMA International Broadcaster award and performed for both the Pope and the President of the USA. Her 2018 album with Bennett and Bowtell, ‘Weeds’ is currently nominated for three Golden Guitars – with their first album winning two Golden Guitars. Recently signed to ABC Music, Felicity Urquhart’s back catalogue also finds a new home at the label; which is available today through all digital partners.
Join ABC Jazz on a trip to the decline of human connection to its environment and reality, and the rise of inhuman order, control, rules, regulations and limits.Descent of the Freeis the latest album by Sydney-based double bass performer Elsen Price, an astonishing 40-minutes of virtuoso solo double bass drones, loops and overdubs. This is a concept album demonstrating the new world of double bass, an instrument often found in background of music, but here used to create new unique sounds and act as a fully capable tool for composition and performance.ABC Jazz label manager, Hugh Robertson, says, “This album is a remarkable creation. With just one instrument, Elsen has conjured up an entire world of sound, expression and emotion. It defies categorisation, except for one obvious thing: this is astounding music. Elsen Priceis an Australian Double Bassist and composer based in Sydney, Australia. As a featured artist, Elsen has performed both locally and internationally at BassEurope (Prague), Yilan International Art Festival (Taipei), Audio Foundation (Auckland), Sydney Festival, Vivid Festival, MONA and Woodford Folk Festival. He has performed alongside Josh Groban, Mike Patton (Faith No More), Lee Ranaldo (Sonic Youth) and many others.Elsen has pursued a career specialising in New Music and World Music, performing new works by Andrew Batt-Rawden, David Hush, P. Kellach Waddle, Elena Kats-Chernin, Keyna Wilkins and many others. Elsen also collaborates with many traditional performers from Iraq, Syria, Turkey and Armenia. TRACK LISTING: Descent of the FreeI. Birth: The Spirit BeginsII. Divide: The Spirit SeparatedIII. Isolate: The Spirit ContainedIV. Assemble: The Spirit ControlledV. Fall: The Spirit RememberedAlternate Take – Isolate 1Alternate Take – Isolate 2 Elsen Price double bass